Tag: Caroline Achaintre
Caroline Achaintre, Michel Blazy & Ulla von Brandenburg
La Couleur crue
Musée des Beaux-Arts de Rennes
12.06.21 – 29.08.21
From June 12 to August 29, on the occasion of the summer art event “Exporama” and in echo to the exhibition at the Couvent des Jacobins “Beyond Color. Black and White in the Pinault Collection”, the Musée des beaux-arts de Rennes presents “La Couleur crue”.
Musée des Beaux-Arts de Rennes
20 Quai Emile Zola
35000 Rennes/FR
Further information : mba.rennes.fr
Installation view/vue d’exposition, Tête-à-tête, curator/commissaire Joël Riff, Art: Concept, Paris, 2021 
Installation view/vue d’exposition, Tête-à-tête, curator/commissaire Joël Riff, Art: Concept, Paris, 2021 
Installation view/vue d’exposition, Tête-à-tête, curator/commissaire Joël Riff, Art: Concept, Paris, 2021 
Installation view/vue d’exposition, Tête-à-tête, curator/commissaire Joël Riff, Art: Concept, Paris, 2021 
Installation view/vue d’exposition, Tête-à-tête, curator/commissaire Joël Riff, Art: Concept, Paris, 2021 
Installation view/vue d’exposition, Tête-à-tête, curator/commissaire Joël Riff, Art: Concept, Paris, 2021 
Installation view/vue d’exposition, Tête-à-tête, curator/commissaire Joël Riff, Art: Concept, Paris, 2021 
Installation view/vue d’exposition, Tête-à-tête, curator/commissaire Joël Riff, Art: Concept, Paris, 2021 
Installation view/vue d’exposition, Tête-à-tête, curator/commissaire Joël Riff, Art: Concept, Paris, 2021 
Installation view/vue d’exposition, Tête-à-tête, curator/commissaire Joël Riff, Art: Concept, Paris, 2021 
Yeti, 2021, laine tuftée à la main/hand tufted wool, 247 × 217 cm (97 ¼ × 85 ⅜ in.) 
Installation view/vue d’exposition, Tête-à-tête, curator/commissaire Joël Riff, Art: Concept, Paris, 2021 
Augustus, 2021, Céramique (porcelaine)/ceramic (porcelain), 56 × 24 × 5 cm (22 × 9 1/2 × 2 in.) 
Live evil, 2021, aquarelle et encre sur papier/watercolour and ink on paper, 35,5 × 25,5 cm (10 x 14 in.) 
Skepter, 2021, Céramique (porcelaine)/ceramic (porcelain), 69 × 52 × 2 cm (27 1/8 × 20 1/2 × 3/4 in.) 
Sir lieu, 2021, Céramique (porcelaine)/ceramic (porcelain), 27 × 24 × 5 cm (10 5/8 × 9 1/2 × 2 in.) 
Morse, 2021, laine tuftée à la main/hand-tufted wool, 120 × 64 cm (47 1/4 × 25 1/4 in.) Collection privée/Private collection FR 
Bristler, 2021, Céramique (terre cuite)/ceramic (terracotta), 92 × 36 × 12 cm (36 1/4 × 14 1/8 × 4 3/4 in.) 
Hyena, 2021, aquarelle et encre sur papier/watercolour and ink on paper, 35,5 × 25,5 cm (14 × 10 in.) 
Helmet G, 2021, aquarelle et encre sur papier/watercolour and ink on paper, 35,5 × 25,5 cm (14 × 10 in.) 
F.L.O.C.K, 2021, Céramique (porcelaine)/ceramic (porcelain), 71 × 28 × 4 cm (28 × 11 × 1 5/8 in.) 
Elm, 2021, Céramique (terre cuite)/ceramic (terracotta), 63 × 26 × 22 cm (24 3/4 × 10 1/4 × 8 5/8 inches) 
Elm, 2021, Céramique (terre cuite)/ceramic (terracotta), 63 × 26 × 22 cm (24 3/4 × 10 1/4 × 8 5/8 inches) 
Solaris, 2021, aquarelle et encre sur papier/watercolour and ink on paper, 35,5 × 25,5 cm (14 × 10 in.) 
Venus, 2021, laine tuftée à la main/hand-tufted wool, 230 × 100 cm (90 1/2 × 393/8 in.) 
Limelight, 2021, aquarelle et encre sur papier/watercolour and ink on paper, 35,5 × 25,5 cm (14 × 10 in.)
Art: Concept has the pleasure to announce Caroline Achaintre’s new exhibition Tête-à-tête at the gallery, curated by Joël Riff.
Art: Concept has the pleasure to announce Caroline Achaintre’s new exhibition Tête-à-tête at the gallery, curated by Joël Riff.
Extended until May 22, 2021
Art : Concept is pleased to announce that Caroline Achaintre’s solo exhibition Vue Liquide at Fondation Thalie, Brussels has been extended until February 21 2021.
Photo © Laetizia Debain / Fondation Thalie
Jean-Michel Sanejouand, 3/11/88, 1988, acrylique sur toile/ acrylique on canvas, 130 x 97cm (51 1/8 x 38 1/4 in.) 
Adam McEwen, Untitled, 2017, graphite sur aluminium/graphite on aluminium, diamètre/diameter : 71 cm, 71 x 71 x 2cm (28 x 28 x 0 3/4 in.) 
Caroline Achaintre, BiaUltra, 2017, laine tuftée à la main/hand tufted wool, 235 x 220 cm (92 1/2 x 86 5/8 in.) 
Caroline Achaintre, Herbert, 2018, laine tuftée à la main/hand tufted wool, 115 x 125 cm (45 1/4 x 49 1/4 in.) 
Alexandre Singh, La Tour Cuisine, 2018, bronze, 36 x 36 x 63 cm (14 1/8 x 14 1/8 x 24 3/4 in.) ed 3 + 2 AP 
Alexandre Singh, TB103, 2018, ensemble de quatre dessins/set of four drawings, aquarelle, crayon et encre/watercolour, pencil and India ink, 157,48 x 109,22 cm (62 x 43 in.)/163,5 x 115,2 cm (64 3/8 x 45 3/8 in.) encadré/framed 
Alexandre Singh, TB 103 (été 1969) 2018, aquarelle, crayon et encre/watercolour, pencil and India ink, 157,48 x 109,22 cm (62 x 43 in.)/163,5 x 115,2 cm (64 3/8 x 45 3/8 in.) encadré/framed 
Alexandre Singh, TB 103 (printemps 1889) 2018, aquarelle, crayon et encre/watercolour, pencil and India ink, 157,48 x 109,22 cm (62 x 43 in.)/163,5 x 115,2 cm (64 3/8 x 45 3/8 in.) encadré/framed 
Alexandre Singh, TB 103 ((automne 1887), 2018, aquarelle, crayon et encre/watercolour, pencil and India ink, 157,48 x 109,22 cm (62 x 43 in.)/163,5 x 115,2 cm (64 3/8 x 45 3/8 in.) encadré/framed 
Alexandre Singh, TB 103 (hiver 1888), 2018, aquarelle, crayon et encre/watercolour, pencil and India ink, 157,48 x 109,22 cm (62 x 43 in.)/163,5 x 115,2 cm (64 3/8 x 45 3/8 in.) encadré/framed 
Julien Audebert, La Goutte noire (n°1), 2018, Huile sur toile/Oil on canvas, 40 x 40 cm (15 3/4 x 15 3/4 in.) 
Julien Audebert, La Goutte noire (n°4), 2018, Huile sur toile/Oil on canvas, 50 x 65 cm (19 5/8 x 25 5/8 in.) 
Miryam Haddad, Sacrifice, 2018, Huile sur toile/oil on canvas, 27 x 22 cm (10 5/8 x 8 5/8 in.) 
Miryam Haddad, Infiltration, 2018, Huile sur toile/oil on canvas, 27 x 22 cm (10 5/8 x 8 5/8 in.) 
Miryam Haddad, Sans titre, 2018, Huile sur toile/oil on canvas, 21,8 x 14 cm (8 5/8 x5 1/2 in.) chaque/each 
Caroline Achaintre, Schnauzer, 2017, grès chamotté émaillé/enamelled stoneware, 30 x 26 x 7 cm (11 3/4 x 10 1/4 x 2 3/4 in.) 
Caroline Achaintre, Nero, 2018, céramique/ceramic, 27 x 29 x 40 cm (10 5/8 x 11 3/8 x 15 3/4 in.)
Art : Concept is pleased to announce Caroline Achaintre’s solo exhibition, Permanente, at Fondazione Giuliani per l’Arte Contemporanea in Rome.
Tapestry, watercolours, basketwork and ceramics are traditional techniques that Caroline Achaintre uses to create her carnival of the absurd. The exhibition reveals the wide range of her output with a group of previously unseen works as well as pieces produced especially for Montpellier. She is creating her distinctive exhibition design and making three new wicker sculptures with local artisans.