Jean-Michel Sanejouand, 3/11/88, 1988, acrylique sur toile/ acrylique on canvas, 130 x 97cm (51 1/8 x 38 1/4 in.) 
Adam McEwen, Untitled, 2017, graphite sur aluminium/graphite on aluminium, diamètre/diameter : 71 cm, 71 x 71 x 2cm (28 x 28 x 0 3/4 in.) 
Caroline Achaintre, BiaUltra, 2017, laine tuftée à la main/hand tufted wool, 235 x 220 cm (92 1/2 x 86 5/8 in.) 
Caroline Achaintre, Herbert, 2018, laine tuftée à la main/hand tufted wool, 115 x 125 cm (45 1/4 x 49 1/4 in.) 
Alexandre Singh, La Tour Cuisine, 2018, bronze, 36 x 36 x 63 cm (14 1/8 x 14 1/8 x 24 3/4 in.) ed 3 + 2 AP 
Alexandre Singh, TB103, 2018, ensemble de quatre dessins/set of four drawings, aquarelle, crayon et encre/watercolour, pencil and India ink, 157,48 x 109,22 cm (62 x 43 in.)/163,5 x 115,2 cm (64 3/8 x 45 3/8 in.) encadré/framed 
Alexandre Singh, TB 103 (été 1969) 2018, aquarelle, crayon et encre/watercolour, pencil and India ink, 157,48 x 109,22 cm (62 x 43 in.)/163,5 x 115,2 cm (64 3/8 x 45 3/8 in.) encadré/framed 
Alexandre Singh, TB 103 (printemps 1889) 2018, aquarelle, crayon et encre/watercolour, pencil and India ink, 157,48 x 109,22 cm (62 x 43 in.)/163,5 x 115,2 cm (64 3/8 x 45 3/8 in.) encadré/framed 
Alexandre Singh, TB 103 ((automne 1887), 2018, aquarelle, crayon et encre/watercolour, pencil and India ink, 157,48 x 109,22 cm (62 x 43 in.)/163,5 x 115,2 cm (64 3/8 x 45 3/8 in.) encadré/framed 
Alexandre Singh, TB 103 (hiver 1888), 2018, aquarelle, crayon et encre/watercolour, pencil and India ink, 157,48 x 109,22 cm (62 x 43 in.)/163,5 x 115,2 cm (64 3/8 x 45 3/8 in.) encadré/framed 
Julien Audebert, La Goutte noire (n°1), 2018, Huile sur toile/Oil on canvas, 40 x 40 cm (15 3/4 x 15 3/4 in.) 
Julien Audebert, La Goutte noire (n°4), 2018, Huile sur toile/Oil on canvas, 50 x 65 cm (19 5/8 x 25 5/8 in.) 
Miryam Haddad, Sacrifice, 2018, Huile sur toile/oil on canvas, 27 x 22 cm (10 5/8 x 8 5/8 in.) 
Miryam Haddad, Infiltration, 2018, Huile sur toile/oil on canvas, 27 x 22 cm (10 5/8 x 8 5/8 in.) 
Miryam Haddad, Sans titre, 2018, Huile sur toile/oil on canvas, 21,8 x 14 cm (8 5/8 x5 1/2 in.) chaque/each 
Caroline Achaintre, Schnauzer, 2017, grès chamotté émaillé/enamelled stoneware, 30 x 26 x 7 cm (11 3/4 x 10 1/4 x 2 3/4 in.) 
Caroline Achaintre, Nero, 2018, céramique/ceramic, 27 x 29 x 40 cm (10 5/8 x 11 3/8 x 15 3/4 in.)
Tag: Jean-Michel Sanejouand
Espaces & Cie, 2017. Acrylic on paper, 17 7/8 x 12 in. Available 
Espaces & Cie, 2017. Acrylic on paper, 17 7/8 x 12 in. Available 
Espaces & Cie, 2016. Acrylic on paper, 17 7/8 x 12 in. Available 
Derrière, 2013. Stones painted black, 6 7/8 x 2 1/2 x 2 3/8 in. Available 
Lance-pierre, 2006. Stone, acrylic, 5 7/8 x 5 1/8 x 3 7/8 in. Private collection CH 
9.6.96, 1996. Acrylic on canvas, 37 3/4 x 51 1/8 in. Available 
Les Têtes Petites, 1991. Acrylic on canvas, 51 1/8 x 38 1/4 in. Available 
Deux-Deux, 1989. Acrylic on canvas, 51 1/8 x 38 1/4 in. Available 
L’arbre aussi, 30.06.1989 – 24.07.1989. Acrylic on canvas, diptych, 63 3/4 x 51 1/8 in. each. Available 
1/11/89, 1989. Acrylic on canvas, 38 1/4 x 51 1/8 in. Available 
3/11/88, 1988. Acrylic on canvas, 51 1/8 x 38 1/4 in. Available 
8.10.84, 1984. Acrylic on canvas, diptych, 94 1/2 x 74 3/4 in. Private collection FR 
Espace-Peinture, 11.10.81, 1981. Acrylic on canvas, 36 1/4 x 28 3/4 in. Available 
Espace-Peinture, 7.10.78, 1978. Acrylic on canvas, 35 x 45 5/8 in. Available 
Espace Peinture 11.10.78, 1978, acrylic on canvas, 39 3/8 x 39 3/8 in. Available 
Espace-Peinture, 29.6.78, 1978, acrylic on canvas, 35 x 74 3/4 in. Available 
Calligraphie d’humeur, 1974, indian ink on canvas, 35 3/8 x 74 3/4 in. Available 
Calligraphie d’humeur, 1974. Indian ink on canvas, 35 3/8 x 74 3/4 in. Available 
Calligraphie d’humeur (08/1974), 1974. Ink on canvas, 35 3/8 x 74 3/4 in. Available 
Calligraphie d’humeur, 1974, indian ink on canvas, 35 3/8 x 74 3/4 in. Available 
Châssis encre noire sur bâche à rayures, 1966. Wood, awning canvas, ink, 39 3/8 x 31 7/8 in. Private collection FR 
Orange à saisir, 1966. Wood, canvas, metal, 110 1/4 x 15 3/4 x 4 3/8 in. Private collection FR 
Les petites herbes, 1966. Canvas, plastic coated fabric, pencil, 45 5/8 x 28 3/4 in. Available 
Châssis, grillage plastique rouge et grillage jaune sur toile bleue, 1965. Wood, fabric, wire, plastic, 97 5/8 x 23 5/8 in. Available 
Plastique bleu, deux châssis et une bande de tissu noir, 1964. Wood, fabric, plastic, 57 5/8 x 28 3/4 in. Available 
En losanges, 1964. Wood, plastic, 89 x 44 1/2 in. Available 
Toile de bâche à rayures et châssis bois, 1964. Awning canvas, wooden stretcher, 63 3/4 x 51 1/8 in. Public collection: Philadelphia Museum of Art/US 
Toile de bâche à rayures et règle, 1964. Fabric, wood, 31 7/8 x 40 1/8 in. Private collection FR 
Monochrome bleu derrière, 1964. Awning fabric, wooden stretcher, 39 3/8 x 31 7/8 in. Private collection FR 
Deux châssis + feutre derrière, 1964. Bois, wood, felt, 19 5/8 x 39 3/8 in. Available 
Zoé, 1963, mixed media, 118 x 40 x 35 cm. Public collection: MNAM/Centre Pompidou, Paris/FR 
Toile noire et miroir, 1963. Black fabric on wooden stretcher, mirror, 76 3/4 x 102 3/8 in. Available 
Porte-Boules, 1963. Stone, acrylic, leather, 2 3/4 x 9 7/8 in. Available
Biography
Jean-Michel Sanejouand (1934-2021) was born in Lyon and lived and worked in the Anjour region. Hailing from the heart of the 60’s art scene, the work of Jean-Michel Sanejouand continues to resist any traditional type of classification, all the while maintaining a certain radicalness in its questioning of accepted forms and processes. Beyond the pure expression of formal liberty, Jean-Michel Sanejouand chose to exploit the very ruptures which result from contrasting various artistic elements. His ingeniousness has been recognised by a number of French and international institutions, including the Centre Georges Pompidou, which presented an important retrospective of his work in 1995.
His work is present in several French public collections including the Musée national d’art moderne/Centre Pompidou, the Musée d’Art moderne de la Ville de Paris, the Musée d’Art Contemporain de Lyon and the Lille Métropole Musée d’art moderne, d’art contemporain et d’art brut. Many solo exhibitions have been devoted to his work since the 1960s, including: Charges-Objets, MAMCO, Geneva (2015); Un peu d’espace(s) at Art : Concept, Paris in (2015); Rétrospectivement…, Frac Pays de la Loire, Carquefou/FR (2012); 1963-1995 retrospective, Centre Pompidou, Paris/FR (1995); Rétrospective des Charges-Objets aux Espaces-Peintures, Palais des Beaux-Arts, Lyon/FR (1986).