Miryam Haddad’s solo show at the FRAC Auvergne will be on view from October 2 to December 30 2021.
In collaboration with: Printemps de Septembre festival from September 17 to October 17, 2021 as part of the artist’s exhibition at the Abattoirs, Musée – FRAC Occitanie, Toulouse.
FRAC Auvergne 6 Rue du Terrail 63000 Clermont-Ferrand/FR
Miryam Haddad will present a solo show at Les Abattoirs, Musée – FRAC Occitanie as part of the festival Le Printemps de Septembre, Toulouse 09.17.21 – 10.17.21
In collaboration with the FRAC Auvergne, as part of the exhibition Là-bas, sous le ciel d’orage (Over there, under the stormy sky) from October 2 to December 30, 2021.
Jean-Michel Sanejouand, 3/11/88, 1988, acrylique sur toile/ acrylique on canvas, 130 x 97cm (51 1/8 x 38 1/4 in.)
Adam McEwen, Untitled, 2017, graphite sur aluminium/graphite on aluminium, diamètre/diameter : 71 cm, 71 x 71 x 2cm (28 x 28 x 0 3/4 in.)
Caroline Achaintre, BiaUltra, 2017, laine tuftée à la main/hand tufted wool, 235 x 220 cm (92 1/2 x 86 5/8 in.)
Caroline Achaintre, Herbert, 2018, laine tuftée à la main/hand tufted wool, 115 x 125 cm (45 1/4 x 49 1/4 in.)
Alexandre Singh, La Tour Cuisine, 2018, bronze, 36 x 36 x 63 cm (14 1/8 x 14 1/8 x 24 3/4 in.) ed 3 + 2 AP
Alexandre Singh, TB103, 2018, ensemble de quatre dessins/set of four drawings, aquarelle, crayon et encre/watercolour, pencil and India ink, 157,48 x 109,22 cm (62 x 43 in.)/163,5 x 115,2 cm (64 3/8 x 45 3/8 in.) encadré/framed
Alexandre Singh, TB 103 (été 1969) 2018, aquarelle, crayon et encre/watercolour, pencil and India ink, 157,48 x 109,22 cm (62 x 43 in.)/163,5 x 115,2 cm (64 3/8 x 45 3/8 in.) encadré/framed
Alexandre Singh, TB 103 (printemps 1889) 2018, aquarelle, crayon et encre/watercolour, pencil and India ink, 157,48 x 109,22 cm (62 x 43 in.)/163,5 x 115,2 cm (64 3/8 x 45 3/8 in.) encadré/framed
Alexandre Singh, TB 103 ((automne 1887), 2018, aquarelle, crayon et encre/watercolour, pencil and India ink, 157,48 x 109,22 cm (62 x 43 in.)/163,5 x 115,2 cm (64 3/8 x 45 3/8 in.) encadré/framed
Alexandre Singh, TB 103 (hiver 1888), 2018, aquarelle, crayon et encre/watercolour, pencil and India ink, 157,48 x 109,22 cm (62 x 43 in.)/163,5 x 115,2 cm (64 3/8 x 45 3/8 in.) encadré/framed
Julien Audebert, La Goutte noire (n°1), 2018, Huile sur toile/Oil on canvas, 40 x 40 cm (15 3/4 x 15 3/4 in.)
Julien Audebert, La Goutte noire (n°4), 2018, Huile sur toile/Oil on canvas, 50 x 65 cm (19 5/8 x 25 5/8 in.)
Miryam Haddad, Sacrifice, 2018, Huile sur toile/oil on canvas, 27 x 22 cm (10 5/8 x 8 5/8 in.)
Miryam Haddad, Infiltration, 2018, Huile sur toile/oil on canvas, 27 x 22 cm (10 5/8 x 8 5/8 in.)
Miryam Haddad, Sans titre, 2018, Huile sur toile/oil on canvas, 21,8 x 14 cm (8 5/8 x5 1/2 in.) chaque/each
Caroline Achaintre, Schnauzer, 2017, grès chamotté émaillé/enamelled stoneware, 30 x 26 x 7 cm (11 3/4 x 10 1/4 x 2 3/4 in.)
Caroline Achaintre, Nero, 2018, céramique/ceramic, 27 x 29 x 40 cm (10 5/8 x 11 3/8 x 15 3/4 in.)
Miryam Haddad, Hisser la vie, 2024. Huile sur toile, diptyque / Oil on canvas, diptych, 18 × 12 × 2 cm (7 ⅛ × 4 ¾ × ¾ inches) / 18 × 14 × 2 cm (7 ⅛ × 5 ½ × ¾ inches) Courtesy the Artist and Art : Concept, Paris. Photo Romain Darnaud
Vue d’exposition / Installation view Olio e pepe, 2024, Art : Concept, Paris. Courtesy the Artists and Art : Concept, Paris. Photo Romain Darnaud
Miryam Haddad, Sur le chemin de la pluie I, 2023. Huile sur toile, diptyque / Oil on canvas diptych. 22 × 49 cm (8 ⅝ × 19 ¼ inches). Courtesy the Artist and Art : Concept, Paris. Photo Romain Darnaud
Miryam Haddad, Sur le chemin de la pluie I, 2023. Huile sur toile / Oil on canvas, 30 × 24 cm (11 ¾ × 9 ½ inches). Courtesy the Artist and Art : Concept, Paris. Photo Romain Darnau
Une terre qui se réveille, 2023, Huile sur toile / Oil on canvas. 200 x 125 cm + 200 x 200 cm: 200 × 325 cm. Courtesy the Artist and Art : Concept, Paris. Photo Romain Darnaud
Poussière du temps, 2022 Huile sur toile / Oil on canvas. 33 × 24 × 2 cm. Courtesy the Artist and Art : Concept, Paris. Photo Romain Darnaud
L’étreinte du vent, 2022. Huile sur toile / Oil on canvas. 200 × 300 × 2,5 cm. Courtesy the Artist and Art : Concept, Paris. Photo Romain Darnaud
Installation view / Vue de l’exposition Entre tes yeux et les images que j’y vois à la Fondation Pernod Ricard, Paris. 2021 Photo by: Aurélien Mole
Miryam Haddad, Soleil avide, 2022. Huile sur toile / Oil on canvas. 22 × 16 cm (8 ⅝ × 6 ¼ inches). Courtesy the artist ; Art : Concept, Paris. Photo Romain Darnaud.
Miryam Haddad, Derrière le vent qui fuit, 2022. Aquarelle, papier / Watercolor, paper. 30 × 21 cm (11 ¾ × 8 ¼ inches). 36,5 × 27,5 × 3,5 cm (14 ⅜ × 10 ⅞ × 1 ⅜ inches) (framed). Courtesy the artist ; Art : Concept, Paris. Photo Nicolas Brasseur
Miryam Haddad, Au bord des regards, 2022. Huile sur toile / Oil on canvas. Diptyque /Diptych : 250 x 200 cm + 250 x 100 cm ; 250 × 300 cm (98 ⅜ × 118 ⅛ inches). Courtesy the artist, Art : Concept, Paris. Photo Romain Darnaud
L’épaule des souffles, 2021, oil on canvas, 78 ¾ × 98 ⅜ in.
Le brin de l’aube, 2021 oil on canvas, diptych 98 ⅜ × 157 ½ inches
La loi des regards, 2021, oil on canvas, 8 ⅝ × 6 ¼ inches. Private collection
Quand le ciel ouvre ses paupières, 2021, oil on canvas, 9 ½ × 5 ½ inches. Private collection
L’aube entre les mains, 2021 watercolor on paper, 11 ¾ × 8 ¼ inches. Private collection
L’aube entre les mains, 2021 watercolor on paper, 11 ¾ × 8 ¼ inches. Private collection
Face aux regards en deuil, 2020 oil on canvas, 98 ⅜ × 78 ¾ inches. Collection privée
Vue de l’exposition / Installation view Miryam Haddad Là-bas, sur le ciel d’orage – FRAC Auvergne, Clermont – Ferrand, 2021. Photo Ludovic Combe
Vue de l’exposition / Installation view Miryam Haddad Là-bas, sur le ciel d’orage – FRAC Auvergne, Clermont – Ferrand, 2021. Photo Ludovic Combe
Vue de l’exposition / Installation view Miryam Haddad Là-bas, sur le ciel d’orage – FRAC Auvergne, Clermont – Ferrand, 2021. Photo Ludovic Combe
Vue de l’exposition / Installation view Miryam Haddad Là-bas, sur le ciel d’orage – FRAC Auvergne, Clermont – Ferrand, 2021. Photo Ludovic Combe
Édifier la nuit, 2020, oil on canvas, 13 ¼ × 9 ½ in. Private collection FR
Les songes agitant mers et lumières, 2020, oil on canvas, 118 1/8 x 118 1/8 in. Private collection
Le soupir des lueurs, 2020, oil on canvas, 98 3/8 x 78 3/4 in.
Les ondes silencieuses, 2020 oil on canvas, 250 x 210 cm (98 3/8 x 82 5/8 in.).
L’écume des protecteurs, 2020, oil on canvas 22 x 16 cm (8 5/8 x 6 1/4 in.). Private collection IT
Le ciel souffle d’un souffle aride, 2020. Oil on canvas, 8 5/8 x 6 1/4 in. Private collection FR
Vent des lumières, 2020. Oil on canvas, 9 1/2 x 7 1/2 in. Private collection FR
Feu du ciel, 2020, oil on canvas, 7 7/8 x 7 7/8 in. Private collection
La fonte des cieux, 2020. Watercolour, paper, 14 1/8 x 10 5/8 in. Private collection CY
La fonte des cieux, 2020. Watercolour, paper, 14 1/8 x 10 5/8 in. Private collection FR
Crépuscule, 2020. Oil on canvas, 13 3/4 x 10 5/8 in. Private collection FR
Un ciel volé, 2020. Oil on canvas, triptych, each 76 3/4 x 153 1/2 in. Collection Frac Auvergne
Born in 1991 in Damascus, Syria, Miryam Haddad has been living and working in Paris since 2012.
Miryam Haddad’s artwork discloses, for anyone willing to look closely, a thrilling adventure: that of a very young artist who harbours two equally intense words: the abstract world of writing that conveys a message, and the incarnated world of painting that invites us to share an emotion without recourse to speech. Miryam Haddad’s works are like aurora borealis caused by the collision of solar particles from her native East Orient with the terrestrial atmosphere and magnetic fields of painting as practiced in Europe and America, and their radiance does not happen by chance.*
Her work is present in the following collections: Aïshti Foundation, Beyrouth/ LB; Institut du Monde Arabe, Paris/FR; FRAC Auvergne, Clermont Ferrand/FR.
In 2021, her solo exhibition at the Frac Auvergne, Clermont Ferrand/FR led to the publication of her first monograph. ** In 2019, the artist was the laureate of the Jean Francois Prat prize, had a solo show at the Collection Lambert in Avignon and was selected to create the poster for the 73rd Festival d’Avignon.
Her work has recently featured in the following group exhibitions: Immortelle, Mo.Co Panacée, Montpellier (2023); Entre tes yeux et les images que j’y vois, Fondation Pernod Ricard, Paris/FR (2022), Le Printemps de septembre, Toulouse/FR (curator Christian Bernard) (2021); J’aime, Je n’aime pas, Eigen + Art, Leipzig/DE (2020); Tomio Koyama gallery, Tokyo/JP (2020); Prix Jean-François Prat, Fondation Bredin Prat, Paris/FR (2019); Globe as a Palette, Hokkaido Obihiro Museum of Art/JP (touring Kushiro Art Museum, Hokkaido, Hakodate Museum of Art, Sapporo Art Museum, Hokkaido) (2019); Jeunes artistes en Europe – Les métamorphoses, Fondation Cartier, Paris/FR (2019).
* Extract from Didier Semin’s text «Têmpete Solide» in : ** Miryam Haddad, Texts by Didier Semin and Jean-Charles Vergne, published by FRAC Auvergne
