Category: shows

Press release (pdf)
  • Tommy Malekoff, Alligator Alley, 2022. Encre acrylique et aquarelle sur mousseline / Acrylic ink and watercolor on muslin. 11 ½ × 17 ½ × 1 inches (29,21 × 44,45 × 2,54 cm) / 12 ½ × 18 ½ × 1 ½ inches (31,75 × 46,99 × 3,81 cm) (framed). Courtesy the artist, ZERO…, Milano and Art : Concept, Paris. Photo Nicolas Brasseur.
  • Tommy Malekoff, Glade Town, 2022. Encre acrylique et aquarelle sur mousseline / Acrylic ink and watercolor on muslin. 11 ½ × 17 ½ × 1 inches (29,21 × 44,45 × 2,54 cm) / 12 ½ × 18 ½ × 1 ½ inches (31,75 × 46,99 × 3,81 cm) (framed). Courtesy the artist, ZERO…, Milano and Art : Concept, Paris. Photo Nicolas Brasseur.
  • Tommy Malekoff, Edison’s Banyan, 2022. Encre acrylique et aquarelle sur mousseline / Acrylic ink and watercolor on muslin. 11 ½ × 17 ½ × 1 inches (29,21 × 44,45 × 2,54 cm) / 12 ½ × 18 ½ × 1 ½ inches (31,75 × 46,99 × 3,81 cm) (framed). Courtesy the artist, ZERO…, Milano and Art : Concept, Paris. Photo Nicolas Brasseur.
  • Tommy Malekoff, Edison Ghost, 2022. Encre acrylique et aquarelle sur mousseline / Acrylic ink and watercolor on muslin. 11 ½ × 17 ½ × 1 inches (29,21 × 44,45 × 2,54 cm) / 12 ½ × 18 ½ × 1 ½ inches (31,75 × 46,99 × 3,81 cm) (framed). Courtesy the artist, ZERO…, Milano and Art : Concept, Paris. Photo Nicolas Brasseur.
  • Tommy Malekoff, Drexel Banyan, 2022. Encre acrylique et aquarelle sur mousseline / Acrylic ink and watercolor on muslin. 20 ¼ × 27 ¼ × 1 inches (51,44 × 69,22 × 2,54 cm) / 21 ¼ × 28 ¼ × 1 ½ inches (53,98 × 71,76 × 3,81 cm) (framed). Courtesy the artist, ZERO…, Milano and Art : Concept, Paris. Photo Nicolas Brasseur.
  • Tommy Malekoff, Gator Glow, 2022. Encre acrylique et aquarelle sur mousseline / Acrylic ink and watercolor on muslin. 20 ¼ × 27 ¼ × 1 inches (51,44 × 69,22 × 2,54 cm) / 21 ¼ × 28 ¼ × 1 ½ inches (53,98 × 71,76 × 3,81 cm) (framed). Courtesy the artist, ZERO…, Milano and Art : Concept, Paris. Photo Nicolas Brasseur.
  • Tommy Malekoff, Sugarland Circle, 2022. Encre acrylique et aquarelle sur mousseline / Acrylic ink and watercolor on muslin. 17 ¼ × 27 ¼ × 1 inches (43,82 × 69,22 × 2,54 cm)/ 18 ¼ × 28 ¼ × 1 ½ inches (46,36 × 71,76 × 3,81 cm) (framed). Courtesy the artist, ZERO…, Milano and Art : Concept, Paris. Photo Nicolas Brasseur.
  • Tommy Malekoff, Black Snow (South Bay), 2022. Encre acrylique et aquarelle sur mousseline / Acrylic ink and watercolor on muslin. 17 ¼ × 27 ¼ × 1 inches (43,82 × 69,22 × 2,54 cm) / 18 ¼ × 28 ¼ × 1 ½ inches (46,36 × 71,76 × 3,81 cm) (framed). Courtesy the artist, ZERO…, Milano and Art : Concept, Paris. Photo Nicolas Brasseur.
  • Tommy Malekoff, Clewiston Country Club, 2022. Encre acrylique et aquarelle sur mousseline / Acrylic ink and watercolor on muslin. 17 ¼ × 27 ¼ × 1 inches (43,82 × 69,22 × 2,54 cm) / 18 ¼ × 28 ¼ × 1 ½ inches (46,36 × 71,76 × 3,81 cm) (framed). Courtesy the artist, ZERO…, Milano and Art : Concept, Paris. Photo Nicolas Brasseur.
  • Tommy Malekoff, Nightshine (Pahokee), 2022. Encre acrylique et aquarelle sur mousseline / Acrylic ink and watercolor on muslin. 17 ¼ × 27 ¼ × 1 ½ inches (43,82 × 69,22 × 3,81 cm) / 18 ¼ × 28 ¼ × 1 ½ inches (46,36 × 71,76 × 3,81 cm) (framed). Courtesy the artist, ZERO…, Milano and Art : Concept, Paris. Photo Nicolas Brasseur.

Art : Concept is pleased to present a series of recent paintings by Tommy Malekoff.

Tommy Malekoff is an American artist, born 1992 in South Boston, Virginia. He lives and works in New York, NY. His work with video and photography deals with insular worlds and displaced phenomenons in the American landscape.

His work has been exhibited at New Canons and Jeffrey Stark in New York/US, Morán Morán Gallery in Los Angeles/US, 44 Michigan Avenue in Detroit/US and galleria ZERO in Milan/IT.

Exhibition file (pdf)Download
  • Whitney Bedford, Veduta (Degas Field), 2022. Encre et huile sur toile tendue sur bois / Ink and oil on wood on hybrid panel. 15 × 20 × 2 inches (38,10 × 50,80 × 5,08 cm). Courtesy the artist and Art : Concept, Paris. Photo Evan Bedford.
  • Whitney Bedford, Veduta (Dove), 2022. Encre et huile sur toile tendue sur bois / Ink and oil on wood on hybrid panel. 16 1/2 × 25 3/4 × 2 inches (41,91 × 65,41 × 5,08 cm). Courtesy the artist and Art : Concept, Paris. Photo Evan Bedford.
  • Whitney Bedford, Veduta (Hodgkin Palms), 2022. Encre et huile sur toile tendue sur bois / Ink and oil on wood on hybrid panel. 16 × 22 inches (40,64 × 55,88 cm). Courtesy the artist and Art : Concept, Paris. Photo Evan Bedford.
  • Whitney Bedford, Veduta (Klimt), 2022. Encre et huile sur toile tendue sur bois / Ink and oil on wood on hybrid panel.
    43 ½ × 43 ½ × 2 inches (110,49 × 110,49 × 5,08 cm). Courtesy the artist and Art : Concept, Paris. Photo Evan Bedford.
  • Whitney Bedford, Veduta (Léger), 2022. Encre et huile sur toile tendue sur bois / Ink and oil on wood on hybrid panel. 24 × 30 × 2 inches (60,96 × 76,20 × 5,08 cm). Courtesy the artist and Art : Concept, Paris. Photo Evan Bedford.
  • Whitney Bedford, Veduta (Munch Red Rocks), 2022. Encre et huile sur toile tendue sur bois / Ink and oil on wood on hybrid panel. 27,8 × 39,6 × 2 inches (70,61 × 100,58 × 5,08 cm). Courtesy the artist and Art : Concept, Paris. Photo Evan Bedford.
  • Whitney Bedford, Veduta (O’Connor), 2022. Encre et huile sur toile tendue sur bois / Ink and oil on wood on hybrid panel. 26,6 × 36 × 2 inches (67,56 × 91,44 × 5,08 cm). Courtesy the artist and Art : Concept, Paris. Photo Evan Bedford.
  • Whitney Bedford, Veduta (Salvo), 2022. Encre et huile sur toile tendue sur bois / Ink and oil on linen on hybrid panel. 31 1/8 × 22 1/4 × 2 inches (79,06 × 56,52 × 5,08 cm). Courtesy the artist and Art : Concept, Paris. Photo Evan Bedford.
  • Whitney Bedford, Veduta (Sérusier), 2022. Encre et huile sur toile tendue sur bois / Ink and oil on linen on hybrid panel. 30 × 43 1/2 inches (76,20 × 110,49 cm. Courtesy the artist and Art : Concept, Paris. Photo Evan Bedford.
  • Whitney Bedford, Veduta (Spilliaert), 2022. Encre et huile sur toile tendue sur bois / Ink and oil on wood on hybrid panel. 22 × 30 × 2 inches (55,88 × 76,20 × 5,08 cm). Courtesy the artist and Art : Concept, Paris. Photo Evan Bedford.
  • Whitney Bedford, Veduta (Turner White Rainbow), 2022. Encre et huile sur toile tendue sur bois / Ink and oil on wood on hybrid panel. 15 × 23 × 2 inches (38,10 × 58,42 × 5,08 cm). Courtesy the artist and Art : Concept, Paris. Photo Evan Bedford.
  • Whitney Bedford, Veduta (Valloton Romanel), 2022. Encre et huile sur toile tendue sur bois / Ink and oil on wood on hybrid panel. 20 × 30,7 × 2 inches (50,80 × 77,98 × 5,08 cm). Courtesy the artist and Art : Concept, Paris. Photo Evan Bedford.
  • Whitney Bedford, Veduta (Van Gogh Flowers), 2022. Encre et huile sur toile tendue sur bois / Ink and oil on wood on hybrid panel. 32 1/2 × 40,1 × 2 inches (82,55 × 101,85 × 5,08 cm). Courtesy the artist and Art : Concept, Paris. Photo Evan Bedford.

Art : Concept is pleased to present Whitney Bedford’s fifth solo exhibition at the gallery.

The artist’s latest series brings together what she calls Vedute, a series of landscape paintings inspired by late nineteenth and early twentieth century masters – from Degas to Sérusier, Klimt or Van Gogh. As with her paintings of shipwrecks, icebergs, and rainforests, the California-based artist reappropriates this historical legacy and uses it as references for her autobiographical landscapes, which work as contemporary allegories of social and environmental experiences.

Press release (pdf)

Presentation of the exhibition

  • Vue d’exposition / exhibition view Kate Newby: Try doing anything without it, 2022. Art : Concept, Paris. Courtesy de l’artiste et Art : Concept, Paris.
  • GET OFF THE SHED, 2022. Bronze. 19,5 x 54 x 0,4 cm (7 5/8 x 21 1/4 x 1/8 in) Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • How Can the Worst Site Become the Best Garden, 2022. Bronze. 19,5 x 54 x 0,4 cm (7 5/8 x 21 1/4 x 1/8 in) Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • 5 minutes to everywhere, 2022. Bronze. 19,5 x 54 x 0,4 cm (7 5/8 x 21 1/4 x 1/8 in) Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • Close is good, 2022. Verre / Glass. 201 x 94 cm (79 1/8 x 37 in). Produit aux / Produced at Ateliers Loire, Chartres. Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • Close is good, 2022. Verre / Glass. 201 x 94 cm (79 1/8 x 37 in). Produit aux / Produced at Ateliers Loire, Chartres. Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • Vue de l’exposition / Installation view, Kate Newby: Try doing anything without it, 2022, Art : Concept, Paris. Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • Vue de l’exposition / Installation view, Kate Newby: Try doing anything without it, 2022, Art : Concept, Paris. Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • Vue de l’exposition / Installation view, Kate Newby: Try doing anything without it, 2022, Art : Concept, Paris. Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • Try doing anything without it, 2022. Briques, pièces de monnaie, verre trouvé (Paris, Texas) / Bricks, coins, found glass (Paris, Texas). 324 x 397 cm. Produit aux / Produced at Rairies Montrieux. Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • Try doing anything without it, 2022. Briques, pièces de monnaie, verre trouvé (Paris, Texas) / Bricks, coins, found glass (Paris, Texas). 324 x 397 cm. Produit aux / Produced at Rairies Montrieux. Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • Try doing anything without it, 2022. Briques, pièces de monnaie, verre trouvé (Paris, Texas) / Bricks, coins, found glass (Paris, Texas). 324 x 397 cm. Produit aux / Produced at Rairies Montrieux. Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • Try doing anything without it, 2022. Briques, pièces de monnaie, verre trouvé (Paris, Texas) / Bricks, coins, found glass (Paris, Texas). 324 x 397 cm. Produit aux / Produced at Rairies Montrieux. Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • Thank you for taking us along (à gauche/left), Her expression… (à droite/right), 2022. Briques, mortier / Bricks, mortar. 324 x 10 x 11 cm (127 1/2 x 3 7/8 x 4 3/8 in). Produit aux / Produced at Rairies-Montrieux. Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • Thank you for taking us along (à gauche/left), Her expression… (à droite/right), 2022. Briques, mortier / Bricks, mortar. 324 x 10 x 11 cm (127 1/2 x 3 7/8 x 4 3/8 in). Produit aux / Produced at Rairies-Montrieux. Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • Vue de l’exposition / Installation view, Kate Newby: Try doing anything without it, 2022, Art : Concept, Paris. Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • Walking with a lot of people, 2022. Porcelaine de Limoges, verre, ficelle de fouet, corde de laine, fil de fer, jute, ruban, fil, or, bronze / Limoges porcelain, glass, whipping twine, woolen rope, wire, Jute, ribbon, thread, gold, bronze. Dimensions variables. Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • Walking with a lot of people, 2022. Porcelaine de Limoges, verre, ficelle de fouet, corde de laine, fil de fer, jute, ruban, fil, or, bronze / Limoges porcelain, glass, whipping twine, woolen rope, wire, Jute, ribbon, thread, gold, bronze. Dimensions variables. Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • Walking with a lot of people, 2022. Porcelaine de Limoges, verre, ficelle de fouet, corde de laine, fil de fer, jute, ruban, fil, or, bronze / Limoges porcelain, glass, whipping twine, woolen rope, wire, Jute, ribbon, thread, gold, bronze. Dimensions variables. Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • Walking with a lot of people, 2022. Porcelaine de Limoges, verre, ficelle de fouet, corde de laine, fil de fer, jute, ruban, fil, or, bronze / Limoges porcelain, glass, whipping twine, woolen rope, wire, Jute, ribbon, thread, gold, bronze. Dimensions variables. Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • Walking with a lot of people, 2022. Porcelaine de Limoges, verre, ficelle de fouet, corde de laine, fil de fer, jute, ruban, fil, or, bronze / Limoges porcelain, glass, whipping twine, woolen rope, wire, Jute, ribbon, thread, gold, bronze. Dimensions variables. Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • Walking with a lot of people, 2022. Porcelaine de Limoges, verre, ficelle de fouet, corde de laine, fil de fer, jute, ruban, fil, or, bronze / Limoges porcelain, glass, whipping twine, woolen rope, wire, Jute, ribbon, thread, gold, bronze. Dimensions variables. Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • Still sounds as good as it did back then, 2022. Argent rose, argent, bronze, grès, porcelaine, émail / Pink silver, silver, bronze, stoneware, porcelain, glaze (7 pc), dimensions variables Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • amazing all times of year, 2022. Laiton blanc, argent, verre trouvé (Auckland), grès, glaçure / White brass, silver, found glass (Auckland), stoneware, glaze (6 pc), dimensions variables. Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • We need more of that, 2022. Laiton, bronze, grès, émail / Brass, bronze, stoneware, glaze (9 pc), dimensions variables Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur
  • i send you strenght and love, 2022. Porcelaine de Limoges, porcelaine, émail, argent / Limoges porcelain, porcelain, glaze, silver (7 pc), dimensions variables Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur

Art : Concept is pleased to present Try doing anything without it, the first solo exhibition of Kate Newby at the gallery.

“Kate Newby (b. Aotearoa New Zealand in 1979, lives and works in Texas) often speaks of her work from the standpoint of “care.” Her work invokes kinship, communion, and the safe keeping of commonplace objects and the physical phenomena that shape them. Using methods and production schedules that condition the work in its becoming, she asks what is possible in a material’s life cycle, and the varied unknowns in its manufacture.”

“For Try doing anything without it, the artist has created work made locally in France and tailored to the specific architecture of the gallery […]. What unites these works is the act of letting materials perform, without too much control over their own agency. By directing our attention to changing aspects in the larger social fabric, Newby asks for attunement, particularly to the often overlooked smaller details, rhythms, and scales in life.”

Extract of the press release, by Jennifer Teets, Paris, April, 2022

Press release (pdf)Download
  • Vue d’exposition / Installation view Our Mirage, Art : Concept, Paris, 2009. Photo Fabrice Gousset
  • Vue d’exposition / Installation view Our Mirage, Art : Concept, Paris, 2009. Photo Fabrice Gousset
  • Vue d’exposition / Installation view Our Mirage, Art : Concept, Paris, 2009. Photo Fabrice Gousset
  • Vue d’exposition / Installation view Our Mirage, Art : Concept, Paris, 2009. Photo Fabrice Gousset

Art : Concept is pleased to announce « Our Mirage », a collective exhibition featuring works by Pierre-Olivier Arnaud, Walead Beshty, Matias Faldbakken, Jacob Kassay, Melvin Moti and Gedi Sibony.
The gathering of these works plays with a standardization effect, mainly due to a shared interest in radical approaches of the image, and to artistic practices combining industrial as well as handcrafted reproduction means.

Framing the back of an image, Gedi Sibony renders only a white cardboard and few pieces of tapes visible. Matias Faldbakken’s Newspaper Ad # 09 consists of the negative reproduction of an advert. He creates a sort of black monochrome, so that, in a literal and metaphorical sense, the final result underlies the margins more than the usual space usually containing information. Jacob Kassay’s silver paintings formally echo ancient photographic techniques and offer a sacred and frozen version of the monochrome. Nowadays considered as a rhetorical figure or as a generic object in modern and contemporary art, the monochrome here paradoxically calls the subjectivity of its creation process into question. The making is based on a complicated and random chemical process.


Pierre-Olivier Arnaud’s stack of offset posters, spread all over the exhibition space, consists of a washed out galaxy, as if the surface of the image was veiled, and as if the density of greys and shadows made the glaring stars unable to emerge the surface. Walead Beshty’s large-format abstract composition comes as counterpoint to the posters. Using the light as the essence of photography, the artist folds and directly exposes the silver film under the natural light. In the current show, this coloured photogram has been displayed horizontally, lying on the floor, such as a modernist sculpture or even as a recumbent statue.


In the second room, Melvin Moti’s film The Black Room reveals the power of imagination, strangeness, and fiction of moving-images. A tracking shot slowly reveals ornaments from a wall painting filmed in a house near Pompei, while a voice over reenacts Robert Desnos’s interview about hypnosis sessions he partook with the surrealist group. Thus, Moti creates a displacement between those unframed floating images edited with Desnos’s word. Such as the other works which are still images, made with raw materials or following accidental or random (and almost world-weary) artistic gestures, The Black Room remains as a puzzle, largely depending upon storytelling as inherent part of its interpretation.


The use of minimal abstract forms as well as endless experimentations on the monochrome suggest a possible dematerialization or postponed disappearance of the image. This raises the ambiguous status of each of the pieces, undefined or in-between image and object. Indeed, canvasses, frames and sometimes vaguely figurative contents remain, counterbalancing a certain absence or void.


If most of the works are original records of our world or fragments taken from the real, various creation processes (reframing, trimming, mechanical or digital reproduction, assemblage, etc.) are able to transform the pictorial surface into an abstract, encoded or even invisible picture.

Press release (pdf)Download

Watch the video: Tania Pérez Córdova – interview with Lorenzo Benedetti

  • Vue de l’exposition/Installation view, Tania Pérez Córdova, All our explanations, Art: Concept, 2022. Courtesy of the artist & Art : Concept, Paris. Photo by: Nicolas Brasseur
  • Vue de l’exposition/Installation view, Tania Pérez Córdova, All our explanations, Art: Concept, 2022. Courtesy of the artist & Art : Concept, Paris. Photo by: Nicolas Brasseur
  • Vue de l’exposition/Installation view, Tania Pérez Córdova, All our explanations, Art: Concept, 2022. Courtesy of the artist & Art : Concept, Paris. Photo by: Nicolas Brasseur
  • Vue de l’exposition/Installation view, Tania Pérez Córdova, All our explanations, Art: Concept, 2022. Courtesy of the artist & Art : Concept, Paris. Photo by: Nicolas Brasseur
  • Vue de l’exposition/Installation view, Tania Pérez Córdova, All our explanations, Art: Concept, 2022. Courtesy of the artist & Art : Concept, Paris. Photo by: Nicolas Brasseur
  • Vue de l’exposition/Installation view, Tania Pérez Córdova, All our explanations, Art: Concept, 2022. Courtesy of the artist & Art : Concept, Paris. Photo by: Nicolas Brasseur
  • Vue de l’exposition/Installation view, Tania Pérez Córdova, All our explanations, Art: Concept, 2022. Courtesy of the artist & Art : Concept, Paris. Photo by: Nicolas Brasseur
  • Vue de l’exposition/Installation view, Tania Pérez Córdova, All our explanations, Art: Concept, 2022. Courtesy of the artist & Art : Concept, Paris. Photo by: Nicolas Brasseur
  • Vue de l’exposition/Installation view, Tania Pérez Córdova, All our explanations, Art: Concept, 2022. Courtesy of the artist & Art : Concept, Paris. Photo by: Nicolas Brasseur
  • Vue de l’exposition/Installation view, Tania Pérez Córdova, All our explanations, Art: Concept, 2022. Courtesy of the artist & Art : Concept, Paris. Photo by: Nicolas Brasseur
  • Tania Pérez Córdova, Empty days (Shade of an iPhone XR, wild flower, jeans, thread, fragment of a banknote, bread crumbles, fragment of packing material, shade of trousers, crayon dust, ball point stain. We didn’t need all those things we bought), 2022, Stratified glass, mixed materials, stainless steel, 140 × 80 × 3 cm (55 ⅛ × 31 ½ × 1 ⅛ inches), Courtesy of the artist & Art : Concept, Paris. Photo © Nicolas Brasseur
  • Tania Pérez Córdova, Empty days (Found dead bees, shade of 11 inches macbook air, red velvet lipstick, fragment of a plastic bag, thread, fragment of a tag, tape, paper found on wet pavement, fragment of a leaf, fragment of packing material, lettuce leaf, candy wrapping, dust, color. We didn’t need all those things we bought), 2022, Stratified glass, mixed materials, stainless steel, 140 × 80 × 3 cm (55 ⅛ × 31 ½ × 1 ⅛ inches), Courtesy of the artist & Art : Concept, Paris. Photo © Nicolas Brasseur
  • Tania Pérez Córdova, Empty days (Dead bees found during winter, chocolate wrapping, bread crumbles, dust, ash, cashmere thread, shadow of a display mannequin head. We didn’t need all those things we bought), 2022, Stratified glass, mixed materials, stainless steel, 140 × 80 × 3 cm (55 ⅛ × 31 ½ × 1 ⅛ inches), Courtesy of the artist & Art : Concept, Paris. Photo © Nicolas Brasseur
  • Tania Pérez Córdova, Empty days (Fragment of packing material, ink stain, candy wrapping, tape, found leaves with plague, shade of extended left arm, lettuce, thread. We didn’t need all those things we bought), 2022, Stratified glass, mixed materials, stainless steel, 140 × 80 × 3 cm (55 ⅛ × 31 ½ × 1 ⅛ inches). Courtesy of the artist & Art : Concept, Paris. Photo by: Nicolas Brasseur
  • Tania Pérez Córdova, Empty days (Fragment of packing material, scattered fluff, fragment of plastic bag, fragment of KN95 mask, ball point ink stain, make up, shadow of handbag, bubble wrap, blue crayon. We didn’t need all those things we bought), 2022, Stratified glass, mixed materials, stainless steel, 140 × 80 × 3 cm (55 ⅛ × 31 ½ × 1 ⅛ inches), Courtesy of the artist & Art : Concept, Paris. Photo © Nicolas Brasseur
  • Tania Pérez Córdova, Todas nuestras explicaciones, 2022, Couloured concrete, melting ice, borrowed family table, 34 x 24 x 7.5 cm. Courtesy of the artist & Art : Concept, Paris. Photo © Nicolas Brasseur
  • saying (Los políticos están diciendo), 2022 , Aluminium cast, water, artificial saliva, plastic irrigation system, dripping timed to a speech, 74 × 80 × 64 cm (29 ⅛ × 31 ½ × 25 ¼ inches, Courtesy of the artist & Art : Concept, Paris. Photo © Nicolas Brasseur
  • Tania Pérez Córdova, Strike (Huelga), 2018-2022, Bread cooked with cigarettes. Reenactment of a strike, 17,5 × 15 × 14 cm (6 ⅞ × 5 ⅞ × 5 ½ inches), Courtesy of the artist & Art : Concept, Paris. Photo © Nicolas Brasseur
  • Tania Pérez Córdova, Strelitzia, 2022, Artificial plant, stainless steel, chain, Leaf 80 x 27 x 38 cm ; chain : variable dimensions. Courtesy of the artist & Art : Concept, Paris. Photo © Nicolas Brasseur
  • Tania Pérez Córdova, Banana, 2022, rtificial plant, stainless steel, chain, Leaf 80 x 27 x 38 cm ; chain : variable dimensions, Courtesy of the artist & Art : Concept, Paris. Photo © Nicolas Brasseur
  • Tania Pérez Córdova, Anthurium, 2022, rtificial plant, stainless steel, chain, Leaf 80 x 27 x 38 cm ; chain : variable dimensions. Courtesy of the artist & Art : Concept, Paris. Photo © Nicolas Brasseur

After presenting the work of Tania Pérez Córdova in 2019 in a group show named Indus 2, Art : Concept organises her first solo exhibition in France. The artist takes over the gallery with her most recent works, created for the occasion.

Press release (pdf)Download

  • Vue d’exposition / Exhibition view Paysages du temps zéro, 2021. Photo Nicolas Brasseur
  • Vue d’exposition / Exhibition view Paysages du temps zéro, 2021. Photo Nicolas Brasseur
  • Vue d’exposition / Exhibition view Paysages du temps zéro, 2021. Photo Nicolas Brasseur
  • Vue d’exposition / Exhibition view Paysages du temps zéro, 2021. Photo Nicolas Brasseur
  • Vue d’exposition / Exhibition view Paysages du temps zéro, 2021. Photo Nicolas Brasseur
  • Vidya Gastaldon, Flammes D’Automne, 2020. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 20,8 × 28,1 cm (8 1/4 × 11 1/8 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Rien ne se mange, Tout se transforme, 2020. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 20,9 × 28,2 cm (8 1/4 × 11 1/8 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Coeur limpide, 2020. Crayon gris et stylo sur papier / Graphite pencil and pen on paper, 20,8 × 28,1 cm (8 1/4 × 11 1/8 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Lac lucide, 2020. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 20,7 × 29,4 cm (8 1/8 × 11 5/8 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Attente/Éveil, 2021. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 21 × 29,6 cm (8 1/4 × 11 1/2 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, (cheveux de feu.), 2021. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 21 × 29,5 cm (8 1/4 × 11 5/8 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Pays parfait, 2020. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 20,9 × 29,4 cm (8 1/4 × 11 5/8 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Oasis, 2021. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 20,9 × 29,3 cm (8 1/4 × 11 1/2 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Sentiment océanique (calme, neutre, rose), 2021. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 20,7 × 29,2 cm (8 1/8 × 11 1/2 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Sentiment océanique (contrition), 2021. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 20,7 × 29,3 cm (8 1/8 × 11 1/2 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Sentiment océanique (Marquis-e), 2021. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 20,8 × 29,4 cm (8 1/4 × 11 5/8 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Sentiment océanique (lèvre rouge), 2021. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 20,6 × 29,7 cm (8 1/8 × 11 3/4 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, 14 Juillet, 2021. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 20,8 × 29,2 cm (8 1/4 × 11 1/2 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Sentiment océanique (Blond + Spectral blue), 2021. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 20,7 × 29,3 cm (8 1/8 × 11 1/2 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Sentiment océanique (inquiet), 2021. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 20,7 × 29,2 cm (8 1/8 × 11 1/2 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Jardin Laser, 2021. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 29,5 × 41,5 cm (11 5/8 × 16 3/8 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Aube à Grange Neuve, 2020-2021. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 29,4 × 41,7 cm (11 5/8 × 16 3/8 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Alpes du Sud, 2021. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 29,3 × 41,5 cm (11 1/2 × 16 3/8 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Les colonnes, 2021. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 29,4 × 41,7 cm (11 5/8 × 16 3/8 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Sentiment océanique (Yeux Fourrure), 2021. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 29,4 × 41,7 cm (11 5/8 × 16 3/8 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Sentiment océanique (pommettes chaudes), 2021. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 29,4 × 41,6 cm (11 5/8 × 16 3/8 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Sentiment océanique avec yeux larmoyant, 2021. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 29,4 × 41,5 cm (11 5/8 × 16 3/8 inches). . Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Sentiment océanique avec goût amer, 2021. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 29,3 × 41,6 cm (11 1/2 × 16 3/8 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Sentiment océanique avec légère oppression des tempes, 2021. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 29,3 × 41,6 cm (11 1/2 × 16 3/8 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Aube Fleurie, 2020-2021. Aquarelle, gouache, acrylique, crayon et crayons de couleur sur papier / Watercolour, gouache paint, acrylic paint, pencil and coloured pencils on paper, 20,8 × 29,2 cm (8 1/4 × 11 1/2 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Les yeux libres 54, 2021. Acrylique et vernis sur assiette / Acrylic paint and varnish on plate ø 12,7 cm (ø 5 inches). Courtesy of the artist & Art : Concept, Paris
  • Vidya Gastaldon, Les yeux libres 62, 2021. Acrylique et vernis sur assiette / Acrylic paint and varnish on plate ø 20,4 cm (ø 8 inches). Courtesy of the artist & Art : Concept, Paris

‘Paysages du temps zéro’ (Landscapes from time zero) gathers recent works on paper by Vidya Gastaldon. The title of the exhibition does not refer to the time of childhood but rather the time of the first drawings by the artist after her art studies.

Press release (pdf)Download
  • Vue d’exposition / Exhibition view Jeremy Deller, Warning Graphic Content, 2021. Photo Nicolas Brasseur
  • Vue d’exposition / Exhibition view Jeremy Deller, Warning Graphic Content, 2021. Photo Nicolas Brasseur
  • Vue d’exposition / Exhibition view Jeremy Deller, Warning Graphic Content, 2021. Photo Nicolas Brasseur
  • Vue d’exposition / Exhibition view Jeremy Deller, Warning Graphic Content, 2021. Photo Nicolas Brasseur
  • Vue d’exposition / Exhibition view Jeremy Deller, Warning Graphic Content, 2021. Photo Nicolas Brasseur
  • Vue d’exposition / Exhibition view Jeremy Deller, Warning Graphic Content, 2021. Photo Nicolas Brasseur
  • Vue d’exposition / Exhibition view Jeremy Deller, Warning Graphic Content, 2021. Photo Nicolas Brasseur
  • Vue d’exposition / Exhibition view Jeremy Deller, Warning Graphic Content, 2021. Photo Nicolas Brasseur
  • Vue d’exposition / Exhibition view Jeremy Deller, Warning Graphic Content, 2021. Photo Nicolas Brasseur
  • Vue d’exposition / Exhibition view Jeremy Deller, Warning Graphic Content, 2021. Photo Nicolas Brasseur
  • Vue d’exposition / Exhibition view Jeremy Deller, Warning Graphic Content, 2021. Photo Nicolas Brasseur
  • Vue d’exposition / Exhibition view Jeremy Deller, Warning Graphic Content, 2021. Photo Nicolas Brasseur
  • Vue d’exposition / Exhibition view Jeremy Deller, Warning Graphic Content, 2021. Photo Nicolas Brasseur
  • Vue d’exposition / Exhibition view Jeremy Deller, Warning Graphic Content, 2021. Photo Nicolas Brasseur
  • Vue d’exposition / Exhibition view Jeremy Deller, Warning Graphic Content, 2021. Photo Nicolas Brasseur
  • Jeremy Deller, Une Nouvelle Aube, 2021, print on paper, 50 x 70 cm, unlimited edition. Courtesy Art: Concept, Paris & Duuu Radio. Image © Duuu

‘Warning Graphic Content’, brings together all of Jeremy Deller’s print and poster works from 1993-2021. It will be exhibited in two locations concurrently: at The Modern Institute, Glasgow (06.11.2021 – 22.01.2022) and at Art : Concept, Paris.

More information on the viewing room

Listen to the interview of Jeremy Deller by Duuu Radio

Press Release (pdf)

  • Vue d’exposition/Installation view Ulla von Brandenburg, MIMESIS, 2021. Photo Nicolas Brasseur
  • Vue d’exposition/Installation view Ulla von Brandenburg, MIMESIS, 2021. Photo Nicolas Brasseur
  • Vue d’exposition/Installation view Ulla von Brandenburg, MIMESIS, 2021. Photo Nicolas Brasseur
  • Vue d’exposition/Installation view Ulla von Brandenburg, MIMESIS, 2021. Photo Nicolas Brasseur
  • Vue d’exposition/Installation view Ulla von Brandenburg, MIMESIS, 2021. Photo Nicolas Brasseur
  • Vue d’exposition/Installation view Ulla von Brandenburg, MIMESIS, 2021. Photo Nicolas Brasseur
  • Vue d’exposition/Installation view Ulla von Brandenburg, MIMESIS, 2021. Photo Nicolas Brasseur
  • Vue d’exposition/Installation view Ulla von Brandenburg, MIMESIS, 2021. Photo Nicolas Brasseur
  • Vue d’exposition/Installation view Ulla von Brandenburg, MIMESIS, 2021. Photo Nicolas Brasseur
  • Vue d’exposition/Installation view Ulla von Brandenburg, MIMESIS, 2021. Photo Nicolas Brasseur
  • Vue d’exposition/Installation view Ulla von Brandenburg, MIMESIS, 2021. Photo Nicolas Brasseur
  • Vue d’exposition/Installation view Ulla von Brandenburg, MIMESIS, 2021. Photo Nicolas Brasseur
  • Paar, 2021, Watercolour, assembled paper on canvas / Aquarelle, papiers assemblés sur toile, 110 × 140 × 2,5 cm (43 1/4 × 55 1/8 × 1 inches). Photo Nicolas Brasseur
  • Tamara, 2021, Watercolour, assembled paper on canvas / Aquarelle, papiers assemblés sur toile, 80 × 60 × 2,5 cm (31 ½ × 23 ⅝ × 1 inches). Photo Nicolas Brasseur
  • Femme et chien, 2021, Watercolour, assembled paper on canvas / Aquarelle, papiers assemblés sur toile, 80 × 60 × 2,5 cm (31 ½ × 23 ⅝ × 1 inches). Photo Nicolas Brasseur
  • Vaslav, 2021, Watercolour, assembled paper on canvas / Aquarelle, papiers assemblés sur toile, 110 × 86 × 2,5 cm (43 ¼ × 33 ⅞ × 1 inches). Photo Nicolas Brasseur
  • Vaslav, allongé, 2021, Watercolour, assembled paper on canvas / Aquarelle, papiers assemblés sur toile, 110 × 86 × 2,5 cm (43 ¼ × 33 ⅞ × 1 inches). Photo Nicolas Brasseur
  • Zusammen/Allein II, 2020, various fabrics, muslin / Tissus variés, mousseline, 225 × 150 cm (88 ⅝ × 59 inches)
  • Feste Erde, Flüssiger Wind, 2021 (excerpt), Super 16mm film transferred to HD video, color, sound, 10 min 20 , Edition of 5 plus II AP

  • Installation view, Jacques Lizène, Le quasiment nul, 2001
  • Installation view, Jacques Lizène, Le quasiment nul, 2001
  • Installation view, Jacques Lizène, Le quasiment nul, 2001
  • Installation view, Jacques Lizène, Le quasiment nul, 2001
  • Installation view, Jacques Lizène, Le quasiment nul, 2001
  • Installation view, Jacques Lizène, Le quasiment nul, 2001
Press release (pdf)Download
  • installation view, Pierre Bellot, Les pavillons, 2021
  • installation view, Pierre Bellot, Les pavillons, 2021
  • Georgia O’Keeffe, 2021, Oil on canvas, 150 × 200 cm (59 × 78 ¾ inches)
  • Le jardin des lettres, 2021, Oil on canvas, 130 × 162 cm (51 ⅛ × 63 ¾ inches)
  • Les avions, 2021, Oil on canvas, 27 × 35 cm (10 ⅝ × 13 ¾ inches)
  • Les yeux du chat, 2021, Oil on canvas, 18 × 10 cm (7 ⅛ × 3 ⅞ inches)
  • Sans titre, 2020, Oil on canvas, 21 × 25 cm (8 ¼ × 9 ⅞ inches)

Graduated from École Nationale Supérieure des Beaux-Arts de Paris with honors. His work has been exhibited in Avignon (Collection Lambert), Paris (Bastille Design Center, Palais des Beaux-Arts, La Villette, Progress Gallery…) and Berlin (Galerie Noah Klink). In 2019-2020, he was a member of the French Academy in Madrid, at the Casa de Velázquez.

He uses various photographic sources or personal archives to create fictions where the composition obeys its own rules and creates a new meaning. By ridding each element of its original functionality, a formal game is established where the important thing becomes the path that crosses the work and associates each part to the whole. The image thus appears as the receptacle of inner visions. The subject is a bait, the starting point of an artificial structure in which the artist comes to trap the reality of the starting pattern.

Cécile Debray
Directrice du musée de l’Orangerie
Viva Villa, Édition 2020, « Les vies minuscules »