Documentation of Pérez Córdova’s reading performance in Favignana, Italy

Summer News / Noticias de Verano is a bilingual book by Tania Pérez Córdova with three carefully edited texts that create a unique, mesmerizing narrative with the power to transcend any chronological linearity and specificity. Pérez Córdova stages a collective reading from this book as part of the closing celebrations for Viaje a la luna.

Summer News / Noticias de Verano is a project that began in 2019 during Tania Pérez Córdova’s residency on the island of Favignana in Sicily, Italy. It emerged as a response to the generalised feeling of paralysis in the face of world events, and a more personal meditative focus on the passage of time. During the month Pérez Córdova was on the island, she compiled and transcribed all the news she found in local and international media, stripping them of all specificity. In this way, the events were transformed into a collection of micro-stories—tragic, terrifying, and comical—that framed the passage of time normally destined for artistic production. The text also functioned as a reflection on the capacity for intervention in the face of the horror and injustices we witness as readers, which contrast with everyday life. Similarly, Federico García Lorca (the focus of the exhibition on view) understood the power of language.

In 2022/2023, as part of the artist’s solo exhibition Generalización at the Museo Tamayo in Mexico City, Pérez Córdova decided to once again collect the news stories framed by the exhibition’s duration, as a way of acknowledging the world’s events unfolding outside the protected walls of a contemporary art exhibition. And once again, for the second iteration of Generalización at the Sculpture Center in New York City, the artist began a new period of collection and transcription that culminated in a new section of the text.

Summer News / Noticias de Verano is co-published by Juan de la Cosa (John of the Thing) and the Wattis Institute.

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Nina Childress, Sisters/Flowers, 2023. Huile sur tissu vinyl holographique / Oil on vinyl holographic fabric. 90 × 70 cm. © Nina Childress, adagp 2025. Courtesy the Artist ; Nathalie Karg Gallery, New York ; Art : Concept, Paris. Photo Romain Darnaud.

Over the past 10 years, the Estrine Museum’s collection has grown by around 350 works of painting, sculpture, ceramics, engraving, and drawing. This dynamism is largely due to the generosity of artists, artists’ families, and patrons who have chosen to support the museum by entrusting it with their works.

A significant portion of these acquisitions is devoted to female artists who have too often been overlooked in art history, whom the museum has long promoted, as with the Lena Vandrey donation from Mina Noubadji-Huttenlocher and that of Alexandre Galperine for works by Christine Boumeester and Evelyne Cail, to which are added contemporary artists such as Mireille Blanc and Nina Childress.

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Tania Pérez Córdova (1979), A fence into a fence 7, 2018-2022
Aluminum, feathers, clay, various materials. 75 x 48 x 15cm. Colección Jumex, Mexico

Through simple material transformations Tania Pérez Córdova creates works that speak to their own history and memory. A fence into a fence 7 is one of a series of works where the artist takes a used metal object, melts it down, and recasts it into its own form, preserving its shape while altering its essence. Through this act of undoing and remaking, the object loses its original function and becomes a fragile, contemplative form—quietly evoking impermanence and the shifting value we assign to familiar things.

This exhibition of the Colección Jumex includes recent acquisitions and works which have not previously been presented at Museo Jumex. Pieces from the 1970s to the present are brought together around conceptions time including scientific and belief systems, lifespans and momentary events, growth and decay. Tactility is common thread among the works, suggesting our register of time is felt rather than observed.

Artists: Marcela Astorga, Ana Bidart, Walead Beshty, Heidi Bucher, Peter Buggenhout, Miriam Cahn, Lara Favaretto, Hans-Peter Feldmann, Dan Graham, Phillip Lai, Abigail Lane, Juan Carlos León, Rafael Lozano-Hemmer, Teresa Margolles, Yeni Mao, Gordon Matta-Clark, Rivane Neuenschwander, Paolo Nimer Pjota, Berenice Olmedo, Frida Orupabo, Tania Pérez Córdova, Landon Ross, Bárbara Sánchez-Kane, Gabriel Rico, Gary Simmons, Álvaro Urbano.

Exhibition organized by Museo Jumex. Curated by Kit Hammonds, chief curator and Natalia Vargas, curatorial assistant.

CAT PEOPLE. DES ARTISTES ET DES CHATS

Adel Abdessemed, M’barka Amor, Amber Andrews, Sophia Balagamwala, Sarah Nefissa Belhadjali, Pierre Bellot, Marcel Broodthaers, Nina Childress, Ann Craven, Oli Epp, Gerrit Frohne-Brinkmann, Claire Guetta, Charles Hascoët, Andy Holden, Armand Jalut, Laurent Le Deunff, Louise Luc Kheloui, Rayane Mcirdi, Damir Očko, Alain Séchas, Mayura Torii, Yves Trémorin, Sarah Tritz

Deliberately ironic, this exhibition is intended as an a priori seductive reflection of our world, presenting the work of artists inspired by the feline figure. “Cat People” – whose title refers to Jacques Tourneur’s 1942 film – attempts to illustrate this relationship, described by Jacques Derrida in terms of what the animal reveals about the human. How do we project ourselves, how do we approach the other through the domestic figure of the cat? Cats reassure us – hence the upsurge in videos of cute little cats on social networks – but they can also worry us, symbolically reflecting the ills that plague our Western societies in crisis.
The exhibition “Cat People. Des artistes et des chats” tackles this complex link that binds us to cats through various thematic entries such as anthropomorphism, the stray cat, animal ergonomics and kitsch….

Curator: Marc Bembekoff

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