Vue d’exposition / Installation view « Sortir le travail de sa nuit », CCC OD, Tours, France, février 2024.Photo by: Aurélien Mole Vue d’exposition / Installation view « Sortir le travail de sa nuit », CCC OD, Tours, France, février 2024.Photo by: Aurélien Mole Jeremy Deller (in collaboration with Nicholas Abrahams), Our Hobby is Depeche Mode, 2006 Video, 67 Min., Installation view (“Long Gone, Still Here – Sound as Medium”, Marta Herford 2023) © 2024 the artist and Marta Herford, Photo: Hans Schröder Vue d’installation / Installation view Jeremy Deller, Art is Magic, Musée des beaux-arts de Rennes, 2023. Rennes/FR. Photo Aurélien Mole Jeremy Deller, So Many Ways to Hurt You (The Life and Times of Adrian Street), 2010. vidéo / video 16:9, 30 mn. peinture murale, dimensions variables / Wall paint, variable dimensions.Edition of 3 Vue d’installation / Installation view Jeremy Deller, Art is Magic, Musée des beaux-arts de Rennes, 2023. Rennes/FR. Photo Aurélien Mole Vue d’installation / Installation view Jeremy Deller, Art is Magic, Musée des beaux-arts de Rennes, 2023. Rennes/FR. Photo Aurélien Mole Vue d’installation / Installation view Jeremy Deller, Art is Magic, Musée des beaux-arts de Rennes, 2023. Rennes/FR. Photo Aurélien Mole Vue d’installation / Installation view Jeremy Deller, Art is Magic, La Criée, 2023. Rennes/FR. Photo Aurélien Mole Vue d’installation / Installation view Jeremy Deller, Art is Magic, La Criée, 2023. Rennes/FR. Photo Aurélien Mole Vue d’installation / Installation view Jeremy Deller, Art is Magic, Frac Bretagne, 2023. Rennes/FR. Photo Aurélien Mole Vue d’installation / Installation view Jeremy Deller, Art is Magic, Frac Bretagne, 2023. Rennes/FR. Photo Aurélien Mole Vue d’installation / Installation view Jeremy Deller, Art is Magic, Frac Bretagne, 2023. Rennes/FR. Photo Aurélien Mole Vue d’exposition / Exhibition View, Warning Graphic Content – Jeremy Deller Prints and Posters 1993-2023, FJK3 – Contemporary Art Space, Vienna, March 3rd until May 7th 2023 Jeremy Deller, Marmite On Toast, 2021. Sérigraphie sur papier / Silk screen on paper, 60 × 80 cm (23 ⅝ × 31 ½ inches). Edition of 25. Courtesy the Artist; The Modern Institute / Toby Webster, ltd. Glasgow, and Art : Concept, Paris Jeremy Deller, English Magic circa 1990, 2014. Lithographie sur papier / Lithographic on paper. 59 × 84 cm (23 ¼ × 33 ⅛ inches). Edition of 300 plus III APCourtesy the Artist; The Modern Institute / Toby Webster, ltd. Glasgow, and Art : Concept, Paris Jeremy Deller, Thank God for Immigrants, 2020. Sérigraphie sur papier / Silk screen on paper. 59,4 × 42 cm (23 ⅜ × 16 ½ inches). Edition variable of 500 Courtesy the Artist; The Modern Institute / Toby Webster, ltd. Glasgow, and Art : Concept, Paris Jeremy Deller, Every age has its own fascism, 2019. Flyposting poster, 76,2 × 51 cm (30 × 20 ⅛ inches). Edition of 300 Courtesy the Artist; The Modern Institute / Toby Webster, ltd. Glasgow, and Art : Concept, Paris Vue d’exposition / Installation view Jeremy Deller : Welcome to the shitshow, Kunsthal Charlottenborg, København/DK, 2023 Photo by David Stjernholm / @david_stjernholm Vue d’exposition / Installation view Ridiculously Yours! Art, Awkwardness and Enthusiasm, © Kunst- und Ausstellungshalle der Bundesrepublik Deutschland GmbH, 2022. Photo: Mick Vincenz Jeremy Deller, The Deliverers, 2022. Film. Courtesy the Artist; The Modern Institute/Toby Webster LTD; Art : Concept, Paris. Photo by Colin Davison. Installation view, Warning Graphic Content, MAMCO, Genève/CH. Courtesy the artist ; Art : Concept, Paris ; The Modern Institute/Toby Webster LTD, Glasgow. Photo Annik Wetter Vue in-situ / In-Situ, Jeremy Deller, Money Laundering, 2022, Parcours Art Basel, Basel/CH. Courtesy the artist ; Art : Concept, Paris ; The Modern Institute/Toby Webster LTD, Glasgow. Photo Courtesy Art Basel Vue de l’exposition / Installation view, Radical Landscapes, 2022 Tate Liverpool/UK. Jeremy Deller, Cerne Abbas, 2019. Courtesy the artist, the Modern Institute, Glasgow and Art : Concept, Paris. photo Jack Hems Vue en situation / Street view, Jeremy Deller, Une Nouvelle Aube, 2021, print on paper, 300 × 400 cm, unlimited edition. Courtesy Art: Concept, Paris & Duuu Radio. Photo © Duuu Installation view, Father and Son, 2021, wax. Presented by ACCA at St Saviour’s Church of Exiles , Melbourne Installation view, The Lovers, 2021, sculpture, Messeyne Garden, Kortrijk Stonehenge at Sunset, 2013. Sérigraphie sur papier Silkscreen on paper 60 x 90 cm Ed. 60 + 10 AP Installation view, Jeremy Deller, Everybody in the Place, An Incomplete History of Britain, 1984-1992, 2018, video, 62 min. Courtesy Art : Concept, Paris. Photo: OH Dancy. Indus Sounds, 2019, file on iPod Everybody in The Place: An Incomplete History of Britain 1984-1992, 2018, documentary Jeremy Deller, Centenary Celebration of Stonehenge, Salisbury, 26th October 2018. Photo: Jeremy Deller. Installation view, Skulptur Projekte Münster 2017, Speak to the Earth and It Will Tell You (2007-2017) Rhythmasspoetry, 2015 (film still), film in collaboration with Cécilia Bengolea, 13th Biennale de Lyon Installation view, All That Solid Melts into Air, Manchester Art Gallery, 2013. Photo: Alan Seabright. Installation view, Biennale de Venise Pavilion britannique, 2013. Photo : Cristiano Corte A Good Day for Cyclists, 2013, wallpainting, rubber stamp, dimensions variable, 55th Venice Biennale Ooh-oo-hoo ah-ha ha yeah, 2013,video 14’27”, bannière 10 x 12 feet, carcass of car, edition of 2, 55th venice biennale English Magic, 2013 video, color and sound, 14’23”, ed 3/6 + 1 AP English Magic, 2013 video, color and sound,, 14’23”, ed 3/6 + 1 AP English Magic, 2013 video, color and sound,, 14’23”, ed 3/6 + 1 AP Installation view, Jeremy Deller, Art : Concept, Paris, 2012 Installation view, Sacrilege, FIAC, Paris, 2012. Photo: Rebecca Fanuele. Installation view, Sacrilege, FIAC, Paris, 2012. Photo: James Hutchinson. English Magic, 2012 (detail), lambda print pasted on dibond, polyptych of 8, 40 x 50 cm, 15 3/4 x 19 5/8 in, edition of 5 + 2 AP Bless This Acid House, 2012, silkscreen on aluminium, 205 x 70 cm (80 3/4 x 27 1/2 in.) Installation view, Joy in People, Hayward Gallery, 2012. Photo: Linda Nylind. Installation view, Joy in People, Hayward Gallery, London, 2012. Photo: Linda Nylind. Procession, 2009, 5 July 2009, Deansgate, Manchester, Commissioned by Cornerhouse and Manchester International Festival, dimensions variables Installation view, D’Une Révolution à l’Autre, Carte Blanche, Palais de Tokyo, 2008. Photo: Marc Domage. Installation view, D’Une Révolution à l’Autre, Carte Blanche, Palais de Tokyo, 2008. Photo: Marc Domage. Manifesta 5, European Biennal of Contemporary Art, San Sebastian, 2004, Courtesy of the Artist. Manifesta 5, European Biennal of Contemporary Art, San Sebastian, 2004, Courtesy of the Artist. History of the World, 1997-2004, wall painting, dimensions variable Bird in Hand at Red Hook Raptor Center, 2003, c-print, 80 x 80 cm, 31 1/2 x 31 1/2 in, edition of 6 Wal-Mart trolley on snow hill, in a car park in Red Hook, from this is US, 2003, c-print, 80 x 80 cm, 31 1/2 x 31 1/2 in, edition of 6 Sans titre, 2002, c-type print, 20,5 x 25,5 cm, 8 1/8 x 10 in, edition of 3 Veterans Day parade near Pahrump, from After the Gold Rush, 2001, c-print, 120 x 80 cm, 47 1/4 x 31 1/2 in, edition of 6 Battle of Orgreave, 2001, Re-enactment and film, commissioned and produced by Artangel
Biography
Jeremy Deller was born in 1966. He lives and works in London.
Much of Deller’s work is collaborative; it has a strong political aspect, in the subjects dealt with and also the devaluation of artistic ego through the involvement of other people in the creative process. The great strength of Jeremy Deller’s artworks is that they directly raise the question of the sacredness and untouchability of spaces, social codes and emblems of power and even more so of political, economic and religious powers. Whether it’s stepping on Stonehenge’s sacred ground, jumping on it or highlighting popular culture, evoking music fans or the British, it’s all about mass creative power. Rather than fearing or suffering the powers in place, it results in a confrontation between history, culture and heritage. The work of Jeremy Deller is to be experienced by all and for all, he invites us to create a participatory work where everyone has a role to play. His artworks, trans-historical and partisan of free expression as a vector of values and meaning, initiate a dialogue between cultures, people, the past, the present and what could be the future. In a society that claims to open up access to culture and continues to provide a model to follow on what is culturally and intellectually acceptable from what is not, Deller gets away and plays with these societal stereotypes by focusing on subcultures, folklore, people.
He won the Turner Prize in 2004, and in 2010 was awarded the Albert Medal of the Royal Society for the encouragement of Arts, Manufactures & Commerce (RSA). His work is present, among others, in the following institutions: FNAC, Paris; FRAC Nord-Pas-De-Calais; FRAC Pays de la Loire; FRAC Provence-Alpes-Côte d’Azur, Musée des Arts Contemporains, Grand-Hornu; Tate Modern, London; Victoria & Albert Museum, London.
Recent exhibitions include : Warning Graphic Content, MAMCO, Genève/CH (2022) ; Wir haben die Schnauze voll, Bonner Kunstverein, Bonn/DE (2020); Everybody In The Place, The Modern Institute, Glasgow/UK (2019); English Magic, British Pavilion, 55th Venice Biennale/IT (2013); Sacrilege, Esplanade des Invalides, Projet Hors les Murs, FIAC Paris/FR (2012); Joy In People, Hayward Gallery, London/UK (2012); D’une révolution à l’autre, Carte Blanche à Jeremy Deller, Palais de Tokyo, Paris/FR (2008). In 2023, a retrospective of his work is going to take place simultaneously at La Criée Centre d’Art Contemporain, at FRAC Bretagne and at the Musée des Beaux-Arts de Rennes.
At the gallery
Video
Links
Artist’s website
Downloads
Catalogues
Jeremy Deller Art is Magic, Profile Books Ltd, Frac Bretagne, 2023, 240 pages Jeremy Deller. The Infinitely Variable Ideal of the Popular, CA2M Centro de Arte Dos de Mayo, Madrid, 2015, 144 pages Joy in People, Hayward Publishing, London, 2012, 215 pages