Vidya Gastaldon, Healing painting (motifs & fleurs), 2019. Huile sur peinture trouvé / Oil on vintage paint. 50 × 60 cm (19 ⅝ × 23 ⅝ inches). Courtesy the Artist and Art : Concept, Paris. Collection Frac Normandie. Photo Fabrice Gousset.
FRAC (Regional Contemporary Art Fund) Normandy is an institution dedicated to supporting and promoting contemporary art. It has two exhibition venues: one in Caen and one in Sotteville-lès-Rouen, just opposite the Jardin des Plantes. As part of its policy to promote its collection, the Frac organizes numerous exhibitions in various locations throughout the region.
As it does every year at this time, the Jardin des Plantes is hosting an exhibition by the Regional Contemporary Art Fund in its 17th-century pavilion.
Faithful to its programming of major thematic and group exhibitions that promote all art forms, the FHEL invites its audiences to an incredible investigation through more than 150 works from the most prestigious collections.
The “Animal” exhibition, conceived by curator Christian Alandete, takes a cross-disciplinary, transhistorical approach to the place of the animal in artistic representations. Probably one of the earliest subjects in the history of art, the animal appears as early as cave art, and continues to play an equally important role down the centuries. The study of animality over the centuries has contributed to hierarchizing, cataloguing and distinguishing humans from animals, and among humans, the less human, by attributing animal characteristics to them. From physiognomy and its racist by-products, to mimicry and anthropomorphism, artists have contributed through their works to showing the other side of the human from a different angle, and to pointing beyond differences to what brings us together.
In an exceptional collaboration with the Musée du Louvre, from June 14, 2025 to February 2, 2026, the Centre Pompidou-Metz is devoting an unprecedented exhibition to the creation of copyists. Copying is at the heart of the classical tradition: copying from the masters, learning techniques, canons and narratives from them, absorbing their expertise, is to make their mastery our own, a pathway to knowledge and creation, from the most academic to the most contemporary.
A number of artists received an invitation from the two associate curators: “Based on a work of your choice from the Musée du Louvre collections, imagine a copy of it.
Viaje a la luna, June 12–October 11, 2025; installation view, CCA Wattis Institute for Contemporary Arts. Photo by Chris Grunder.Viaje a la luna, June 12–October 11, 2025; installation view, CCA Wattis Institute for Contemporary Arts. Photo by Chris Grunder.Viaje a la luna, June 12–October 11, 2025; installation view, CCA Wattis Institute for Contemporary Arts. Photo by Chris Grunder.Viaje a la luna, June 12–October 11, 2025; installation view, CCA Wattis Institute for Contemporary Arts. Photo by Chris Grunder.
Viaje a la luna (A trip to the moon) is a group exhibition inspired by the only film script written by the renowned Spanish Surrealist poet, playwright, and artist Federico García Lorca. Featuring both national and international artists, the exhibition builds upon themes explored in the script, as well as the social and political context of its creation in the late 1920s. The exhibition draws a parallel to the present, the 2020s, with politically far-right nationalist movements and fascist ideologies once again on the rise, causing the world to become more insular and uncertain.
Exhibiting artists: Emilio Amero, Lola Álvarez Bravo, Manuel Álvarez Bravo, Diane Arbus, Nina Canell, Marc Camille Chaimowicz, Ajit Chauhan, Federico García Lorca, Rosalind Nashashibi, Francesco Pedraglio, Tania Pérez Córdova, Álvaro Urbano, Danh Vo
