Vue d’exposition / Installation view, Giuseppe Gabellone, Art : Concept, Paris, 2023. Courtesy the artist and Art : Concept, Paris. Photo Aurélien Mole 
Giuseppe Gabellone, Il pomeriggio sulla schiena, 2023. Résine de polyester, fibre de verre, bois, tissus / Polyester resin, fiberglass, wood, fabric. 98 × 115 × 700 cm (38 ⅝ × 45 ¼ × 275 ⅝ inches). Courtesy the artist and Art : Concept, Paris. Photo Aurélien Mole 
Giuseppe Gabellone, Testa da Giardino, 2023. Impression numérique / digital print. 31,5 × 21 cm (12 ⅜ × 8 ¼ inches). Edition of 3 plus I AP. Courtesy the artist and Art : Concept, Paris. Photo Claire Dorn 
Giuseppe Gabellone, Untitled, 2022. Peinture acrylique, résine acrylique, fibre de verre, cadre en aluminium / Acrylic paint, acrylic resin, fiberglass, aluminium frame. 192,5 × 151 cm (75 ¾ × 59 ½ inches). Courtesy the artist and Art : Concept, Paris. Photo Claire Dorn 
Giuseppe Gabellone, Seguaci del Verdeazzurro, 2022. Peinture acrylique, résine acrylique, fibre de verre, cadre en aluminium / Acrylic paint, acrylic resin, fiberglass, aluminium frame. 208 × 295,5 cm (81 ⅞ × 116 ⅜ inches). Courtesy the artist and Art : Concept, Paris. Photo Claire Dorn 
Giuseppe Gabellone, Verde Acido, 2012, Vue d’exposition Il sogno di Antonio: un viaggio tra arte e tessuto, Fondazione Antonio Ratti, 2021. Photo credits: Agostino Osio 
Detail, Falsa Finestra, 2020, Acrylic paint, acrylic resin, fiberglass, wood, aluminium frame, 105 ½ × 65 × 12 ⅝ in. 
Falsa Finestra, 2020, Acrylic paint, acrylic resin, fiberglass, wood, aluminium frame, 105 ½ × 65 × 12 ⅝ in. 
F F, 2020, Acrylic paint, acrylic resin, fiberglass, wood, aluminium frame, 105 ½ × 65 × 12 ⅝ in. 
Installation view, Quadriennale d’arte 2020 FUORI, Rome, cur : Sarah Cosulich & Stefano Collicelli. Courtesy Fondazione La Quadriennale di Roma. Photo: DSL Studio. 
Untitled, 2019. Polyurethane resin, hemp rope, wood, steel structure, 152 x 210 x 60 cm (59 7/8 x 82 5/8 x 23 5/8 in.) 
Detail, Untitled, 2019. Polyurethane resin, hemp rope, wood, steel structure, 152 x 210 x 60 cm (59 7/8 x 82 5/8 x 23 5/8 in.) 
Detail, Untitled, 2019. Polyurethane resin, hemp rope, wood, steel structure, 152 x 210 x 60 cm (59 7/8 x 82 5/8 x 23 5/8 in.). Credits: Francesca Gardini 
Detail, Untitled, 2019. Polyurethane resin, hemp rope, wood, steel structure, 152 x 210 x 60 cm (59 7/8 x 82 5/8 x 23 5/8 in.). Credits: Francesca Gardini 
Proteggi Giuseppe, 2012. Installation view, Sanguine. Luc Tuymans on Baroque, Fondazione Prada, 2019. Photo: Delfino Sisto Legnani e Marco Cappelletti. Courtesy Fondazione Prada. 
Installation view, Kronos e Kairos, Palatino, Rome/IT (curated by Lorenzo Benedetti, 2019. Courtesy of the artist and ZERO…, Milan. Photo credit: studiozabalik 
Untitled, 2018. Paper, acrylic resin, fiberglass, pigments, bamboo, wood, cotton rope. 60 x 188 x 168 cm. Courtesy of the artist and ZERO…, Milan. Photo: Roberto Marossi 
Installation view, Giuseppe Gabellone, galleria ZERO…, Milan, 2018. Courtesy of the artist and ZERO…, Milan. Photo: Roberto Marossi 
Ex scarpa, 2018. Tin, 9 x 31 x 20 cm (3 1/2 x 12 1/4 x 7 7/8 in.) 
Mandibola, 2017, tin, 6 19/64 x 9 29/64 x 7 3/32 in. 
Untitled (Black), 2017, paper, acrylic resin, fiberglass, alkyd paint, oil paint, bamboo, wood, cotton rope, 22 1/2 x 62 1/2 x 57 1/8 in. Photo courtesy the artist and Fondazione Memmo, Roma. Photo: Daniele Molajoli 
Detail, Untitled (Orange), 2017, paper, acrylic resin, fiberglass, alkyd paint, oil paint, bamboo, wood, cotton rope, 23 5/8 x 62 5/8 x 58 5/8 in. Photo courtesy the artist and Fondazione Memmo, Roma. Photo: Daniele Molajoli 
Untitled (Orange), 2017, paper, acrylic resin, fiberglass, alkyd paint, oil paint, bamboo, wood, cotton rope, 23 5/8 x 62 5/8 x 58 5/8 in. Photo courtesy the artist and Fondazione Memmo, Roma. Photo: Daniele Molajoli 
Untitled, 2017. Cypress trees, hemp rope, zinc-coated steel, dimensions variable. Courtesy Fondazione Memmo 
Installation view, Giuseppe Gabellone, solo show, GAMeC, Bergamo, 2013. Photo courtesy the artist and GAMeC, Bergamo. Photo: Roberto Marossi 
Installation view, Giuseppe Gabellone, solo show, GAMeC, Bergamo, 2013. Photo courtesy the artist and GAMeC, Bergamo. Photo: Roberto Marossi 
Installation view, Giuseppe Gabellone, solo show, GAMeC, Bergamo, 2013. Photo courtesy the artist and GAMeC, Bergamo. Photo: Roberto Marossi 
Faccia, 2011. Two color silkscreen on paper, frame, glass, 67 3/4 x 51 1/2 x 1 1/2 in. 
Nodo, 2011. Two color silkscreen on paper, frame, glass, 67 3/4 x 51 1/2 x 1 1/2 in. 
Untitled, 2009. Digital print, 52 x 35 cm (20 1/2 x 13 3/4 in.) 
Untitled, 2009. Digital print, 52 x 35 cm (20 1/2 x 13 3/4 in.) 
Untitled, 2009. Digital print, 52 x 35 cm (20 1/2 x 13 3/4 in.) 
Untitled, 2007, digital print, 16 1/2 x 11 in. 
Untitled, 2007, digital print, 16 1/2 x 11 in. 
Untitled, 2006, mirrored glass on wood, 102 6/16 x 63 x 63 in. Photo: André Morin. Courtesy galerie Perrotin. 
Untitled, 2006, mirrored glass on wood, 63 x 49 1/4 x 45 1/4 in. Photo: Marcus Leith. Courtesy galerie Perrotin. 
Untitled, 2005. Aluminum powder, tabacco, glue, edition of 2, 83 1/2 x 89 3/4 in. 
Detail, Untitled, 2005. Aluminum powder, tabacco, glue, edition of 2, 83 1/2 x 89 3/4 in. 
I Giapponesi, 2003. Polyurethane rigid foam, 89 3/4 x 39 6/16 x 20 11/16 in. 
Detail, I Giapponesi, 2003. Polyurethane rigid foam, 89 3/4 x 39 6/16 x 20 11/16 in.
Biography
Born in 1973 in Brindisi, Italy, Giuseppe Gabellone lives and works in Paris. Through his practice, which combines several mediums, Gabellone created the basis for his synthesis of the surreal, the classical and the baroque. His work is characterised by strict formal research and constant experimentation with different mediums and their idioms and materials, resulting in an analytic reflection on the use of space. Since the beginning of the 2000’s, he has been investigating different types of wall sculpture, reinterpreting traditional Italian wall relief. The work investigates the dialectics between two and three dimensions, and between representation and ornament. “Trying new things is the driving force”, he henceforth explains. He has thus set aside the production of photography of sculptures (certainly the most well-known facet of his work) to invest frontally in the sculptural field. Each new project gives way to material experimentation.
His work can be found in the permanent collections of the Chicago Museum of Contemporary Art/US, the Centre Pompidou Paris/FR, Fondazione Sandretto Re Rebaudengo Turin/IT and the MAXXI, Rome/IT amongst others.
Gabellone’s artworks have been exhibited in several institutions such as: La Quadriennale di Roma, Rome/IT (2020-21); Fondazione Sandretto, Turin (2019); Fondazione Prada (curated by Luc-Tuymans), Milan (2018); Triennale of Milan (curated by Vincenzo de Bellis), Milan (2015); GAMeC, Milan (2013); greengrassi, London (2017); Perrotin, Paris (2011); Palais de Tokyo (curated by François Piron), Paris (2013); Museum of Contemporary Art, Chicago (2008) Galleria d’Arte Moderna, Bologna (2005); Kunsthalle Wien, Vienne (2004); Hara Museum, Tokyo (2001); Centre Pompidou, Paris (2001); Castello di Rivoli, Turin (2000); Fondazione Sandretto Re Rebaudengo, Turin (2000); SMAK, Gent (2000). He presented his work on the occasions of the Venice Biennial (1997, 2003), the Sydney Biennial (1998) and Documenta, Kassel (2002).