{"id":5253,"date":"2020-09-05T15:20:22","date_gmt":"2020-09-05T15:20:22","guid":{"rendered":"http:\/\/www.galerieartconcept.com\/new\/giuseppe-gabellone\/"},"modified":"2026-03-24T15:00:17","modified_gmt":"2026-03-24T15:00:17","slug":"giuseppe-gabellone","status":"publish","type":"post","link":"https:\/\/www.galerieartconcept.com\/fr\/giuseppe-gabellone\/","title":{"rendered":"Giuseppe Gabellone"},"content":{"rendered":"\n
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Vues de l’exposition \/ Installation views : Giuseppe Gabellone, PALAZZOIRREALE, Canelli.IT. 2025. Foto : Nicola Morittu<\/figcaption><\/figure>\n\n\n\n
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Vues de l’exposition \/ Installation views : Giuseppe Gabellone, PALAZZOIRREALE, Canelli.IT. 2025. Foto : Nicola Morittu<\/figcaption><\/figure>\n\n\n\n
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Vues de l’exposition \/ Installation views : Giuseppe Gabellone, PALAZZOIRREALE, Canelli.IT. 2025. Foto : Nicola Morittu<\/figcaption><\/figure>\n\n\n\n
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Vues de l’exposition \/ Installation views : Giuseppe Gabellone, PALAZZOIRREALE, Canelli.IT. 2025. Foto : Nicola Morittu<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view, Giuseppe Gabellone, Art : Concept, Paris, 2023. Courtesy the artist and Art : Concept, Paris. Photo Aur\u00e9lien Mole<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view, Giuseppe Gabellone, Art : Concept, Paris, 2023. Courtesy the artist and Art : Concept, Paris. Photo Aur\u00e9lien Mole<\/figcaption><\/figure>\n\n\n\n
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Giuseppe Gabellone, Il pomeriggio sulla schiena, 2023. R\u00e9sine de polyester, fibre de verre, bois, tissus \/ Polyester resin, fiberglass, wood, fabric. 98 \u00d7 115 \u00d7 700 cm (38 \u215d \u00d7 45 \u00bc \u00d7 275 \u215d inches). Courtesy the artist and Art : Concept, Paris. Photo Aur\u00e9lien Mole<\/figcaption><\/figure>\n\n\n\n
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Giuseppe Gabellone, Untitled, 2022. Peinture acrylique, r\u00e9sine acrylique, fibre de verre, cadre en aluminium \/ Acrylic paint, acrylic resin, fiberglass, aluminium frame. 192,5 \u00d7 151 cm (75 \u00be \u00d7 59 \u00bd inches). Courtesy the artist and Art : Concept, Paris. Photo Claire Dorn<\/figcaption><\/figure>\n\n\n\n
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Giuseppe Gabellone, Testa da Giardino, 2023. Impression num\u00e9rique \/ digital print. 31,5 \u00d7 21 cm (12 \u215c \u00d7 8 \u00bc inches). Edition of 3 plus I AP. Courtesy the artist and Art : Concept, Paris. Photo Claire Dorn<\/figcaption><\/figure>\n\n\n\n
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Giuseppe Gabellone, Seguaci del Verdeazzurro, 2022. Peinture acrylique, r\u00e9sine acrylique, fibre de verre, cadre en aluminium \/ Acrylic paint, acrylic resin, fiberglass, aluminium frame. 208 \u00d7 295,5 cm (81 \u215e \u00d7 116 \u215c inches). Courtesy the artist and Art : Concept, Paris. Photo Claire Dorn<\/figcaption><\/figure>\n\n\n\n
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Giuseppe Gabellone, Verde Acido, 2012, Vue d’exposition Il sogno di Antonio: un viaggio tra arte e tessuto, Fondazione Antonio Ratti, 2021. Photo credits: Agostino Osio<\/figcaption><\/figure>\n\n\n\n
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Detail, Falsa Finestra, 2020, Acrylic paint, acrylic resin, fiberglass, wood, aluminium frame, 105 \u00bd \u00d7 65 \u00d7 12 \u215d in.<\/figcaption><\/figure>\n\n\n\n
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Falsa Finestra, 2020, Acrylic paint, acrylic resin, fiberglass, wood, aluminium frame, 105 \u00bd \u00d7 65 \u00d7 12 \u215d in.<\/figcaption><\/figure>\n\n\n\n
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F F, 2020, Acrylic paint, acrylic resin, fiberglass, wood, aluminium frame, 105 \u00bd \u00d7 65 \u00d7 12 \u215d in.<\/figcaption><\/figure>\n\n\n\n
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Installation view, Quadriennale d’arte 2020 FUORI, Rome, cur : Sarah Cosulich & Stefano Collicelli. Courtesy Fondazione La Quadriennale di Roma. Photo: DSL Studio.<\/figcaption><\/figure>\n\n\n\n
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Untitled, 2019. Polyurethane resin, hemp rope, wood, steel structure, 152 x 210 x 60 cm (59 7\/8 x 82 5\/8 x 23 5\/8 in.)<\/figcaption><\/figure>\n\n\n\n
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Proteggi Giuseppe, 2012. Installation view, Sanguine. Luc Tuymans on Baroque, Fondazione Prada, 2019. Photo: Delfino Sisto Legnani e Marco Cappelletti. Courtesy Fondazione Prada.<\/figcaption><\/figure>\n\n\n\n
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Detail, Untitled, 2019. Polyurethane resin, hemp rope, wood, steel structure, 152 x 210 x 60 cm (59 7\/8 x 82 5\/8 x 23 5\/8 in.)<\/figcaption><\/figure>\n\n\n\n
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Detail, Untitled, 2019. Polyurethane resin, hemp rope, wood, steel structure, 152 x 210 x 60 cm (59 7\/8 x 82 5\/8 x 23 5\/8 in.). Credits: Francesca Gardini<\/figcaption><\/figure>\n\n\n\n
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Detail, Untitled, 2019. Polyurethane resin, hemp rope, wood, steel structure, 152 x 210 x 60 cm (59 7\/8 x 82 5\/8 x 23 5\/8 in.). Credits: Francesca Gardini<\/figcaption><\/figure>\n\n\n\n
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Installation view, Kronos e Kairos, Palatino, Rome\/IT (curated by Lorenzo Benedetti, 2019. Courtesy of the artist and ZERO\u2026, Milan. Photo credit: studiozabalik<\/figcaption><\/figure>\n\n\n\n
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Untitled (Black), 2017, paper, acrylic resin, fiberglass, alkyd paint, oil paint, bamboo, wood, cotton rope, 22 1\/2 x 62 1\/2 x 57 1\/8 in. Photo courtesy the artist and Fondazione Memmo, Roma. Photo: Daniele Molajoli<\/figcaption><\/figure>\n\n\n\n
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Untitled, 2018. Paper, acrylic resin, fiberglass, pigments, bamboo, wood, cotton rope. 60 x 188 x 168 cm. Courtesy of the artist and ZERO\u2026, Milan. Photo: Roberto Marossi<\/figcaption><\/figure>\n\n\n\n
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Installation view, Giuseppe Gabellone, galleria ZERO\u2026, Milan, 2018. Courtesy of the artist and ZERO\u2026, Milan. Photo: Roberto Marossi<\/figcaption><\/figure>\n\n\n\n
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Ex scarpa, 2018. Tin, 9 x 31 x 20 cm (3 1\/2 x 12 1\/4 x 7 7\/8 in.)<\/figcaption><\/figure>\n\n\n\n
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Mandibola, 2017, tin, 6 19\/64 x 9 29\/64 x 7 3\/32 in.<\/figcaption><\/figure>\n\n\n\n
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Detail, Untitled (Orange), 2017, paper, acrylic resin, fiberglass, alkyd paint, oil paint, bamboo, wood, cotton rope, 23 5\/8 x 62 5\/8 x 58 5\/8 in. Photo courtesy the artist and Fondazione Memmo, Roma. Photo: Daniele Molajoli<\/figcaption><\/figure>\n\n\n\n
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Untitled (Orange), 2017, paper, acrylic resin, fiberglass, alkyd paint, oil paint, bamboo, wood, cotton rope, 23 5\/8 x 62 5\/8 x 58 5\/8 in. Photo courtesy the artist and Fondazione Memmo, Roma. Photo: Daniele Molajoli<\/figcaption><\/figure>\n\n\n\n
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Untitled, 2017. Cypress trees, hemp rope, zinc-coated steel, dimensions variable. Courtesy Fondazione Memmo<\/figcaption><\/figure>\n\n\n\n
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Installation view, Giuseppe Gabellone, solo show, GAMeC, Bergamo, 2013. Photo courtesy the artist and GAMeC, Bergamo. Photo: Roberto Marossi<\/figcaption><\/figure>\n\n\n\n
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Installation view, Giuseppe Gabellone, solo show, GAMeC, Bergamo, 2013. Photo courtesy the artist and GAMeC, Bergamo. Photo: Roberto Marossi<\/figcaption><\/figure>\n\n\n\n
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Installation view, Giuseppe Gabellone, solo show, GAMeC, Bergamo, 2013. Photo courtesy the artist and GAMeC, Bergamo. Photo: Roberto Marossi<\/figcaption><\/figure>\n\n\n\n
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Faccia, 2011. Two color silkscreen on paper, frame, glass, 67 3\/4 x 51 1\/2 x 1 1\/2 in.<\/figcaption><\/figure>\n\n\n\n
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Nodo, 2011. Two color silkscreen on paper, frame, glass, 67 3\/4 x 51 1\/2 x 1 1\/2 in.<\/figcaption><\/figure>\n\n\n\n
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Untitled, 2009. Digital print, 52 x 35 cm (20 1\/2 x 13 3\/4 in.)<\/figcaption><\/figure>\n\n\n\n
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Untitled, 2009. Digital print, 52 x 35 cm (20 1\/2 x 13 3\/4 in.)<\/figcaption><\/figure>\n\n\n\n
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Untitled, 2006, mirrored glass on wood, 63 x 49 1\/4 x 45 1\/4 in. Photo: Marcus Leith. Courtesy galerie Perrotin.<\/figcaption><\/figure>\n\n\n\n
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Untitled, 2006, mirrored glass on wood, 102 6\/16 x 63 x 63 in. Photo: Andr\u00e9 Morin. Courtesy galerie Perrotin.<\/figcaption><\/figure>\n\n\n\n
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Untitled, 2007, digital print, 16 1\/2 x 11 in.<\/figcaption><\/figure>\n\n\n\n
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Untitled, 2007, digital print, 16 1\/2 x 11 in.<\/figcaption><\/figure>\n\n\n\n
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Untitled, Tobacco, 2005. Aluminum powder, tabacco, glue, edition of 2, 83 1\/2 x 89 3\/4 in.<\/figcaption><\/figure>\n\n\n\n
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Untitled, Tobacco, d\u00e9tail 2005. Aluminum powder, tabacco, glue, edition of 2, 83 1\/2 x 89 3\/4 in.<\/figcaption><\/figure>\n\n\n\n
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I Giapponesi, 2003. Polyurethane rigid foam, 89 3\/4 x 39 6\/16 x 20 11\/16 in.<\/figcaption><\/figure>\n\n\n\n
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Detail, I Giapponesi, 2003. Polyurethane rigid foam, 89 3\/4 x 39 6\/16 x 20 11\/16 in.<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Biographie<\/h4>\n\n\n\n

N\u00e9 en 1973 \u00e0 Brindisi (Italie), Giuseppe Gabellone vit et travaille \u00e0 Paris. Par une pratique qui combine plusieurs m\u00e9diums, Gabellone cr\u00e9e la base de sa propre synth\u00e8se entre le surr\u00e9alisme, l\u2019art contemporain et l\u2019art baroque. Le travail de Gabellone est caract\u00e9ris\u00e9 par une recherche formelle pr\u00e9cise et une exp\u00e9rimentation constante avec des m\u00e9diums diff\u00e9rents et leurs mati\u00e8res et styles d\u2019expressions qui donnent lieu \u00e0 une r\u00e9flexion analytique de l\u2019espace. Depuis le d\u00e9but des ann\u00e9es 2000, il \u00e9tudie plusieurs types de sculpture murale et r\u00e9interpr\u00e8te le bas-relief traditionnel italien. L\u2019\u0153uvre explore la dialectique entre deux et trois dimensions, et entre la repr\u00e9sentation et l\u2019ornement. Chaque nouveau projet donne lieu \u00e0 des exp\u00e9rimentations de mat\u00e9riaux, \u00ab essayer des nouvelles choses est un moteur \u00bb, explique-t-il d\u00e9sormais. Il a donc laiss\u00e9 de c\u00f4t\u00e9 pour un temps la production de photographies de sculptures (certainement la partie la plus connue de son travail), pour investir plus frontalement le champ sculptural.<\/p>\n\n\n\n

Son travail se trouve, entre autres, dans les collections publics du Chicago Museum of Contemporary Art\/US, le Centre Pompidou Paris\/FR et la Fondazione Sandretto Re Rebaudengo Turin\/IT.<\/p>\n\n\n\n

L\u2019artiste a pr\u00e9sent\u00e9 son travail dans les institutions suivantes : La Quadriennale di Roma, Rome\/IT (2020-21) ; Fondazione Sandretto, Turin\/IT (2019); Fondazione Prada (curated by Luc-Tuymans), Milan\/IT (2018); Triennale of Milan (curated by Vincenzo de Bellis), Milan\/IT (2015); GAMeC, Milan\/IT (2013); greengrassi, London\/UK (2017); Perrotin, Paris\/FR (2011); Palais de Tokyo (curated by Fran\u00e7ois Piron), Paris\/FR (2013); Museum of Contemporary Art, Chicago\/US (2008) Galleria d\u2019Arte Moderna, Bologna\/IT (2005); Kunsthalle Wien, Vienne\/AT (2004); Hara Museum, Tokyo\/JP (2001); Centre Pompidou, Paris\/FR (2001); Castello di Rivoli, Turin (2000); Fondazione Sandretto Re Rebaudengo, Turin\/IT (2000); SMAK, Gent\/BG (2000). Il a pr\u00e9sent\u00e9 son travail lors de la Biennale de Venise (1997, 2003), Biennale de Sydney (1998) et Documenta, Kassel (2002). <\/p>\n\n\n\n

A la galerie<\/h4>\n\n\n\n