{"id":15641,"date":"2021-12-02T16:31:59","date_gmt":"2021-12-02T16:31:59","guid":{"rendered":"http:\/\/www.galerieartconcept.com\/?p=15641"},"modified":"2026-03-24T15:12:46","modified_gmt":"2026-03-24T15:12:46","slug":"kate-newby","status":"publish","type":"post","link":"https:\/\/www.galerieartconcept.com\/fr\/kate-newby\/","title":{"rendered":"Kate Newby"},"content":{"rendered":"\n
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Kate Newby, A line through time, 2025\u2028.
\/\/ Biennale de Singapour \/\/ Singapore Biennale
30 m. C\u00e9ramique, engobe local (chantier de construction \u00e0 Singapour), gla\u00e7ure, min\u00e9raux, b\u00e9ton. Install\u00e9 le long du corridor ferroviaire de Singapour.
Image courtesy of Singapore Art Museum.<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, A line through time, 2025\u2028.
\/\/ Biennale de Singapour \/\/ Singapore Biennale
30 m. C\u00e9ramique, engobe local (chantier de construction \u00e0 Singapour), gla\u00e7ure, min\u00e9raux, b\u00e9ton. Install\u00e9 le long du corridor ferroviaire de Singapour.
Image courtesy of Singapore Art Museum.<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, Cold Water, 2025. Commissioned by Sharjah Art Foundation with the support of Creative New Zealand Toi Aotearoa. Installation view: Sharjah Biennial 16, Kalba Ice Factory, Kalba. Image courtesy of Sharjah Art Foundation. Photo: Ivan Erofeev<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, Cold Water, 2025. Commissioned by Sharjah Art Foundation with the support of Creative New Zealand Toi Aotearoa. Installation view: Sharjah Biennial 16, Kalba Ice Factory, Kalba. Image courtesy of Sharjah Art Foundation. Photo: Ivan Erofeev<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, Cold Water, 2025. Commissioned by Sharjah Art Foundation with the support of Creative New Zealand Toi Aotearoa. Installation view: Sharjah Biennial 16, Kalba Ice Factory, Kalba. Image courtesy of Sharjah Art Foundation. Photo: Ivan Erofeev<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, Cold Water, 2025. Commissioned by Sharjah Art Foundation with the support of Creative New Zealand Toi Aotearoa. Installation view: Sharjah Biennial 16, Kalba Ice Factory, Kalba. Image courtesy of Sharjah Art Foundation. Photo: Ivan Erofeev<\/figcaption><\/figure>\n\n\n\n
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they built anyway, 2024
Verre souffl\u00e9, corde faite \u00e0 la main, bronze \/ Blown glass, handmade rope, bronze
Dimensions Variables. Photo Romain Darnaud<\/figcaption><\/figure>\n\n\n\n
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they built anyway (detail), 2024
Verre souffl\u00e9, corde faite \u00e0 la main, bronze \/ Blown glass, handmade rope, bronze
Dimensions Variables. Photo Romain Darnaud<\/figcaption><\/figure>\n\n\n\n
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\u00ab\u00a0Trust me, trust me\u2026\u2026\u2026trust me\u00a0\u00bb, 2024, Laiton blanc, argent sterling, bronze, porcelaine, gr\u00e8s, \u00e9mail (7 pi\u00e8ces), taille variable<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, Hours in wind, 2024, verre moul\u00e9, verre travaill\u00e9 \u00e0 chaud, bronze, corde r\u00e9cup\u00e9r\u00e9e, commande du Museum of Contemporary Art Australia avec le soutien des m\u00e9c\u00e8nes principaux Ginny et Leslie Green, 2024, image avec l’autorisation de l’artiste et du Museum of Contemporary Art Australia \u00a9 l’artiste, photographie : Zan Wimberley<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, anything, anything, Klosterruine Berlin 2024, Photo: Robert Hamacher<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, anything, anything, Klosterruine Berlin 2024, Photo: Robert Hamacher<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view Ecology: Dialogue on Circulations – Dialogue 2 \u00ab\u00a0Ephemeral Anchoring\u00a0\u00bb, 2024. Fondation d’Entreprise Herm\u00e8s, Le Forum of the Ginza Maison Herm\u00e8s, Tokyo\/JP<\/figcaption><\/figure>\n\n\n\n
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Vue d\u2019exposition \/ Installation view: Our Ecology: Toward a Planetary Living, Mori Art Museum, Tokyo\/JP.
Kate Newby, FIRE!!!!!!!<\/em>, 2023. Terrazzo produced at Torii Cement Kougyou Co., Ltd., Toyama (Concrete and found materials in Tokyo: stone, ceramics, glaze, glass, rubber, plastic, enamel, cork, metal, rope, concrete, shell, and bitumen), Indigo Fabric produced at Kosoen, Ome (Organic Cotton, indigo dye). Dimension variable. Co-production: Fondation d\u2019entreprise Herm\u00e8s and Mori Art Museum Photography: Go Itami<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, Good report, stop yelling tho. 2023. Cast iron, Museum entrance, 35 x 46 x 5 7\/8 x 16 5\/8 x 5\/16 in. (1 piece). Installation view \u00ab\u00a0Intimate confession is a project\u00a0\u00bb, Blaffer Art Museum,Houston, TX\/US<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, What a great year for music<\/em>, 2023, Marfa Book Co., Marfa, TX, Photo: Alex Marks<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, What a great year for music<\/em>, 2023, Marfa Book Co., Marfa, TX, Photo: Alex Marks<\/figcaption><\/figure>\n\n\n\n
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I love this sound<\/em> (detail), 2023. Verre, bois \/ glass, wood. 63\u201d x 49.75\u201d<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, I like the way I am, 2023. Bronze, corde artisanale \/ Bronze, Handmade rope. Dimensions variable. Courtesy the artist and Art : Concept, Paris. Photo by Jorge Davalos Palma<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, Kate Newby<\/strong>, a year in the wild, 2022. Verre, jaune d\u2019argent \/ Glass, jaune d’argent. 37 \u00d7 37 cm (14 \u215d \u00d7 14 \u215d inches). Courtesy the artist and Art : Concept, Paris. Photo Nicolas Brasseur<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view Feel Noise, Kate Newby and MacKenzie Stevens, 2022, Testsite, TX\/US<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view Carbonate of Copper, 2022, Artpace, San Antonio, TX\/US
Curator Jennifer Teets<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view Carbonate of Copper, 2022, Artpace, San Antonio, TX\/US
Curator Jennifer Teets<\/figcaption><\/figure>\n\n\n\n
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Vues de l’exposition \/ Installation view \u00ab\u00a0R\u00e9clamer la terre\u00a0\u00bb, 14.04.22 – 04.09.22, Palais de Tokyo, Paris. Courtesy the artist & Art : Concept, Paris. Photo Aur\u00e9lien Mole<\/figcaption><\/figure>\n\n\n\n
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The edge of the earth, 2022
Briques, mortier
Produit avec le soutien des Rairies-Montrieux
Dimensions variable<\/figcaption><\/figure>\n\n\n\n
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Vues de l’exposition \/ Installation view \u00ab\u00a0R\u00e9clamer la terre\u00a0\u00bb, 14.04.22 – 04.09.22, Palais de Tokyo, Paris. Courtesy the artist & Art : Concept, Paris. Photo Aur\u00e9lien Mole<\/figcaption><\/figure>\n\n\n\n
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Vues de l’exposition \/ Installation view \u00ab\u00a0R\u00e9clamer la terre\u00a0\u00bb, 14.04.22 – 04.09.22, Palais de Tokyo, Paris. Courtesy the artist & Art : Concept, Paris. Photo Aur\u00e9lien Mole<\/figcaption><\/figure>\n\n\n\n
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Vues de l’exposition \/ Installation view \u00ab\u00a0R\u00e9clamer la terre\u00a0\u00bb, 14.04.22 – 04.09.22, Palais de Tokyo, Paris. Courtesy the artist & Art : Concept, Paris. Photo Aur\u00e9lien Mole<\/figcaption><\/figure>\n\n\n\n
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Vue de l\u2019exposition \/ Installation view, Kate Newby: Try doing anything without it, 2022, Art : Concept, Paris<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, amazing all times of year, 2022. Laiton blanc, argent, verre trouv\u00e9 (Auckland), gr\u00e8s, gla\u00e7ure (6 pi\u00e8ces). Dimensions variables. Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur<\/figcaption><\/figure>\n\n\n\n
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Thank you for taking us along (\u00e0 gauche\/left), Her expression (\u00e0 droite\/right), 2022. Briques, mortier \/ Bricks, mortar. 324 x 10 x 11 cm (127 1\/2 x 3 7\/8 x 4 3\/8 in). Produit aux \/ Produced at Rairies-Montrieux. Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur<\/figcaption><\/figure>\n\n\n\n
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Generous and with light, 2019. Verre, corde de laine, c\u00e2ble \/ glass, wool rope, wire, dimensions variables Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur<\/figcaption><\/figure>\n\n\n\n
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Generous and with light, 2019. Verre, corde de laine, c\u00e2ble \/ glass, wool rope, wire, dimensions variables Courtesy of the artist and Art : Concept, Paris. Photo Nicolas Brasseur<\/figcaption><\/figure>\n\n\n\n
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Kate Newby. Grows and grows on you, 2021
Argile, bris de verres collect\u00e9s, crayon dermographique, 3700 \u00e9l\u00e9ments.
Vue d’exposition \/ Installation view Mus\u00e9e d’art contemporain de Haute-Vienne – Ch\u00e2teau de Rochechouart
photo: Aur\u00e9lien Mole<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, ‘Sorry fingers keep going’, 2018. Laiton blanc, porcelaine, argent, laiton, gr\u00e8s et \u00e9mail, 8 pi\u00e8ces.<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, \u2018Let me be the wind that pulls your hair\u2019, 2017, Vue d\u2019exposition (d\u00e9tail), Artpace, San Antonio, TX, USA<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, \u2018I can’t nail the days down\u2019, 2018. Vue d\u2019exposition (d\u00e9tail), Kunsthalle Wien, Vienne, Autriche<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, \u2018I can’t nail the days down\u2019, 2018. Vue d\u2019exposition (d\u00e9tail), Kunsthalle Wien, Vienne, Autriche<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, ‘lit by lightning’, 2019. Verre, en deux parties, 9,4 x 18 x 29cm, 8,8 x 20 x 11,5cm.<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, ‘Wilde was the night, 2019. Verre, dimensions variables \/ Glass, variable dimensions. Vue d’exposition \/ Installation vue Otium#4, IAC, Villeurbanne, France, 2019<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, I’m Actually Weirdly Exciting, 2018, Biennale de Sydney, Autralie, 2018<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, ‘The more I listen to it the more I love it’, 2017. Verre, bouteilles de bi\u00e8re. D\u00e9tail de l’exposition, Fondation d’art contemporain su\u00e9dois, Stockholm, Su\u00e8de.<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, ‘Not this time, not for me’, 2017. Mortier, couleur b\u00e9ton, argent, laiton blanc, porcelaine, corde de coton, verre, gr\u00e8s. D\u00e9tail de l’exposition, SculptureCenter, New York, NY, \u00c9tats-Unis.<\/figcaption><\/figure>\n\n\n\n
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Kate Newby, ‘A rock in this pocket’, 2018. Briques, verre, c\u00e9ramique, m\u00e9tal Vue de l’exposition, 21e Biennale de Sydney, Sydney, Australie.<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view, Kate Newby, 2017, SculptureCenter, New York<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Biographie<\/h4>\n\n\n\n

Kate Newby est n\u00e9e \u00e0 Auckland, Aotearoa (Nouvelle-Z\u00e9lande) en 1979 et travaille aux \u00c9tats-Unis o\u00f9 elle r\u00e9side. En 2015, elle a obtenu le doctorat confer\u00e9 par l\u2019\u00c9cole des beaux-arts Elam \u00e0 l\u2019universit\u00e9 d\u2019Auckland.<\/p>\n\n\n\n

Travaillant avec une vari\u00e9t\u00e9 de supports dont l\u2019installation, le textile, la c\u00e9ramique, le m\u00e9tal et le verre, Kate Newby est une sculptrice qui s\u2019attache \u00e0 explorer la nature m\u00eame de la sculpture et \u00e0 en repousser les limites. Ses projets in situ<\/em>, int\u00e9gr\u00e9s dans une diversit\u00e9 de contextes et de mat\u00e9riaux du quotidien, d\u00e9placent les cadres \u00e9tablis et questionnent profond\u00e9ment les modes d\u2019exposition, de perception et d\u2019archivage de l\u2019art contemporain.<\/p>\n\n\n\n

Son travail a \u00e9t\u00e9 montr\u00e9 \u00e0 la 21e Biennale de Sydney en 2018, ainsi que dans diff\u00e9rentes institutions et galeries \u00e0 travers le monde : \u00e0 la Biennale de Singapour et \u00e0 la Biennale de Sharjah (2025), \u00e0 la Fondation Herm\u00e8s et <\/meta>Mori Art Museum \u00e0 Tokyo au Japon (2023\/2024), au Blaffer Art Museum \u00e0 Houston, Texas aux Etats-Unis (2023), au Te Papa Tongarewa, Museum of New Zealand, \u00e0 Wellington en Nouvelle-Z\u00e9lande et au Palais de Tokyo \u00e0 Paris (2022); au Mus\u00e9e de Rochechouart, (2021); \u00e0 l\u2019Institut d\u2019Art contemporain de Villeurbane (2019); \u00e0 Lumber room, Portland, OR (2019); \u00e0 la Kunsthalle de Vienne (2018), \u00e0 la Kunsthaus Hamburg, (2018); \u00e0 Index, Contemporary Swedish Art Foundation (2017) et au SculptureCenter, NY (2017).<\/p>\n\n\n\n

Kate a effectu\u00e9 des residences \u00e0 : The Joan Mitchell Foundation (2019), The Chinati Foundation (2017), Artpace (2017), Fogo Island (2013), et the International Studio & Curatorial Program ISCP (2012).<\/p>\n\n\n\n

Elle a gagn\u00e9 en 2012 le Walters Prize, le plus grand prix d\u2019art contemporain n\u00e9o-z\u00e9landais et le prix Ettore Fico (Turin, IT) en 2022.<\/p>\n\n\n\n

A la galerie<\/h4>\n\n\n\n