{"id":4376,"date":"2020-09-12T14:27:28","date_gmt":"2020-09-12T14:27:28","guid":{"rendered":"http:\/\/www.galerieartconcept.com\/new\/?p=4376"},"modified":"2026-03-24T15:27:41","modified_gmt":"2026-03-24T15:27:41","slug":"andrew-lewis","status":"publish","type":"post","link":"https:\/\/www.galerieartconcept.com\/en\/andrew-lewis\/","title":{"rendered":"Andrew Lewis"},"content":{"rendered":"\n
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Andrew Lewis, Au bord du ruisseau, Ved Gjaetle-Bekken, By the brook, 2023. Huile sur toile \/ Oil on canvas. 58,5 \u00d7 124 cm (23 \u00d7 48 \u215e inches). Courtesy the Artist and Art : Concept, Paris. Photo Romain Darnaud<\/figcaption><\/figure>\n\n\n\n
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Pas seulement, mais Aussi, 2023
Huile sur toile
71,4 \u00d7 151,9 cm (28 \u215b \u00d7 59 \u00be inches)<\/figcaption><\/figure>\n\n\n\n
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Andrew Lewis, C’est qui Denise ? – Who’s Denise please?, 2023. Huile sur toile \/ Oil on canvas. 103 \u00d7 138,2 cm (40 \u00bd \u00d7 54 \u215c inches). Courtesy the Artist and Art : Concept, Paris. Photo Romain Darnaud<\/figcaption><\/figure>\n\n\n\n
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Andrew Lewis, A quelques pas du Viel Ebeuf, not far from the Viel Ebeuf, 2023. Huile sur toile \/ Oil on canvas. 73 \u00d7 151,6 cm (28 \u00be \u00d7 59 \u215d inches). Courtesy the Artist and Art : Concept, Paris. Photo Romain Darnaud<\/figcaption><\/figure>\n\n\n\n
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Andrew Lewis, Vous savez qu’elles se rattraperont, They’ll get their own back you know, 2023. Huile sur toile \/ Oil on canvas. 148,4 \u00d7 110,2 cm (58 \u215c \u00d7 43 \u215c inches). Courtesy the Artist and Art : Concept, Paris. Photo Romain Darnaud<\/figcaption><\/figure>\n\n\n\n
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Au Bonheur des femmes, 2023
Huile sur toile
83 \u00d7 138,4 cm (32 \u215d \u00d7 54 \u00bd inches)<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view Andrew Lewis, Au Bonheur des femmes, 2023. Art : Concept, Paris. Courtesy the Artist and Art : Concept, Paris<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view Andrew Lewis, Au Bonheur des femmes, 2023. Art : Concept, Paris. Courtesy the Artist and Art : Concept, Paris<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view Andrew Lewis, Au Bonheur des femmes, 2023. Art : Concept, Paris. Courtesy the Artist and Art : Concept, Paris<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view Andrew Lewis, Au Bonheur des femmes, 2023. Art : Concept, Paris. Courtesy the Artist and Art : Concept, Paris<\/figcaption><\/figure>\n\n\n\n
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Sesquicentenial, 2017, huile sur toile, 85,4 x 140,7 cm. Collection publique : CNAP FR<\/figcaption><\/figure>\n\n\n\n
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Maria, 2017, huile sur toile, 74,9 x 130 cm. Collection publique : CNAP FR <\/figcaption><\/figure>\n\n\n\n
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Le tube t\u00e9l\u00e9chrome \/ The Telechrome Tube, 2017, huile sur toile, 130,8 x 85,2 cm. Collection publique : CNAP FR<\/figcaption><\/figure>\n\n\n\n
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V.A.B (Victoria & Albert Building), 2017, huile sur toile, 112 x 90,6 cm. Disponible <\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition, Andrew Lewis, Vers une bo\u00eete \u00e9clair\u00e9e \/ Crystal Palace Transmissions, 2018<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition, Andrew Lewis, Vers une bo\u00eete \u00e9clair\u00e9e \/ Crystal Palace Transmissions, 2018<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition, Andrew Lewis, Vers une bo\u00eete \u00e9clair\u00e9e \/ Crystal Palace Transmissions, 2018<\/figcaption><\/figure>\n\n\n\n
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Sir Christopher Cam Cams, 2017, huile sur toile, 108,8 x 121,3 cm. Disponible <\/figcaption><\/figure>\n\n\n\n
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Field studies (les \u00e9tudes en ext\u00e9rieur), 2012, huile sur toile, 53 x 100,5 cm. Disponible <\/figcaption><\/figure>\n\n\n\n
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Field analysis (L\u2019analyse en ext\u00e9rieur), 2012, huile sur toile, 71,2 x 129,5 cm, Disponible<\/figcaption><\/figure>\n\n\n\n
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Chez Elizabeth Wydeville (With Elizabeth Wydeville), 2012 huile sur toile, 110 x 90 x 3,50 cm. Collection priv\u00e9e FR<\/figcaption><\/figure>\n\n\n\n
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Dynamique de groupe (Group Dynamics), 2012, huile sur toile, 90 x 90 x 3,5 cm. Collection publique : MONA, Tasmanie<\/figcaption><\/figure>\n\n\n\n
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Chords of Affection, 2010, techniques mixtes,
190 x 210 x 81 cm. Disponible <\/figcaption><\/figure>\n\n\n\n
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F\u00e9licit\u00e9, 2009, pastel et huile sur bois 136,5 x 94,5 cm. Collection priv\u00e9e NL<\/figcaption><\/figure>\n\n\n\n
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L’avenir sera banal, 2009, crayon et huile sur bois,
140 x 82 cm. Collection priv\u00e9e NL <\/figcaption><\/figure>\n\n\n\n
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Sur rendez-vous, 2005, tirage num\u00e9rique contre-coll\u00e9 sur aluminium 115 x 80 cm, ed 8. Disponible<\/figcaption><\/figure>\n\n\n\n
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L’avenir sera banal, 2009, crayon et huile sur bois, 140 x 82 cm. Collection priv\u00e9e NL<\/figcaption><\/figure>\n\n\n\n
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Hoedown, 2009, pastel et huile sur bois, 92 x 131 cm. Collection priv\u00e9e NL<\/figcaption><\/figure>\n\n\n\n
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Couronne imp\u00e9riale, 2005, diptyque, tirage num\u00e9rique contre-coll\u00e9 sur aluminium, 80 x 115 cm. Disponible<\/figcaption><\/figure>\n\n\n\n
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Les objets tendres, 2005, tirage num\u00e9rique contre-coll\u00e9 sur aluminium, 80 x 115 cm. Disponible <\/figcaption><\/figure>\n\n\n\n
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Pas m\u00eame mes r\u00eaves satisfont les vrais besoins de mon c\u0153ur, 2005, tirage num\u00e9rique contre-coll\u00e9 sur aluminium, 115 x 80 cm, ed.8. Disponible<\/figcaption><\/figure>\n\n\n\n
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Futur Centre d’Espace International, 2003, fusain sur papier, 120 x 80 cm. Disponible<\/figcaption><\/figure>\n\n\n\n
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Vue d\u2019exposition, Points de vues, Mus\u00e9e D\u00e9partemental d\u2019Art Contemporain, Rochechouart, 2005<\/figcaption><\/figure>\n\n\n\n
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Vue d\u2019exposition, Points de vues, Mus\u00e9e D\u00e9partemental d\u2019Art Contemporain, Rochechouart, 2005<\/figcaption><\/figure>\n\n\n\n
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L’igloo, 2003, fusain sur papier, 80,01 x 120 cm. Collection priv\u00e9e CH<\/figcaption><\/figure>\n\n\n\n
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La grande muraille de Chine, 2003, fusain sur papier
80,01 x 120 cm. Collection priv\u00e9e FR<\/figcaption><\/figure>\n\n\n\n
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La pagode (Chine), 2003, fusain sur papier
80,01 x 120 cm, 80 x 120 cm. Disponible<\/figcaption><\/figure>\n\n\n\n
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Le ch\u00e2teau fort, 2003, fusain sur papier, 80 x 120 cm. Disponible<\/figcaption><\/figure>\n\n\n\n
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Lutte d’espace, 2003, carton, bois, 200 x 180 x 160 cm. Collection publique : FRAC ALSACE FR<\/figcaption><\/figure>\n\n\n\n
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Sasha, 1993, carton, 43,18 x 48,26 x 48,26 cm. Collection priv\u00e9e IT<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Biography<\/h4>\n\n\n\n

Born in 1968 in London, Andrew Lewis lives and works in Argenton-sur-Creuse. He develops the idea of interaction between characters both human or sculpted and their immediate environment, which tends to create a group dynamic. His works show all the innovation and ingenuity that we\u2019ve had to use to develop within the bosom of society which in turn has begun to function like an organism abolishing its own privileges, thus breaking the codes that it had eagerly created not so long before. Andrew Lewis intends to make an original synthesis between the painterly transposition of calm and hieratic characters and time in its most fleeing, mobile and evolving aspects. His figures evoke Robert Musil\u2019s ones. They are men and woman without evident \u201cqualities\u201d who, once freed of the sediments of their own milieu and epoch, become extremely sensitive to all experiments and act as a sort of trans-historic multiple conscience.<\/p>\n\n\n\n

His work is present in the following institutions: Arts Council Collection, London; Stedelijk Museum, Amsterdam; FRAC Alsace, S\u00e9lestat; FRAC Limousin, Limoges. Exhibitions: Vers une bo\u00eete \u00e9clair\u00e9e \/ Crystal Palace Transmissions, Art:Concept, Paris (2016); Les filtres harmoniques, Art:Concept (2012); Archi-Peinture, Le Plateau\/Frac Ile-de-France, Paris & Camden Arts Center, London (2006).<\/p>\n\n\n\n

He recently has been part of the following group shows: Abbaye Saint-Andr\u00e9, Centre d’Art Contemporain, Meymac\/FR; Monument, FRAC Alsace, S\u00e9lestat\/FR. <\/p>\n\n\n\n

At the Gallery<\/h4>\n\n\n\n