{"id":3807,"date":"2020-09-11T10:38:53","date_gmt":"2020-09-11T10:38:53","guid":{"rendered":"http:\/\/www.galerieartconcept.com\/new\/?p=3807"},"modified":"2026-02-26T16:13:25","modified_gmt":"2026-02-26T16:13:25","slug":"alexandre-singh","status":"publish","type":"post","link":"https:\/\/www.galerieartconcept.com\/en\/alexandre-singh\/","title":{"rendered":"Alexandre Singh"},"content":{"rendered":"\n
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Alexandre Singh, Nathalie Musteata
Deux personnes \u00e9changeant de la salive, 2025.
Prix CANAL+ et Prix Public Clermont-Ferrand 2025. To watch online on CANAL+
Watch Teaser<\/a>
Film nomin\u00e9 aux Oscar, cat\u00e9gorie Live Action Short Film<\/figcaption><\/figure>\n\n\n\n
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Alexandre Singh, Nathalie Musteata
Deux personnes \u00e9changeant de la salive, 2025.
Prix CANAL+ et Prix Public Clermont-Ferrand 2025. To watch online on CANAL+.
Watch Teaser<\/a>
Film nomin\u00e9 aux Oscar, cat\u00e9gorie Live Action Short Film<\/figcaption><\/figure>\n\n\n\n
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TB103 (autumn), 2018 aquarelle, crayon et encre
157,48 x 109,22 cm
encadr\u00e9: 157,48 x 109,22 cm <\/figcaption><\/figure>\n\n\n\n
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TB103 (spring), 2018 aquarelle, crayon et encre
157,48 x 109,22 cm
encadr\u00e9: 157,48 x 109,22 cm<\/figcaption><\/figure>\n\n\n\n
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La Tour Cuisine, 2018 bronze 36 x 36 x 63 cm. ed 1\/3 + 2 AP<\/figcaption><\/figure>\n\n\n\n
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La Tour Cuisine, 2018 bronze 36 x 36 x 63 cm. ed 1\/3 + 2 AP<\/figcaption><\/figure>\n\n\n\n
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La Tour Maquette, 2018 bronze 30,5 x 30,5 x 45 cm ed 1\/3 + 2 AP<\/figcaption><\/figure>\n\n\n\n
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La Tour Maquette, 2018 bronze 30,5 x 30,5 x 45 cm ed 1\/3 + 2 AP<\/figcaption><\/figure>\n\n\n\n
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TB56, 2017 aquarelle et encre sur papier 55,7 x 39,2 cm encadr\u00e9 : 58,7 x 42,2 cm<\/figcaption><\/figure>\n\n\n\n
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TB15, 2017 aquarelle et encre sur papier 44,5 x 36,9 cm. encadr\u00e9 : 47,5 x 39,9 cm.<\/figcaption><\/figure>\n\n\n\n
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TB68, 2017 encre sur papier 72,3 x 109,7 cm encadr\u00e9 : 74,6 x 113,3 cm.<\/figcaption><\/figure>\n\n\n\n
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TB102, 2018 aquarelle et impression jet d\u2019encre sur papier 18,6 x 36,5 cm. encadr\u00e9 : 21,8 x 39,5 cm<\/figcaption><\/figure>\n\n\n\n
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Vue d’installation, The Chorus, Art : Concept, Paris, 2014<\/figcaption><\/figure>\n\n\n\n
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Vue d’installation, The Chorus, Art : Concept, Paris, 2014<\/figcaption><\/figure>\n\n\n\n
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Front Page, 2013, giclee et aquarelle sur papier, 41,6 x 28,6 cm.<\/figcaption><\/figure>\n\n\n\n
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Business, 2013, aquarelle sur papier, 41,6 x 57,2 cm.<\/figcaption><\/figure>\n\n\n\n
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Harry Foulbreech, 2013, bronze, feuille d\u2019argent, 45 x 24 x 25 cm<\/figcaption><\/figure>\n\n\n\n
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Bullen, 2013, bronze, 44 x 25 x 26 cm<\/figcaption><\/figure>\n\n\n\n
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The Humans, performance, Rotterdamse Schouwburg, Rotterdam, 2013<\/figcaption><\/figure>\n\n\n\n
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The Miracle (Manna from Heaven), 2013, aquarelle, graphite sur impression ultrachrome, collage, 120 x 80 cm<\/figcaption><\/figure>\n\n\n\n
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Vue d’installation, Assembly Instructions: The Pledge, The Drawing Center, New York, 2013<\/figcaption><\/figure>\n\n\n\n
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The School for Objects Criticized, 2010, mat\u00e9riaux mixtes, son,
dimensions variables<\/figcaption><\/figure>\n\n\n\n
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Dynasty, Palais de Tokyo & Mus\u00e9e d’Art moderne de la ville de Paris, 2010, \u00a9P.Antoine<\/figcaption><\/figure>\n\n\n\n
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Dynasty, Palais de Tokyo & Mus\u00e9e d’Art moderne de la ville de Paris, 2010, \u00a9P.Antoine<\/figcaption><\/figure>\n\n\n\n
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The Appointment, 2019<\/figcaption><\/figure>\n\n\n\n
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The Humans, 2013\/14<\/figcaption><\/figure>\n\n\n\n
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The Economist (EmoTion Chest), 2007, collage de d\u00e9coupes du journal “The Economist” sur bois agglom\u00e9r\u00e9, encadr\u00e9 et sous verre, 63,5 x 91,5 x 4 cm<\/figcaption><\/figure>\n\n\n\n
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The Economist (EmoTion Chest), 2007, collage de d\u00e9coupes du journal “The Economist” sur bois agglom\u00e9r\u00e9, encadr\u00e9 et sous verre, 63,5 x 91,5 x 4 cm<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Biography<\/h4>\n\n\n\n

Born in 1980 in Bordeaux, Alexandre Singh lives and works in Paris and New York. <\/p>\n\n\n\n

In 2012, he was awarded the Meurice prize for Contemporary Art. His work is characterized by a protean nature, evolving between writing, performance, collage, installation, and sculpture. Far from creating hermetism, all these different practices work together to constitute a complete oeuvre that questions human nature, its genesis, its defects, as well as the multiplicity of its facets. The artist\u2019s references are just as eclectic and vast, giving birth to characters and stories indistinctively inherited from popular culture \u2013 the advertising and television world \u2013 and the classical dramatic repertoire (Moli\u00e8re), as well as ancient Greek comedy (Aristophanes). This assemblage of images and references evokes his early collage series The Economist (2006) and Assembly Instructions (2008-2011), series that drew their sources as much from Montaigne\u2019s Essais as from Ikea catalogs. In 2012, he directed his first play, The Humans, developed during his residency at the Witte de With and presented at the Rotterdamse Schouwburg, as well as at the Brooklyn Academy of Music in New York and at the 2014 Avignon Festival.<\/p>\n\n\n\n

His work can be found in the collections of several institutions such as the National Centre for the Visual Arts in Paris, the FRAC Pays de la Loire (Carquefou, France), the Solomon R. Guggenheim Museum, and New York\u2019s Museum of Modern Art.<\/p>\n\n\n\n

Recently, several solo exhibitions have been dedicated to his work both in Europe and in the United States; in 2011 he presented his The School of Objects Criticized at the Palais de Tokyo<\/a> (Paris) \u2013 (originally shown at the New Museum in New York in 2010 ) \u2013 and Assembly Instructions: The Pledge at Monitor Gallery (Rome) and Art : Concept (Paris), (also shown at the Drawing Center (New York) in 2013). That same year he presented The Humans at Metro Pictures (New York) then at Spr\u00fcth Magers, London, in 2014. In 2019 he presented a monographic exhibition at the Fine Arts Museums of San Francisco (California).<\/p>\n\n\n\n

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At the gallery<\/h4>\n\n\n\n