{"id":2929,"date":"2020-09-08T14:49:28","date_gmt":"2020-09-08T14:49:28","guid":{"rendered":"http:\/\/www.galerieartconcept.com\/new\/?p=2929"},"modified":"2026-03-24T15:03:21","modified_gmt":"2026-03-24T15:03:21","slug":"corentin-grossmann","status":"publish","type":"post","link":"https:\/\/www.galerieartconcept.com\/en\/corentin-grossmann\/","title":{"rendered":"Corentin Grossmann"},"content":{"rendered":"\n
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Vue de l\u2019exposition \/ Installation view Corentin Grossmann, Lignes de d\u00e9sir, Le Ch\u00e2teau – Centre d\u2019Art Contemporain et du Patrimoine d\u2019Aubenas, France, 2025.
Courtesy de l\u2019artiste et Art : Concept, Paris \u00a9Laurent Lecat<\/figcaption><\/figure>\n\n\n\n
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Vue de l\u2019exposition \/ Installation view Corentin Grossmann, Lignes de d\u00e9sir, Le Ch\u00e2teau – Centre d\u2019Art Contemporain et du Patrimoine d\u2019Aubenas, France, 2025.
Courtesy de l\u2019artiste et Art : Concept, Paris \u00a9Laurent Lecat<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view Corentin Grossmann. Astres, 2024, Art : Concept, Paris<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view Corentin Grossmann. Astres, 2024, Art : Concept, Paris<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view L’Ile int\u00e9rieure, Villa Carmignac, Ile de Porquerolles, 2023. Courtesy the Artist and Art : Concept, Paris. Photo : Nicolas Brasseur<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view L’Ile int\u00e9rieure, Villa Carmignac, Ile de Porquerolles, 2023. Courtesy the Artist and Art : Concept, Paris. Photo : Nicolas Brasseur<\/figcaption><\/figure>\n\n\n\n
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Corentin Grossmann, Saru San, 2023. C\u00e9ramique \/ Ceramic, 70 x 50 x 35 cm. Courtesy the Artist and Art : Concept, Paris. <\/figcaption><\/figure>\n\n\n\n
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Corentin Grossmann, L-EGGS, 2022. A\u00e9rographe et crayon de couleur sur papier (diptyque) \/ Airbrush and coloured pencil on paper (diptych). 185 x 112,7 cm each<\/figcaption><\/figure>\n\n\n\n
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Corentin Grossmann, Zoonose, 2022. Graphite, pastels secs et crayons de couleurs \/ graphite, pastel and colored pencils on paper. 130 \u00d7 200 cm (51 \u215b \u00d7 78 \u00be inches)<\/figcaption><\/figure>\n\n\n\n
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Corentin Grossmann, Zoonose (detail), 2022. Graphite, pastels secs et crayons de couleurs \/ graphite, pastel and colored pencils on paper. 130 \u00d7 200 cm (51 \u215b \u00d7 78 \u00be inches)<\/figcaption><\/figure>\n\n\n\n
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Le d\u00e9ploiement de la 5G, 2022. Graphite et crayon de couleur sur papier \/ graphite, pastel and colored pencils on paper. 40 \u00d7 30 cm (15 \u00be \u00d7 11 \u00be inches)<\/figcaption><\/figure>\n\n\n\n
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Corentin Grossmann, Corns IV, 2022. Graphite et crayon de couleur sur papier \/ graphite, pastel and colored pencils on paper. 40 \u00d7 30 cm (15 \u00be \u00d7 11 \u00be inches)<\/figcaption><\/figure>\n\n\n\n
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Comfy traveller, 2021, graphite et crayon de couleur sur papier, 42 x 29,7 cm. Collection priv\u00e9e MC<\/figcaption><\/figure>\n\n\n\n
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Pascal et Sigismond, 2021, graphite et crayon de couleur sur papier, 42 x 29,7 cm.<\/figcaption><\/figure>\n\n\n\n
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Women\u2019s day, 2020, graphite et crayon de couleur sur papier, 42 x 29,7 cm<\/figcaption><\/figure>\n\n\n\n
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Corentin Grossmann, Qathansa, 2021. Graphite et crayon de couleur sur papier \/ graphite, pastel and colored pencils on paper. 220 \u00d7 130 cm (86 \u215d \u00d7 51 \u215b inches)<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition, Regenerate<\/em>, WIELS | Centre d’Art Contemporain, Bruxelles, 2021. Photo: Alexandra Bertels<\/figcaption><\/figure>\n\n\n\n
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Special Kush, 2020, graphite, pastels secs et crayons de couleurs sur papier, 110 \u00d7 210 cm. Collection priv\u00e9e MC<\/figcaption><\/figure>\n\n\n\n
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Pleasure Waves, 2020, graphite et crayon de couleur sur papier, 42 x 29,7 cm<\/figcaption><\/figure>\n\n\n\n
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Oc\u00e9aniania, 2019, graphite et crayon de couleur sur papier, 155 x 113 cm<\/figcaption><\/figure>\n\n\n\n
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Un doute intersid\u00e9ral, 2019, graphite et crayon de couleur sur papier, 155 x 113 cm<\/figcaption><\/figure>\n\n\n\n
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ONSEN I, 2019, graphite, crayon de couleur et a\u00e9rographe sur papier, 185,5 x 145,3 cm. Collection priv\u00e9e CN<\/figcaption><\/figure>\n\n\n\n
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Avocado Fantasy, 2019, pastels et crayons de couleur sur papier, 40 x 30 cm. Collection priv\u00e9e MC<\/figcaption><\/figure>\n\n\n\n
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L\u2019oiseau rare, 2019, pastels et crayons de couleur sur papier, 155 x 113 cm. Collection priv\u00e9e MC<\/figcaption><\/figure>\n\n\n\n
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Doudou et Una, 2019,
pastels et crayons de couleur sur papier
40 x 30 cm. Collection priv\u00e9e MC<\/figcaption><\/figure>\n\n\n\n
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Corn, 2018, c\u00e9ramique, engobe, \u00e9mail, 80 x 40 x 38 cm<\/figcaption><\/figure>\n\n\n\n
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Quatuor, 2018, graphite, crayon de couleur et a\u00e9rographe sur papier, 105 x 74,8 cm. Collection priv\u00e9e MC<\/figcaption><\/figure>\n\n\n\n
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Land O’rama, 2018, graphite, crayon de couleur et a\u00e9rographe sur papier, 140 x 100 cm. Collection priv\u00e9e FR<\/figcaption><\/figure>\n\n\n\n
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Varuna, 2018, gr\u00e8s \u00e9maill\u00e9, engobe, 62 x 45 x 145 cm<\/figcaption><\/figure>\n\n\n\n
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Un secret, 2018, graphite, crayon de couleur et a\u00e9rographe sur papier, 100 x 75 cm. Collection priv\u00e9e MC<\/figcaption><\/figure>\n\n\n\n
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L\u2019injustice, 2018, graphite sur papier, 40 x 30 cm.<\/figcaption><\/figure>\n\n\n\n
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Acolyte 1, 2018, c\u00e9ramique, engobe, \u00e9mail, 75 x 40 x 40 cm<\/figcaption><\/figure>\n\n\n\n
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Acolyte 2, 2018, c\u00e9ramique, engobe, \u00e9mail, 55 x 45 x 40 cm<\/figcaption><\/figure>\n\n\n\n
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La Banque Centrale, 2018, graphite, crayon de couleur et a\u00e9rographe sur papier, 105 x 74,8 cm; Collection priv\u00e9e<\/figcaption><\/figure>\n\n\n\n
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Yeux de Vulves, 2018, \u00e9mail, or, diam\u00e8tre de 16 cm<\/figcaption><\/figure>\n\n\n\n
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Sakanas, 2017, c\u00e9ramique \u00e9maill\u00e9e, 50 x 30 x 25 cm, 47 x 32 x 26 cm Socle<\/figcaption><\/figure>\n\n\n\n
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Corns, 2015, c\u00e9ramique \u00e9maill\u00e9e, 42 x 20 x 22 cm et 47 x 21 x 21 cm<\/figcaption><\/figure>\n\n\n\n
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Yoga 1 et 2, 2016, c\u00e9ramique, engobe, 65 x 45 x 28 cm et 63 x 44 x 28 cm<\/figcaption><\/figure>\n\n\n\n
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Cosmic Couple 2, 2017, graphite, pastel et crayon de couleur sur papier, 40 x 30 cm. Collection priv\u00e9e CH<\/figcaption><\/figure>\n\n\n\n
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La Travers\u00e9e, 2014, graphite et a\u00e9rographe sur papier, 40 x 30 cm<\/figcaption><\/figure>\n\n\n\n
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Orgasme cosmique, 2011, graphite et crayon de couleur sur papier<\/figcaption><\/figure>\n\n\n\n
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Anubis Fatigu\u00e9, 2009, graphite sur papier, 80 x 142 cm<\/figcaption><\/figure>\n\n\n\n
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The beginning of the end, 2009, graphite sur papier, 80 x 142 cm; Collection priv\u00e9e BE<\/figcaption><\/figure>\n\n\n\n
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Tristesse infinie, 2009
graphite, crayon de couleur et a\u00e9rographe sur papier
106 \u00d7 151 cm<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Biography<\/h4>\n\n\n\n

Born in 1980 in Metz (France), Corentin Grossman lives and works in Bruxelles.<\/p>\n\n\n\n

The universe of Corentin Grossman mixes various iconographic influences, from medieval painting to popular art, images of record sleeves, to 3D modeling products. From J\u00e9r\u00f4me Bosch to Brueghel, the Elder marked the artist, who often likes to develop compositions in which a multitude of disparate elements are arranged. If the surreal and dreamlike dimension seems obvious, his work is also anchored in reality, woven with references to current events such as the earthquake which struck Haiti in 2011, or more generally the phenomena related to globalization.*<\/p>\n\n\n\n

“If I refer to a local, partial, tiny, or very short reality, it is better to register it in the interdependent and infinitely complex movements of the countless elements that make up our cosmos. The ambiguity of the approach also lies in this thought, the structuring tendency of which is doomed to failure in advance. It can be a question, not without humor, of the lightest and most serious thing at the same time. Relating them to eachother, without any hierarchy, is a poetry that I like.” \u2013 Corentin Grossmann<\/p>\n\n\n\n

Corentin Grossmann\u2019s work has been presented in the following institutions: Fondation Carmignac (2022, 2023); Wiels, Bruxelles\/BE (2021); Centre Pompidou, Metz\/FR (2020); le Palais de Tokyo, Paris\/FR (2019-2020); Les Magasins G\u00e9n\u00e9raux, Pantin\/FR (2019); CAC \u2013 la synagogue de Delme, Delme\/FR (2018); Le 19, CRAC, Montb\u00e9liard\/FR (2016); Consortium, Dijon\/FR (2012); la Fondation Ricard, Paris\/FR (2011); Mus\u00e9e des Beaux-arts de Nancy, Nancy\/FR (2010). Recent solo exhibitions include: Corentin Grossmann, curated by Cay-Sophie Rabinowitz, OSMOS, New York\/us (2019); La Tentation du Sens, Galerie Jean Roch Dard, Paris\/FR (2014); Grey Flags, Galerie Backslash, Paris\/FR (2014); Notre Monde, Galerie Jean Roch Dard, Paris\/FR (2011). <\/p>\n\n\n\n

*Text from catalogue Futures of Love<\/em>, \u00c9dition Magasins g\u00e9n\u00e9raux, Paris, 2019.<\/p>\n\n\n\n

At the gallery<\/h4>\n\n\n\n