{"id":2690,"date":"2020-09-08T10:52:20","date_gmt":"2020-09-08T10:52:20","guid":{"rendered":"http:\/\/www.galerieartconcept.com\/new\/?p=2690"},"modified":"2025-11-06T13:40:43","modified_gmt":"2025-11-06T13:40:43","slug":"estate-philippe-perrot","status":"publish","type":"post","link":"https:\/\/www.galerieartconcept.com\/en\/estate-philippe-perrot\/","title":{"rendered":"Estate Philippe Perrot"},"content":{"rendered":"\n
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Vue de l’exposition \/ Installation view: Philippe Perrot, 2025. Mus\u00e9e d’art moderne de Paris, Paris\/FR. Photo Pierre Antoine<\/figcaption><\/figure>\n\n\n\n
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Vue de l’exposition \/ Installation view: Philippe Perrot, 2025. Mus\u00e9e d’art moderne de Paris, Paris\/FR. Photo Pierre Antoine<\/figcaption><\/figure>\n\n\n\n
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Vue de l’exposition \/ Installation view: Philippe Perrot, 2025. Mus\u00e9e d’art moderne de Paris, Paris\/FR. Photo Pierre Antoine<\/figcaption><\/figure>\n\n\n\n
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Vue de l’exposition \/ Installation view: Philippe Perrot, 2025. Mus\u00e9e d’art moderne de Paris, Paris\/FR. Photo Pierre Antoine<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view, La force de l’art 2, Grand Palais, Paris, 2009<\/figcaption><\/figure>\n\n\n\n
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Baignade la nuit par crainte du jour, 2008. Peinture \u00e0 l’huile et antiseptiques sur toile \/ Oil and antiseptic on canvas, 97 \u00d7 195 cm (38 \u00bc \u00d7 76 \u00be inches). Collection Mus\u00e9e national d’art moderne, Paris<\/figcaption><\/figure>\n\n\n\n
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Ass\u00e8chement des zones humides, 2009. Peinture \u00e0 l’huile et antiseptiques sur toile \/ Oil and antiseptic on canvas, 65 x 81 cm (25 \u215d \u00d7 31 \u215e inches). Collection Fran\u00e7ois Pinault, Paris<\/figcaption><\/figure>\n\n\n\n
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Les mendiants, 2007. Peinture \u00e0 l’huile et antiseptique (\u00e9osine, b\u00e9tadine et bleu de Milian) sur toile \/ Oil and antiseptic (eosin, betadine and bleu de Milian) on canvas. 97 \u00d7 197 cm (38 \u00bc \u00d7 77 \u00bd inches). Collection priv\u00e9e<\/figcaption><\/figure>\n\n\n\n
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L’homme invisible, 2007. Peinture \u00e0 l’huile et antiseptique (\u00e9osine, b\u00e9tadine et bleu de Milian) sur toile \/ oil and antiseptic (eosin, betadine and bleu de Milian) on canvas. 80 \u00d7 100 cm (31 \u00bd \u00d7 39 \u215c inches). Collection priv\u00e9e<\/figcaption><\/figure>\n\n\n\n
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La soeur invers\u00e9e, 2007
Peinture \u00e0 l’huile et antiseptique (\u00e9osine, b\u00e9tadine et bleu de Milian) sur toile \/ Oil and antiseptic (eosin, betadine and bleu de Milian) on canvas. 114 \u00d7 146 cm (44 \u215e \u00d7 57 \u00bd inches). Collection priv\u00e9e<\/figcaption><\/figure>\n\n\n\n
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La c\u00e9r\u00e9monie, 2004. Peinture \u00e0 l’huile et antiseptique (\u00e9osine, b\u00e9tadine et bleu de Milian) sur toile \/ Oil and antiseptic (eosin, betadine and bleu de Milian) on canvas, 97 \u00d7 197 cm (38 \u00bc \u00d7 77 \u00bd inches). Collection priv\u00e9e<\/figcaption><\/figure>\n\n\n\n
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Migraine, 2004. Peinture \u00e0 l’huile et antiseptique (\u00e9osine, b\u00e9tadine et bleu de Milian) sur toile \/ Oil and antiseptic (eosin, betadine and bleu de Milian) on canvas. Collection Moca, Los Angeles<\/figcaption><\/figure>\n\n\n\n
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La f\u00eate des p\u00e8res, 2003. Peinture \u00e0 l’huile et antiseptique (\u00e9osine, b\u00e9tadine et bleu de Milian) sur toile \/ Oil and antiseptic (eosin, betadine and bleu de Milian) on canvas. 50 \u00d7 100 cm (19 \u215d \u00d7 39 \u215c inches). Collection priv\u00e9e<\/figcaption><\/figure>\n\n\n\n
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La pipe (mamie attend un b\u00e9b\u00e9), 2002. Peinture \u00e0 l’huile et antiseptique (\u00e9osine, b\u00e9tadine et bleu de Milian) sur toile \/ Oil and antiseptic (eosin, betadine and bleu de Milian) on canvas. 146 \u00d7 114 cm (57 \u00bd \u00d7 44 \u215e inches). Collection priv\u00e9e<\/figcaption><\/figure>\n\n\n\n
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Joystick ta m\u00e8re n’est pas ta m\u00e8re, 2000. Huile, \u00e9osine et b\u00e9tadine sur toile \/ Oil and antiseptic (eosin, betadine and bleu de Milian) on canvas. 146 \u00d7 114 cm (57 \u00bd \u00d7 44 \u215e inches). Collection priv\u00e9e<\/figcaption><\/figure>\n\n\n\n
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P\u00e8re, aubergine, navet, carotte, 1999. Peinture \u00e0 l’huile, b\u00e9tadine et \u00e9osine sur toile \/ Oil, betadine and eosin on canvas. 146 \u00d7 114 cm (57 \u00bd \u00d7 44 \u215e inches). Collection Frissiras Museum, Ath\u00e8nes<\/figcaption><\/figure>\n\n\n\n
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Aubergine, courgette, p\u00e8re, 1998. Peinture \u00e0 l’huile, b\u00e9tadine et \u00e9osine sur toile \/ Oil, betadine and eosin on canvas. 27 \u00d7 22 cm (10 \u215d \u00d7 8 \u215d inches). Collection priv\u00e9e, Paris<\/figcaption><\/figure>\n\n\n\n
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L’homme aux gants, 1998. Peinture \u00e0 l’huile, b\u00e9tadine et \u00e9osine sur toile \/ Oil, betadine and eosin on canvas. 27 \u00d7 22 cm (10 \u215d \u00d7 8 \u215d inches). Collection priv\u00e9e, Paris<\/figcaption><\/figure>\n\n\n\n
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La source, 1998. Peinture \u00e0 l’huile, b\u00e9tadine et \u00e9osine sur toile \/ Oil, betadine and eosin on canvas, 100 \u00d7 81 cm (39 \u215c \u00d7 31 \u215e inches). Collection FMAC, Paris<\/figcaption><\/figure>\n\n\n\n
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Le colosse, 1997. Huile et b\u00e9tadine sur toile \/ Oil and betadine on canvas, 188 \u00d7 140 cm (74 \u00d7 55 \u215b inches). Centre national des arts plastiques, Paris<\/figcaption><\/figure>\n\n\n\n
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Est-ce bien toi Grand-Maman, 1997. Peinture \u00e0 l’huile et b\u00e9tadine sur toile \/ Oil and betadine on canvas, 146 \u00d7 114 cm (57 \u00bd \u00d7 44 \u215e inches). Collection priv\u00e9e<\/figcaption><\/figure>\n\n\n\n
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La f\u00eate des m\u00e8res, 1997, Peinture \u00e0 l’huile et b\u00e9tadine sur foulard \/ Oil and betadine on scarf, 71 \u00d7 71 cm (28 \u00d7 28 inches). Centre national des arts plastiques, Paris<\/figcaption><\/figure>\n\n\n\n
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Un jour mon prince viendra, 1996, Peinture \u00e0 l’huile et b\u00e9tadine sur toile \/ Oil and betadine on canvas, 94 \u00d7 65 cm (37 \u00d7 25 \u215d inches). Collection priv\u00e9e<\/figcaption><\/figure>\n\n\n\n
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Philippe Perrot, Les familles – Le fr\u00e8re de ta m\u00e8re – Le fr\u00e8re de ton p\u00e8re, 1994-95
Huile sur toile \/ Oil on canvas, 65 \u00d7 81 cm (25 \u215d \u00d7 31 \u215e inches). Courtesy the Artist Estate and Art : Concept, Paris. Photo : D. L’Honorey<\/figcaption><\/figure>\n\n\n\n
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Trois aveugles, 1995. Peinture \u00e0 l’huile et b\u00e9tadine sur toile \/ Oil and betadine on canvas, 100 \u00d7 81 cm (39 \u215c \u00d7 31 \u215e inches). Collection priv\u00e9e<\/figcaption><\/figure>\n\n\n\n
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Ta m\u00e8re, 1994. Huile sur toile \/ Oil on canvas. 146 \u00d7 114 cm (57 \u00bd \u00d7 44 \u215e inches). Collection Mus\u00e9e d’art Moderne, Paris<\/figcaption><\/figure>\n\n\n\n
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Sans titre, 2010. Crayon aquarelle, gouache et antiseptiques \/ Pencil watercolor, gouache and antiseptic liquids, 24 \u00d7 32 cm (9 \u00bd \u00d7 12 \u215d inches). Collection priv\u00e9e<\/figcaption><\/figure>\n\n\n\n
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Sans titre, 2006. Crayon aquarelle, gouache et antiseptiques \/ Pencil watercolor, gouache and antiseptic liquids, 32 \u00d7 24 cm (12 \u215d x 9 \u00bd inches). Collection priv\u00e9e<\/figcaption><\/figure>\n\n\n\n
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Sans titre, 2007. Aquarelle et crayon sur papier \/ Watercolor and pencil on paper, 65 \u00d7 50 cm (25 \u215d \u00d7 19 \u215d inches). Collection priv\u00e9e<\/figcaption><\/figure>\n\n\n\n
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Sans titre, 2007. Aquarelle et crayon sur papier \/ Watercolor and pencil on paper, 65 \u00d7 50 cm (25 \u215d \u00d7 19 \u215d inches). Collection priv\u00e9e<\/figcaption><\/figure>\n\n\n\n
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Sans titre, 2005. Sans titre, 2005
aquarelle et crayon sur papier \/ Watercolor and pencil on paper, 30 \u00d7 42 cm (11 \u00be \u00d7 16 \u00bd inches). Collection priv\u00e9ee<\/figcaption><\/figure>\n\n\n\n
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Sans titre, 2005.
aquarelle et crayon sur papier \/ Watercolor and pencil on paper, 30 \u00d7 42 cm (11 \u00be \u00d7 16 \u00bd inches). Collection priv\u00e9ee<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Biography<\/h4>\n\n\n\n

Philippe Perrot\u2019s paintings are always about family. But he constantly interrupts the narrative function of the image, with each canvas suggesting various skits without reality divulging any family secrets. Nevertheless, his singular way of painting the signs and images suggests something of their weight and their influence on the organisation of pictorial space. The varying effects of scale contribute to altering the latter\u2019s homogeneity. The point is to disconcert the gaze of the viewers and make them seek new reference points and follow aleatory lines of thought. It is by maintaining a permanent non-resemblance between the signs and their signification, creating a disjunction between the image and its referent, that this challenge the viewer attains its full meaning.
(Evence Verdier \/ Translation : L.S Torgoff).<\/p>\n\n\n\n

The work of Philippe Perrot (Paris, 1967 – Paris, 2015) is present, among others, in the following institutions: Mus\u00e9e d’art moderne de Paris; Centre national des arts plastiques (CNAP) Paris; MOMA, New York; MOCA, Los Angeles; Frissimas Museum, Ath\u00e8nes; FRAC Ile-de-France, Paris; FMAC, Ivry-sur-Seine; CCCG, Gennevilliers.<\/p>\n\n\n\n

Exhibitions: Le monde vous appartient, Palazzo Grassi, Venise (2011) ; Rosa et Carlos de la Cruz, Miami (2007); Art: Concept, Paris (2004).<\/p>\n\n\n\n

At the gallery<\/h4>\n\n\n\n