{"id":1144,"date":"2020-09-05T15:20:22","date_gmt":"2020-09-05T15:20:22","guid":{"rendered":"http:\/\/www.galerieartconcept.com\/new\/?p=1144"},"modified":"2026-03-24T15:00:27","modified_gmt":"2026-03-24T15:00:27","slug":"giuseppe-gabellone","status":"publish","type":"post","link":"https:\/\/www.galerieartconcept.com\/en\/giuseppe-gabellone\/","title":{"rendered":"Giuseppe Gabellone"},"content":{"rendered":"\n
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Vues de l’exposition \/ Installation views : Giuseppe Gabellone, PALAZZOIRREALE, Canelli.IT. 2025. Foto : Nicola Morittu<\/figcaption><\/figure>\n\n\n\n
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Vues de l’exposition \/ Installation views : Giuseppe Gabellone, PALAZZOIRREALE, Canelli.IT. 2025. Foto : Nicola Morittu<\/figcaption><\/figure>\n\n\n\n
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Vues de l’exposition \/ Installation views : Giuseppe Gabellone, PALAZZOIRREALE, Canelli.IT. 2025. Foto : Nicola Morittu<\/figcaption><\/figure>\n\n\n\n
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Vues de l’exposition \/ Installation views : Giuseppe Gabellone, PALAZZOIRREALE, Canelli.IT. 2025. Foto : Nicola Morittu<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view, Giuseppe Gabellone, Art : Concept, Paris, 2023. Courtesy the artist and Art : Concept, Paris. Photo Aur\u00e9lien Mole<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view, Giuseppe Gabellone, Art : Concept, Paris, 2023. Courtesy the artist and Art : Concept, Paris. Photo Aur\u00e9lien Mole<\/figcaption><\/figure>\n\n\n\n
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Giuseppe Gabellone, Il pomeriggio sulla schiena, 2023. R\u00e9sine de polyester, fibre de verre, bois, tissus \/ Polyester resin, fiberglass, wood, fabric. 98 \u00d7 115 \u00d7 700 cm (38 \u215d \u00d7 45 \u00bc \u00d7 275 \u215d inches). Courtesy the artist and Art : Concept, Paris. Photo Aur\u00e9lien Mole<\/figcaption><\/figure>\n\n\n\n
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Giuseppe Gabellone, Untitled, 2022. Peinture acrylique, r\u00e9sine acrylique, fibre de verre, cadre en aluminium \/ Acrylic paint, acrylic resin, fiberglass, aluminium frame. 192,5 \u00d7 151 cm (75 \u00be \u00d7 59 \u00bd inches). Courtesy the artist and Art : Concept, Paris. Photo Claire Dorn<\/figcaption><\/figure>\n\n\n\n
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Giuseppe Gabellone, Testa da Giardino, 2023. Impression num\u00e9rique \/ digital print. 31,5 \u00d7 21 cm (12 \u215c \u00d7 8 \u00bc inches). Edition of 3 plus I AP. Courtesy the artist and Art : Concept, Paris. Photo Claire Dorn<\/figcaption><\/figure>\n\n\n\n
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Giuseppe Gabellone, Seguaci del Verdeazzurro, 2022. Peinture acrylique, r\u00e9sine acrylique, fibre de verre, cadre en aluminium \/ Acrylic paint, acrylic resin, fiberglass, aluminium frame. 208 \u00d7 295,5 cm (81 \u215e \u00d7 116 \u215c inches). Courtesy the artist and Art : Concept, Paris. Photo Claire Dorn<\/figcaption><\/figure>\n\n\n\n
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Giuseppe Gabellone, Verde Acido, 2012, Vue d’exposition Il sogno di Antonio: un viaggio tra arte e tessuto, Fondazione Antonio Ratti, 2021. Photo credits: Agostino Osio<\/figcaption><\/figure>\n\n\n\n
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Detail, Falsa Finestra, 2020, Acrylic paint, acrylic resin, fiberglass, wood, aluminium frame, 105 \u00bd \u00d7 65 \u00d7 12 \u215d in.<\/figcaption><\/figure>\n\n\n\n
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Falsa Finestra, 2020, Acrylic paint, acrylic resin, fiberglass, wood, aluminium frame, 105 \u00bd \u00d7 65 \u00d7 12 \u215d in.<\/figcaption><\/figure>\n\n\n\n
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F F, 2020, Acrylic paint, acrylic resin, fiberglass, wood, aluminium frame, 105 \u00bd \u00d7 65 \u00d7 12 \u215d in.<\/figcaption><\/figure>\n\n\n\n
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Installation view, Quadriennale d’arte 2020 FUORI, Rome, cur : Sarah Cosulich & Stefano Collicelli. Courtesy Fondazione La Quadriennale di Roma. Photo: DSL Studio.<\/figcaption><\/figure>\n\n\n\n
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Untitled, 2019. Polyurethane resin, hemp rope, wood, steel structure, 152 x 210 x 60 cm (59 7\/8 x 82 5\/8 x 23 5\/8 in.)<\/figcaption><\/figure>\n\n\n\n
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Proteggi Giuseppe, 2012. Installation view, Sanguine. Luc Tuymans on Baroque, Fondazione Prada, 2019. Photo: Delfino Sisto Legnani e Marco Cappelletti. Courtesy Fondazione Prada.<\/figcaption><\/figure>\n\n\n\n
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Detail, Untitled, 2019. Polyurethane resin, hemp rope, wood, steel structure, 152 x 210 x 60 cm (59 7\/8 x 82 5\/8 x 23 5\/8 in.)<\/figcaption><\/figure>\n\n\n\n
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Detail, Untitled, 2019. Polyurethane resin, hemp rope, wood, steel structure, 152 x 210 x 60 cm (59 7\/8 x 82 5\/8 x 23 5\/8 in.). Credits: Francesca Gardini<\/figcaption><\/figure>\n\n\n\n
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Detail, Untitled, 2019. Polyurethane resin, hemp rope, wood, steel structure, 152 x 210 x 60 cm (59 7\/8 x 82 5\/8 x 23 5\/8 in.). Credits: Francesca Gardini<\/figcaption><\/figure>\n\n\n\n
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Installation view, Kronos e Kairos, Palatino, Rome\/IT (curated by Lorenzo Benedetti, 2019. Courtesy of the artist and ZERO\u2026, Milan. Photo credit: studiozabalik<\/figcaption><\/figure>\n\n\n\n
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Untitled (Black), 2017, paper, acrylic resin, fiberglass, alkyd paint, oil paint, bamboo, wood, cotton rope, 22 1\/2 x 62 1\/2 x 57 1\/8 in. Photo courtesy the artist and Fondazione Memmo, Roma. Photo: Daniele Molajoli<\/figcaption><\/figure>\n\n\n\n
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Untitled, 2018. Paper, acrylic resin, fiberglass, pigments, bamboo, wood, cotton rope. 60 x 188 x 168 cm. Courtesy of the artist and ZERO\u2026, Milan. Photo: Roberto Marossi<\/figcaption><\/figure>\n\n\n\n
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Installation view, Giuseppe Gabellone, galleria ZERO\u2026, Milan, 2018. Courtesy of the artist and ZERO\u2026, Milan. Photo: Roberto Marossi<\/figcaption><\/figure>\n\n\n\n
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Ex scarpa, 2018. Tin, 9 x 31 x 20 cm (3 1\/2 x 12 1\/4 x 7 7\/8 in.)<\/figcaption><\/figure>\n\n\n\n
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Mandibola, 2017, tin, 6 19\/64 x 9 29\/64 x 7 3\/32 in.<\/figcaption><\/figure>\n\n\n\n
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Detail, Untitled (Orange), 2017, paper, acrylic resin, fiberglass, alkyd paint, oil paint, bamboo, wood, cotton rope, 23 5\/8 x 62 5\/8 x 58 5\/8 in. Photo courtesy the artist and Fondazione Memmo, Roma. Photo: Daniele Molajoli<\/figcaption><\/figure>\n\n\n\n
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Untitled (Orange), 2017, paper, acrylic resin, fiberglass, alkyd paint, oil paint, bamboo, wood, cotton rope, 23 5\/8 x 62 5\/8 x 58 5\/8 in. Photo courtesy the artist and Fondazione Memmo, Roma. Photo: Daniele Molajoli<\/figcaption><\/figure>\n\n\n\n
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Untitled, 2017. Cypress trees, hemp rope, zinc-coated steel, dimensions variable. Courtesy Fondazione Memmo<\/figcaption><\/figure>\n\n\n\n
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Installation view, Giuseppe Gabellone, solo show, GAMeC, Bergamo, 2013. Photo courtesy the artist and GAMeC, Bergamo. Photo: Roberto Marossi<\/figcaption><\/figure>\n\n\n\n
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Installation view, Giuseppe Gabellone, solo show, GAMeC, Bergamo, 2013. Photo courtesy the artist and GAMeC, Bergamo. Photo: Roberto Marossi<\/figcaption><\/figure>\n\n\n\n
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Installation view, Giuseppe Gabellone, solo show, GAMeC, Bergamo, 2013. Photo courtesy the artist and GAMeC, Bergamo. Photo: Roberto Marossi<\/figcaption><\/figure>\n\n\n\n
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Faccia, 2011. Two color silkscreen on paper, frame, glass, 67 3\/4 x 51 1\/2 x 1 1\/2 in.<\/figcaption><\/figure>\n\n\n\n
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Nodo, 2011. Two color silkscreen on paper, frame, glass, 67 3\/4 x 51 1\/2 x 1 1\/2 in.<\/figcaption><\/figure>\n\n\n\n
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Untitled, 2009. Digital print, 52 x 35 cm (20 1\/2 x 13 3\/4 in.)<\/figcaption><\/figure>\n\n\n\n
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Untitled, 2009. Digital print, 52 x 35 cm (20 1\/2 x 13 3\/4 in.)<\/figcaption><\/figure>\n\n\n\n
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Untitled, 2006, mirrored glass on wood, 63 x 49 1\/4 x 45 1\/4 in. Photo: Marcus Leith. Courtesy galerie Perrotin.<\/figcaption><\/figure>\n\n\n\n
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Untitled, 2006, mirrored glass on wood, 102 6\/16 x 63 x 63 in. Photo: Andr\u00e9 Morin. Courtesy galerie Perrotin.<\/figcaption><\/figure>\n\n\n\n
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Untitled, 2007, digital print, 16 1\/2 x 11 in.<\/figcaption><\/figure>\n\n\n\n
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Untitled, 2007, digital print, 16 1\/2 x 11 in.<\/figcaption><\/figure>\n\n\n\n
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Untitled, Tobacco, 2005. Aluminum powder, tabacco, glue, edition of 2, 83 1\/2 x 89 3\/4 in.<\/figcaption><\/figure>\n\n\n\n
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Untitled, Tobacco, d\u00e9tail 2005. Aluminum powder, tabacco, glue, edition of 2, 83 1\/2 x 89 3\/4 in.<\/figcaption><\/figure>\n\n\n\n
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I Giapponesi, 2003. Polyurethane rigid foam, 89 3\/4 x 39 6\/16 x 20 11\/16 in.<\/figcaption><\/figure>\n\n\n\n
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Detail, I Giapponesi, 2003. Polyurethane rigid foam, 89 3\/4 x 39 6\/16 x 20 11\/16 in.<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Biography<\/h4>\n\n\n\n

Born in 1973 in Brindisi, Italy, Giuseppe Gabellone lives and works in Paris. Through his practice, which combines several mediums, Gabellone created the basis for his synthesis of the surreal, the classical and the baroque. His work is characterised by strict formal research and constant experimentation with different mediums and their idioms and materials, resulting in an analytic reflection on the use of space. Since the beginning of the 2000\u2019s, he has been investigating different types of wall sculpture, reinterpreting traditional Italian wall relief. The work investigates the dialectics between two and three dimensions, and between representation and ornament. \u201cTrying new things is the driving force\u201d, he henceforth explains. He has thus set aside the production of photos of his sculptures (certainly the most well-known side of his work) to get involved in the sculptural field. Each new project gives way to material experimentation.<\/p>\n\n\n\n

His work can be found in the permanent collections of the Chicago Museum of Contemporary Art\/US, the Centre Pompidou Paris\/FR, Fondazione Sandretto Re Rebaudengo Turin\/IT and the MAXXI, Rome\/IT amongst others.<\/p>\n\n\n\n

Gabellone\u2019s artworks have been exhibited in several institutions such as: La Quadriennale di Roma, Rome\/IT (2020-21); Fondazione Sandretto, Turin (2019); Fondazione Prada (curated by Luc-Tuymans), Milan (2018); Triennale of Milan (curated by Vincenzo de Bellis), Milan (2015); GAMeC, Milan (2013); greengrassi, London (2017); Perrotin, Paris (2011); Palais de Tokyo (curated by Fran\u00e7ois Piron), Paris (2013); Museum of Contemporary Art, Chicago (2008) Galleria d\u2019Arte Moderna, Bologna (2005); Kunsthalle Wien, Vienne (2004); Hara Museum, Tokyo (2001); Centre Pompidou, Paris (2001); Castello di Rivoli, Turin (2000); Fondazione Sandretto Re Rebaudengo, Turin (2000); SMAK, Gent (2000). He presented his work on the occasions of the Venice Biennial (1997, 2003), the Sydney Biennial (1998) and Documenta, Kassel (2002). <\/p>\n\n\n\n

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At the gallery<\/h4>\n\n\n\n