She lives and works in Geneva. With her mystical, fantastical and extremely vivid approach to art, Vidya Gastaldon develops a sort of harmonisation of qualities both spiritual and physical. Allergic to any attempt to control and restrain her universe, she delivers a cosmic overview combining Hindi divinities, Muppet-Show characters and Christian references. Her work, reminiscent of artists such as Turner, Burchfield, Blake or Bunuel, is extremely multi faced and deals with the divine, the hallucinatory but also with everyday life. In a mixture of sacred, sensual, tongue-in-cheek and sometimes provocative creations, she manages to establish a connection between “being” and “meant to be”. She engenders new beliefs, and by means of negative and positive impulses she pushes social unconsciousness out of the way, liberating our collective thought of the predefined egregores that oblige us to keep reproducing spiritual and social patterns.
Her work is part of the following collections: Wilhelm Hack Museum, Ludwigshafen am Rhein; Musée des Beaux-Arts, Brest; Fonds Municipal d’Art Contemporain, Geneva; Jenisch Museum, Vevey; Kunst Museum Bern; Fonds National d’Art Contemporain, Paris; Collection Région Piémont, Turin; Kadist Art Foundation, Paris; MAMCO, Geneva; Musée National d’Art Moderne – Centre Pompidou, Paris.
Selected solo exhibitions: J’aurais voulu qu’on s’aime tous, Wide, Genève (2020), Objets peints au feu de bois, Art : Concept, Paris (2019); Push the earth with your knees, the sky with your head, Art Bärtschi & Cie, Geneva (2017); Les Rescapés, Musée de l’Abbaye Sainte-Croix, Les Sables d’Olonne; Hello From the Other Side, Art : Concept, Paris (2016); Tu es Monstrueux et je t’aime beaucoup, MAMCO, Geneva (2012); Domaine de Kerguehennec, Bignan (2009), among others. In 2019 her work was part of the group exhibition ‘Futur, ancien, fugitif’ at the Palais de Tokyo, Paris.