Espaces & Cie, 2017. Acrylic on paper, 17 7/8 x 12 in. Available 
Vue d’exposition/ Installation view « Beyond Color » , Galerie Art concept, 2018. 
Espaces & Cie, 2016. Acrylic on paper, 17 7/8 x 12 in. Available 
Derrière, 2013. Stones painted black, 6 7/8 x 2 1/2 x 2 3/8 in. Available 
Lance-pierre, 2006. Stone, acrylic, 5 7/8 x 5 1/8 x 3 7/8 in. Private collection CH 
9.6.96, 1996. Acrylic on canvas, 37 3/4 x 51 1/8 in. Available 
Vue d’exposition/ Installation view « Un peu d’espace(s) », Galerie Art concept, 2015. 
Deux-Deux, 1989. Acrylic on canvas, 51 1/8 x 38 1/4 in. Available 
L’arbre aussi, 30.06.1989 – 24.07.1989. Acrylic on canvas, diptych, 63 3/4 x 51 1/8 in. each. Available 
1/11/89, 1989. Acrylic on canvas, 38 1/4 x 51 1/8 in. Available 
3/11/88, 1988. Acrylic on canvas, 51 1/8 x 38 1/4 in. Available 
Jean-Michel Sanejouand, Lance-pierre, 2006. Pierre, acrylique / Stone, acrylic, 14,9 × 13 × 10 cm (5 ⅞ × 5 ⅛ × 3 ⅞ inches). Coll. privée CH. Photo: Dorine Potel. 
Espace-Peinture, 11.10.81, 1981. Acrylic on canvas, 36 1/4 x 28 3/4 in. Available 
Espace-Peinture, 7.10.78, 1978. Acrylic on canvas, 35 x 45 5/8 in. Available 
Espace Peinture 11.10.78, 1978, acrylic on canvas, 39 3/8 x 39 3/8 in. Available 
Espace-Peinture, 29.6.78, 1978, acrylic on canvas, 35 x 74 3/4 in. Available 
Calligraphie d’humeur, 1974, indian ink on canvas, 35 3/8 x 74 3/4 in. Available 
Calligraphie d’humeur, 1974. Indian ink on canvas, 35 3/8 x 74 3/4 in. Available 
Calligraphie d’humeur (08/1974), 1974. Ink on canvas, 35 3/8 x 74 3/4 in. Available 
Calligraphie d’humeur, 1974, indian ink on canvas, 35 3/8 x 74 3/4 in. Available 
Châssis encre noire sur bâche à rayures, 1966. Wood, awning canvas, ink, 39 3/8 x 31 7/8 in. Private collection FR 
Orange à saisir, 1966. Wood, canvas, metal, 110 1/4 x 15 3/4 x 4 3/8 in. Private collection FR 
Les petites herbes, 1966. Canvas, plastic coated fabric, pencil, 45 5/8 x 28 3/4 in. Available 
Châssis, grillage plastique rouge et grillage jaune sur toile bleue, 1965. Wood, fabric, wire, plastic, 97 5/8 x 23 5/8 in. Available 
Plastique bleu, deux châssis et une bande de tissu noir, 1964. Wood, fabric, plastic, 57 5/8 x 28 3/4 in. Available 
En losanges, 1964. Wood, plastic, 89 x 44 1/2 in. Available 
Toile de bâche à rayures et châssis bois, 1964. Awning canvas, wooden stretcher, 63 3/4 x 51 1/8 in. Public collection: Philadelphia Museum of Art/US 
Toile de bâche à rayures et règle, 1964. Fabric, wood, 31 7/8 x 40 1/8 in. Private collection FR 
Jean-Michel Sanejouand, Monochrome bleu derrière, 1964. Toile de bâche, châssis en bois / Awning fabric, wooden stretcher, 100 × 81 cm (39 ⅜ × 31 ⅞ inches), Private collection FR. Photo: Marc Domage. 
Zoé, 1963, mixed media, 118 x 40 x 35 cm. Public collection: MNAM/Centre Pompidou, Paris/FR 
Jean-Jean-Michel Sanejouand, Toile noire et miroir, 1963. Tissu noir sur chassis en bois / Black fabric on wooden stretcher, mirror, 195×260 cm (76 3/4 x 102 3/8 in.) Photo: Marc Domage. 
Jean-Michel Sanejouand, Porte-Boules, 1963. Cailloux peints, cuir / Stone, acrylic, leather, 7 × 25 cm (2 3/4 x 9 7/8 in.). Photo : Ilmari Kalkkinen
Biography
Jean-Michel Sanejouand (1934-2021) was born in Lyon and lived and worked in the Anjour region. Hailing from the heart of the 60’s art scene, the work of Jean-Michel Sanejouand continues to resist any traditional type of classification, all the while maintaining a certain radicalness in its questioning of accepted forms and processes. Beyond the pure expression of formal liberty, Jean-Michel Sanejouand chose to exploit the very ruptures which result from contrasting various artistic elements. His ingeniousness has been recognised by a number of French and international institutions, including the Centre Georges Pompidou, which presented an important retrospective of his work in 1995.
His work is present in several French public collections including the Musée national d’art moderne/Centre Pompidou, the Musée d’Art moderne de la Ville de Paris, the Musée d’Art Contemporain de Lyon and the Lille Métropole Musée d’art moderne, d’art contemporain et d’art brut. Many solo exhibitions have been devoted to his work since the 1960s, including: Charges-Objets, MAMCO, Geneva (2015); Un peu d’espace(s) at Art : Concept, Paris in (2015); Rétrospectivement…, Frac Pays de la Loire, Carquefou/FR (2012); 1963-1995 retrospective, Centre Pompidou, Paris/FR (1995); Rétrospective des Charges-Objets aux Espaces-Peintures, Palais des Beaux-Arts, Lyon/FR (1986).