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Ulla von Brandenburg Le milieu est bleu, 2020 Film super 16 mm, transféré sur vidéo HD, couleur, son 23 min 43

Courtesy of the artist and Art : Concept (Paris); Meyer Riegger (Berlin/Karlsruhe); Pilar Corrias Gallery (London); Produzentengalerie Hamburg. In partnership with the Théâtre du Peuple, Bussang, the CND Centre National de la Danse, Pantin and the Opéra National de Paris.

Director: Ulla von Brandenburg ; Executive Producer: Julia Mossé ; Dramaturg: Benoit Résillot ; Choreography: Giuseppe Molino ; Scenography: Valentina Dotti, Sabine Tarry, Julia Mossé, Julien Crépieux ; Accessories: Hannelore Lücke-Rausch, Fabienne Touzi dit Terzi, Julien Crépieux, Adrien Collino, Charlotte Livine, Charles Poitevin ; Costumes: Valentina Dotti, Sabine Tarry, Julia Mossé, Clémence Joly, Fanny Milone ; Music: Anna Holveck, Ulla von Brandenburg ; Director of Photography: Laurent Coltelloni ; Cameraman and Steadicam Operator: Eric Bialas ; First Camera Assistant: Mathias Sabourdin ; Head Electrician: Luis Peralta ; Head Operator: Pierre Monneret ; Production Co-Ordinator: Nicolas Galland ; Technician-Electrician: Alban Thiébaut ; Sound Engineer: Olivier Pelletier ; Editing and Color grading: Nicolas Perret ; Digital Laboratory: Alexandre Westphal ; Laboratory: Hiventy, Joinville-Le-Pont ; Equipment: Kodak France, Panavision Paris and Panalux Paris
Performers: Benoit Résillot, Giuseppe Molino, Laurence Mayor, Bianca Iannuzzi, Duncan Evennou, Larissa Emi, Jean-Marc Michels, Julia Mossé

Thanks to: Simon Delétang, Alice Trousset, Clélie Bagard and the team at the Théâtre du Peuple, Bussang ; Yoann Gourmel, Albane de Chatellus, Christine Neumeister, Marianne Lamour, Vincent Ferreira, Jessica Nourisson, Pierre-Marie Paubel, Matthieu Imbert

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Exhibition Celebrating the 20th Anniversary of the MRAC Occitanie

Collections of Frac Occitanie Montpellier, Frac Occitanie Toulouse – Les Abattoirs and Musée régional d’art contemporain Occitanie in Sérignan.

Curator: Fabrice Bousteau

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Vue d’exposition | Installation view: Sinfonía industrial en dos tiempos, 2026, MAZ — Museo de Arte de Zapopan, Zapopan/MX. Photo Agustín Arce

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Group show.

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Vue d’exposition / Installation view: Nina Childress, Amour réciproque, 2026, La Tôlerie, Clermont-Ferrand/FR. Courtesy the Artist. Photo : Objets pointus

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Vue d’exposition / Installation view: Pierre-Olivier Arnaud & Denis Savary, Josy’s Club, 10.09 – 06.11.2026, Bikini, Lyon/FR. Photo : Sébastien Schnyder

In the store window + by appointment

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How to Grow the Cowpea: Survival Strategies from the U.S. South
 is an exhibition presented in partnership with Planet Texas 2050, an initiative supporting interdisciplinary climate resilience research at the University of Texas at Austin. The exhibition assembles new and existing works by artists who probe our relationship with the environment and offer strategies for survival amid the climate crisis. To engage a crisis of this scale, the participating artists operate on a timeline that extends far beyond that of the exhibition itself. Their work builds on legacies of scientific, artistic, and ecological practices that have been in process long before the exhibition, planting seeds for material transformations that will take shape long after the exhibition closes, in forms ranging from heat-resistant gardens to advocacy for the rematriation of the American bison. 

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Curator : Chris Sharp