Already in its title, “Carrying” points to how places carry certain (hi)stories. This exhibition project with its accompanying events activates various spaces inside and outside Museum Brandhorst. International artists, including Cana Bilir-Meier, Kate Newby, Tiffany Sia, Jaune Quick-to-See Smith, and Leyla Yenirce, occupy historically charged sites—such as Cy Twombly’s “Lepanto” room or the “Türkentor” (Turks’ Gate). Architectural interventions, performances, and paintings, as well as sound and filmic works, engage with the museum and explore the entanglement of military and cultural power.

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Group show

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In partnership with the Port of Portland, the Regional Arts & Culture Council (RACC) has selected artists Dyani White Hawk and Kate Newby to create two large-scale public artworks for Portland International Airport (PDX). The works are expected to be installed in late 2025 and unveiled in 2026. They were chosen through a competitive process led by the PDX Terminal Core Redevelopment (TCORE) Public Art Committee from more than 110 applicants nationwide.

The renovation of PDX’s main terminal aims to increase capacity and flexibility while enhancing the traveler experience and incorporating more art. Each artwork will span over 50 feet and be installed along the north and south exit routes where greeters wait after security. Beyond helping with wayfinding, the pieces will offer a powerful and welcoming visual experience for both visitors and locals.

According to Kristin Law Calhoun of RACC, the selection reflects a commitment to impactful public art connected to the region’s landscapes, history, and communities, creating lasting landmarks that define the PDX experience.

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(CANAL+ Prize and Audience Prize – Clermont-Ferrand 2025)

An absurd tragedy set in a repressive society where kissing is punishable by death and people pay by receiving slaps in the face. Angine, an unhappy woman, engages in compulsive shopping in a department store and becomes captivated by a naïve salesgirl. Despite the ban on kissing her, the two grow closer, arousing the suspicion of a jealous coworker.

The film will be screened at Palazzo Grassi as part of a selection of films from the Schermo dell’arte festival.

Full film available for free on CANAL+

Réalisation / Directed by
Natalie Musteata
Alexandre Singh

Avec / Cast
Zar Amir Ebrahimi
Luàna Bajrami
Vicky Krieps
Aurélie Boquien
Nicolas Bouchaud
Mitchell Jean
Mustapha Abourachid
Thibault De Lussy
Lucile Jaillant
Christophe Grundmann
Sybille Blouin
Rodolphe Meunier

Musique / Music
Bobak Lotfipour

Scénario / Screenplay
Natalie Musteata
Alexandre Singh

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The exhibition presents nearly thirty years of work by painter and sculptor Olle Bærtling (1911–1981), an iconic figure of abstraction, in dialogue with the works of seven international artists: Cécile Bart, Rana Begum, Ulla von Brandenburg, Jacob Dahlgren, Bernd Ribbeck, Bella Rune and Brooklin A. Soumahoro. Through very different approaches and mediums, they are revitalising geometric abstract art and exploring its relevance today.

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Le Syndrome de Bonnard (Bonnard Syndrome), exhibited at Le Plateau in Paris and Les Réserves in Romainville from 14th February to 19th July 2026, will reveal the evolving and open nature of artworks. Through reworkings, reactivations and recycling, the works continue to evolve after entering collections. Inspired by painter Pierre Bonnard (1867–1947) and his habit of endlessly modifying his works, the exhibition, curated by the collective Le Bureau/, brings together over thirty French and international artists to explore the impermanence of works, the malleability of narratives, and the ever-evolving dialogue between creation and institution.

With artworks by : Béatrice Balcou, Jean-Luc Blanc, Camille Blatrix, Maurice Blaussyld, Michel Blazy, Pierre Bonnard, Étienne Bossut, Émilie Brout & Maxime Marion, Grégory Chatonsky, Stéphanie Cherpin/Maria Corvocane feat. Salomé Botella, Nina Childress, Gaëlle Choisne, Jagna Ciuchta feat. Melanie Counsell, Bady Dalloul, Koenraad Dedobbeleer, Jason Dodge, Mimosa Echard et Christophe Lemaitre, Ryan Gander, Núria Güell, Ramin Haerizadeh, Rokni Haerizadeh et Hesam Rahmanian, My-Lan Hoang-Thuy, It’s Our Playground, Euridice Zaituna Kala, Marie Lund, Liz Magor, François Morellet, Pierre Paulin, Paola Siri Renard, Clément Rodzielski, Joe Scanlan, Charlotte Simonnet, John Smith, Batia Suter, Joëlle Tuerlinckx and Daniel Turner.

& an associated programme expanding beyond the museum into partner venues in Île-de-France

Curatorial team : Le Bureau

Curator: Rémi Enguehard, in collaboration with the public relations department of the Frac Île-de-France and the teams and curators of the partner venues.

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Populated by impalpable, fragile, and unsettling presences, Villa Bernasconi presents the exhibition Stitches: A Haunted House and Other Ghost Stories, curated by Collectif Détente. Continuing the curatorial project Stitches initiated in 2020, the exhibition explores the spectral potential of textiles.
By clothing the invisible and giving it form, fabric becomes a messenger between worlds, carrying suspended stories and forgotten memories.

At the threshold of the perceptible, the exhibition questions what the figure of the ghost and its dwelling reveal within contemporary artistic practices. Witnesses to concealed legacies, collective fears, and intimate narratives, the works on view give shape to what cannot—or must not—be seen. With tenderness, mischief, and unease, they reveal the haunting that inhabits domestic objects, living spaces, everyday gestures, and social structures.
In dialogue with the architecture of Villa Bernasconi, the house itself becomes a haunted subject, allowing the voices and absent beings to surface—those “others” with whom we coexist, who follow us, or accompany us.

Stitches: A Haunted House and Other Ghost Stories
Serge Comte, Vidya Gastaldon, Christophe Terpent & Jean-Michel Wicker / Ryan Gander / Dorota Gawęda & Eglė Kulbokaitė / Gotscho / Gregory Tara Hari / Sonia Kacem / Léa Katharina Meier / Meret Oppenheim / Benoît Piéron / Nina Rieben / Li Tavor / Sandar Tun Tun / Claire van Lubeek / Latefa Wiersch, and a film with Heidi Bucher

Exhibition from January 21 to March 22, 2026
Opening hours:
Wednesday – Sunday
2 pm – 6 pm

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Ulla von Brandeburg – “It Has a Golden Sun and an Elderly Grey Moon” Film super-16-mm, colour, sound, 22 min 25 sec.

Le Grand Café is participating in the Trajectoires #9 dance festival* for the third consecutive year.
The art center is presenting three artistic creations at the crossroads of dance and visual arts, featuring tableaux vivants, body-objects, and memory theater.

It has a Golden Sun and an Elderly Grey Moon
Ulla von Brandenburg
2016
Film, duration 22 min 25 sec
Looped from 3pm to 6pm

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