Art : Concept is pleased to announce Caroline Achaintre’s solo exhibition, Permanente, at Fondazione Giuliani per l’Arte Contemporanea in Rome.
Tapestry, watercolours, basketwork and ceramics are traditional techniques that Caroline Achaintre uses to create her carnival of the absurd. The exhibition reveals the wide range of her output with a group of previously unseen works as well as pieces produced especially for Montpellier. She is creating her own distinctive exhibition design and making three new wicker sculptures with local artisans.
Fondazione Giuliani per l’Arte Contemporanea Via Gustavo Bianchi, 1 00153 Roma RM | IT
Vue d’exposition / Installation view Untitled, Strange Days, Frac île de France, 2017. Photo Martin Agryroglio
sans titre (play still_45), 2016, sérigraphie sur papier / silkscreen on paper, 176 x 120 cm (69 1/4 x 47 1/4 in.)
sans titre (play still_17), 2016. sérigraphie sur papier / Silkscreen on paper, 176 x 120 cm (69 1/4 x 47 1/4 in.)
Vue d’exposition / installation view ONE MORE TIME, Mamco, Genève, October 28th 2015 – January 29th 2016
sans titre (play still_14), 2015. sérigraphie sur papier / silkscreen on paper 69 1/4 x 47 1/4 in each, dimensions variable
sans titre (play still_35), sans titre (play still_32), sans titre (play still_34), 2016, sérigraphie sur papier / silkscreen on paper, 176 x 120 cm (69 1/4 x 47 1/4 in.)
sans titre (play still_halo VI), 2015, sérigraphie sur papier / silkscreen on paper, 176 x 120 cm (69 1/4 x 47 1/4 in.)
sans titre (play still_halo XI), 2015, sérigraphie sur papier / silkscreen on paper, 176 x 120 cm (69 1/4 x 47 1/4 in.)
Sans titre (abstract-marguerite), 2015, impression sur papier baryté collé sous diasec, polyptyque de 7 pièces / print on baryte paper pasted under diasec, polyptych of 7, 56 x 40 cm each, 22 7/8 x 15 3/4 x 0 3/4 in. Installation view The Avery Show, Le Confort Moderne, Poitiers, September 26th – December 20th 2015
Sans titre (abstract-marguerite), détail, 2015, impression sur papier baryté collé sous diasec, polyptyque de 7 pièces / print on baryte paper pasted under diasec, polyptych of 7, 56 x 40 cm each, 22 7/8 x 15 3/4 x 0 3/4 in.
sans titre (abstract – fleur 01), 2014, impression sur papier baryté collé sous diasec / print on baryte paper pasted under diasec , 57,5 x 43 cm (22 5/8 x 16 7/8 in.)
Sans titre (cheerleader IV), 2014, polaroïd, frame / cadre, 33 x 27 cm (13 x 10 5/8 in.)
Sans Titre (Post 07), 2012, impression offset sur papier / offset print on paper, 26 3/4 x 18 7/8 in.
Sans titre, (projet : cosmos – fleur 14), 2010, sérigraphie sur papier / silkscreen on paper, 175 x 119 cm (68 7/8 x 46 7/8 in.)
L’éclipse, 2008, néons et une image trouvée, encadré / neons and a found image, framed
Sans titre, 2004-2005, Photo noir et blanc de Diasec / Diasec black and white photo, 30 x 36,5 cm (11 3/4 x 14 3/8 in.)
Biography
Pierre-Olivier Arnaud was born in 1972. He lives and works in Lyon.
His work is based on the image, that is to say the image as a motif but which tends to disappear. He questions the status that the images he collects can have, a status that is relatively blurry because of the very precariousness of these motifs and their identity. Perhaps this is why the artist does not define himself as a photographer, who takes an image for what it is and gives it to be seen in an immediate and literal way. On the contrary, it is with the invisible, fragile qualities of images, in their non-obviousness and in the representations and interpretations they can give rise to, that Pierre-Olivier Arnaud works with. Moving away from a concrete look at the image, he produces a multitude of often abstract motifs, almost always in black and white, blurring our established vision and “de-sublimating” the visible. The image thus dissolves “at first reducing the motif to bring us, in the next stage, to get closer to it and look at it in detail”*. The artist’s works are a somewhat dark, direct and honest vision of the world: inviting us to look at things differently, going beyond the evidence of glossy aesthetics and penetrating the identity itself of an image.
His work is featured in the following public collections: CNAP, Centre national des arts plastiques, Paris/FR; Fond National d’Art Contemporain, Paris; MAMCO, Geneva; Fonds Cantonal de Décoration et d’Art Visuel, Geneva; Fonds Municipal d’Art Contemporain, Geneva; Institut d’Art Contemporain, Villeurbanne, Bibliothèque Nationale de France, Paris; Fonds Municipal d’Art Contemporain, Paris; FRAC Haute-Normandie, Sotteville-Lès-Rouen.
Recent solo shows: Éléments, home alonE, Clermont-Ferrand (2022), Premiers Matériaux, Galerie Skopia, Geneva (2018); A Long Distance Call, Optica, Montréal/CA (2012); Lumières du jour, MAMCO, Genève/CH (2009); Magasin, Centre National d’Art Contemporain, Grenoble/FR (2005).
*See the exhibition: Biens Communs III, Mamco, Geneva, cycle l’Éternel Détour, 2013
Pierre-Olivier Arnaud, Dans l’espace: poussières, points, trames et chatoiements –L’image prototype, restes et promesses, textes de François Aubart et Anne Griffon-Selle, coordination éditoriale Christophe Lemaître, 2022, 184 pages
Pierre-Olivier Arnaud, textes de Jill Gasparina, Mathieu Mermillon, Ed Adera, Lyon, 2009, 160 pages
Pierre-Olivier Arnaud | Mirror Ball, Texte Marie de Brugerolle. Traduction Helga Kopp, éd. Institut français de Stuttgart, 2005, 80 pages
For this new exhibition at the Palais de Tokyo, Ulla von Brandenburg has imagined a total, evolving project, inspired from the theatre, as well as its imaginary and conventions. Around the notion of ritual, understood as the possibility to explore the relationships between individuals and groups, and to create or not to create something in common, the artist invites the public to take part in an immersive and renewed experience of the themes, forms and motifs that feed into her work: movement, the stage, colours, music, textiles…
Exhibition til January 3 2021
Palais de Tokyo 13 avenue du Président Wilson 75116 Paris | FR
