{"id":46,"date":"2020-08-19T06:25:00","date_gmt":"2020-08-19T06:25:00","guid":{"rendered":"http:\/\/localhost\/artconcept\/?p=46"},"modified":"2025-10-23T14:25:51","modified_gmt":"2025-10-23T14:25:51","slug":"julien-audebert","status":"publish","type":"post","link":"http:\/\/www.galerieartconcept.com\/en\/julien-audebert\/","title":{"rendered":"Julien Audebert"},"content":{"rendered":"\n
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Julien Audebert
Pages ajout\u00e9es (Descartes), 2024
Huile sur toile
diptyque: 131 \u00d7 194 cm (51 \u215d \u00d7 76 \u215c inches)<\/figcaption><\/figure>\n\n\n\n
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Julien Audebert
Pages ajout\u00e9es (Gombrich), 2025
Huile sur toile \/ Oil on canvas
diptyque: 131 \u00d7 194 cm (51 \u215d \u00d7 76 \u215c inches)<\/figcaption><\/figure>\n\n\n\n
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Julien Audebert, Premier feu, 2021
Ektachrome. 19 \u00d7 23,2 cm (7 \u00bd \u00d7 9 \u215b inches) ; 35 \u00d7 40 cm (13 \u00be \u00d7 15 \u00be inches) (framed). Edition of 3. Photo Romain Darnaud. Courtesy the Artist and Art : Concept, Paris<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view Julien Audebert, La nuit du monde, 2023. Art : Concept, Paris\/FR. Courtesy the Artist and Art : Concept, Paris. Photo Romain Darnaud<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view Julien Audebert, La nuit du monde, 2023. Art : Concept, Paris\/FR. Courtesy the Artist and Art : Concept, Paris. Photo Romain Darnaud<\/figcaption><\/figure>\n\n\n\n
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Vues de l’exposition \/ Installation view “In this world, I’m a stranger”, 17.11.22 – 31.01.23, HiFlow, Gen\u00e8ve. Courtesy the Artist & Art : Concept, Paris. Photo by: Thomas Cerato<\/figcaption><\/figure>\n\n\n\n
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Julien Audebert, La nuit du monde (Jonathan), 2023. Tirs au pistolet, huile sur cuivre, encadr\u00e9 \/ Shooting, oil on copper, framed. 40 \u00d7 40 cm. Courtesy the Artist and Art : Concept, Paris<\/figcaption><\/figure>\n\n\n\n
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Julien Audebert, La nuit du monde (Loris), 2023. Tirs au pistolet, huile sur cuivre, encadr\u00e9 \/ Shooting, oil on copper, framed. 40 \u00d7 40 cm. Courtesy the Artist and Art : Concept, Paris<\/figcaption><\/figure>\n\n\n\n
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Julien Audebert, La nuit du monde (Marie-Lise), 2023. Tirs au pistolet, huile sur cuivre, encadr\u00e9 \/ Shooting, oil on copper, framed. 40 \u00d7 40 cm. Courtesy the Artist and Art : Concept, Paris<\/figcaption><\/figure>\n\n\n\n
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Eden 1 (Danien), 2019-2020. Huile sur toile, 25 3\/8 x 48 7\/8 in.<\/figcaption><\/figure>\n\n\n\n
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Eden 2 (Carbonife\u0300re), 2019-2020. Huile sur toile, 64,5 \u00d7 124 cm (25 \u215c \u00d7 48 \u215e inches)<\/figcaption><\/figure>\n\n\n\n
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Obsidionales (Fausse lai\u0302che des renards), 2019. Huile sur cuivre 7 1\/8 x 5 7\/8 in.<\/figcaption><\/figure>\n\n\n\n
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Obsidionales (Panicaud g\u00e9ant), 2019
Huile sur cuivre, 18 x 15 cm<\/figcaption><\/figure>\n\n\n\n
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Obsidionales (Doradille des fontaines), 2019
huile sur cuivre, 18 x 15 cm<\/figcaption><\/figure>\n\n\n\n
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Obsidionales (Centaure\u0301e a\u0300 feuille de navet), 2019-2020. Huile sur cuivre, 18 x 15 cm (7 1\/8 x 5 7\/8 in.)<\/figcaption><\/figure>\n\n\n\n
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Inclusion (1798), 2020
Tirage photographique par contact sur papier barit\u00e9, 17 x 12 cm, \u00e9dition de 5<\/figcaption><\/figure>\n\n\n\n
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BPM, 2003
Contact print on silver bromide
47 \u00d7 85 cm (18 \u00bd \u00d7 33 \u00bd inches) (framed)
Edition of 5 plus II AP<\/figcaption><\/figure>\n\n\n\n
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L\u2019atelier ferm\u00e9, d\u00e9tail 2013, technique mixte
Dimensions variables. Collection de la Ville de Varengeville<\/figcaption><\/figure>\n\n\n\n
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Vue de l\u2019exposition L\u2019atelier ferm\u00e9, commande publique pour le cinquantenaire de la mort de Georges Braque, Varengeville, 2013<\/figcaption><\/figure>\n\n\n\n
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Mars & V\u00e9nus, phases d\u2019opposition, 2016
film 35 mm num\u00e9rique (4K), couleur, son, 10\u201930, \u00e9dition de 5 + 2 EA<\/figcaption><\/figure>\n\n\n\n
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Sommet de l\u2019OTAN, 2015 tirage lambda couleur sur papier mat \/ lambda print on mate paper
44 x 78 cm (17 3\/8 x 30 3\/4 in.)
46,3 x 80,4 x 4 cm (18 1\/4 x 31 5\/8 x 1 5\/8 in.) framed 5 ex + 2 AP<\/figcaption><\/figure>\n\n\n\n
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The Searchers, 2009-2010
impression digigraphie sur papier photo traditionnel contrecoll\u00e9 sur dibond sous diasec, 82 x 300 cm (image), 86 x 304 cm (encadr\u00e9), \u00e9dition de 5 + 2 EA<\/figcaption><\/figure>\n\n\n\n
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Vue de l’exposition, Les jeux fun\u00e9raires, Art : Concept Paris, 2011<\/figcaption><\/figure>\n\n\n\n
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1925-1964, 2008
tirage lambda contrecoll\u00e9 sur aluminium sous diasec, 123 x 143 cm, \u00e9dition de 5 + 2 EA<\/figcaption><\/figure>\n\n\n\n
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Vue de l’exposition, nwsfrmnwhr, Art : Concept, Paris, 2008<\/figcaption><\/figure>\n\n\n\n
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EST\/OUEST, 2012,
tirage lambda contrecoll\u00e9 sur dibond sous diasec, 43 3\/4 x 155 7\/8 in. 5 ex + 2 AP<\/figcaption><\/figure>\n\n\n\n
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Royal Albert Hall, 2005
tirage lambda contrecoll\u00e9 sur aluminium sous diasec, 57 x 200 cm, \u00e9dition de 5 + 2 EA<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Biography<\/h4>\n\n\n\n

Born in 1977 in Brive-La-Gaillarde, Julien Audebert lives and works in Paris. Whether it be cinema or photography, History is a central subject in his work. It is dialecticized, reconstructed or exhumed, through processes from which emerges the ideology underlying the dominant cultural forms (cinema, media, literature, pictorial genres\u2026). His works often materialize a point of tension or climax of a political or military nature where geographical variables play a particular role.<\/p>\n\n\n\n

Since 2019, Julien Audebert has been painting, producing various series of small-format works in oil on copper. His most recent series, La nuit du monde<\/em> (“The Night of the World”), brings together portraits with a disturbing look: the eyes are obtained by two pistol shots that the artist makes before painting the face. Quoting the philosopher F. Hegel, the artist turns “night” into a place of original passage, a pretext for exploring the limits of representation and the materiality of its support. His precedent series, Obsidionales,<\/em> consists of small oil paintings on copper following his large-scale battlefield Nocturnes<\/em> (and his recent film Mars and Venus<\/em>\u2026). These exogenous “flowers of war” moved by the soles of soldiers, railroad or horses, are painted, centred in the middle of the frame, as a child would do, done alla prima<\/em> (a technique imposed by the adhesion on the copper). These works, such as his recent aquarium paintings (Eden<\/em>), create conflagration between the subject and an often invisible historical underpinning.<\/p>\n\n\n\n

His work is present, among others, in the following collections: FRAC Aquitaine; Fonds National d\u2019Art Contemporain, Paris; FRAC Auvergne; FRAC Haute-Normandie; FRAC Languedoc-Roussillon; FRAC Pays de La Loire; The Israel Museum, Jerusalem. <\/p>\n\n\n\n

Solo exhibitions include: Art : Concept, Paris\/FR (2023, 2020, 2016, 2011, 2008); commande publique de la commune de Varengeville, dans le cadre du cinquantenaire de la mort de Georges Braque, Varengeville\/FR (2012); In Extenso, Clermont-Ferrand\/FR (2009); Santa Barbara Contemporary Art forum, Santa Barbara\/US (2008).<\/p>\n\n\n\n

Selected group exhibitions\/festivals: Mus\u00e9e Bertrand de la Ville de Ch\u00e2teauroux\/FR (2024); Hiflow, Plan-les- Ouates\/CH (2022); Ch\u00e2teau du Rivau, L\u00e9mer\u00e9\/FR (2022); \u00c9cole des beaux-arts de N\u00eemes\/FR (2019); Pool Internationales, TanzFilmFestival Berlin, Dock 11, Berlin\/DE (2019); The LA Dance, Film Festival, Los Angeles\/US (2018); Portland Danse Film Fest 2017, Portland\/US (2017)\u2026<\/p>\n\n\n\n

His first monograph was published by Mousse Publishing in 2022, with texts by Philippe-Alain Michaud and Corinne Rondeau.<\/p>\n\n\n\n

At the gallery<\/h4>\n\n\n\n