{"id":1133,"date":"2020-09-05T15:20:17","date_gmt":"2020-09-05T15:20:17","guid":{"rendered":"http:\/\/www.galerieartconcept.com\/new\/?p=1133"},"modified":"2026-03-24T14:35:58","modified_gmt":"2026-03-24T14:35:58","slug":"ulla-von-brandenburg","status":"publish","type":"post","link":"http:\/\/www.galerieartconcept.com\/en\/ulla-von-brandenburg\/","title":{"rendered":"Ulla von Brandenburg"},"content":{"rendered":"\n
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\"Ulla
Ulla von Brandenburg: Shadows under water, 2025, Barakat Contemporary, Seoul, Korea. PhotoJeon Byung Cheol, image courtesy of Barakat Contemporary<\/figcaption><\/figure>\n\n\n\n
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Ulla von Brandenburg: Shadows under water, 2025, Barakat Contemporary, Seoul, Korea. PhotoJeon Byung Cheol, image courtesy of Barakat Contemporary<\/figcaption><\/figure>\n\n\n\n
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Ulla von Brandenburg + Collection Frac Picardie, L’Anavrac Papoulire, 2025, Colyse\u0301e de Lambersart pour Fiesta lille3000. Photo Maxime Dufour <\/figcaption><\/figure>\n\n\n\n
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Ulla von Brandenburg, Vitrine JAP, Entre deux portes, 2025, Bruxelles\/BE<\/figcaption><\/figure>\n\n\n\n
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Ulla von Brandenburg
Chorsingspiel, Espace Louis Vuitton Osaka, Shinsaibashi, Osaka\/JP
November 27, 2024 – May 11, 2025<\/figcaption><\/figure>\n\n\n\n
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Ulla von Brandenburg : In dialogue, The Bass Museum of Art, Miami\/US
September 4, 2024 – July 6, 2025<\/figcaption><\/figure>\n\n\n\n
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Exhibition \u201eWir legten H\u00e4nde in das Wasser\u201c, Altes Kurhaus Bad K\u00f6sen, Naumburg, 2024.
1-Ulla von Brandenburg, Zelt, 2024. Fabrics, rope, wooden benches, variable dimensions; Un bal sous l\u2019eau, 2023. Super-16 mm film transferred to HD video, 26\u201925\u201d.<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view, Ulla von Brandenburg, Sweet Feast, Le Parvis – Sc\u00e8ne Nationale Tarbes Pyr\u00e9n\u00e9es – Centre d’art contemporain, 2024. Sc\u00e9nographie : Julia Moss\u00e9. Commissariat : Magali Gentet
\u00a9 Ulla von Brandenburg et Art : Concept, Paris. Photos \u00a9 Val\u00e9rie Servant<\/figcaption><\/figure>\n\n\n\n
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Vue de l’exposition \/ exhibition view, La Soci\u00e9t\u00e9 des spectacles \u00e0 la Fondation Pernod Ricard, Paris, 2024. Photo L\u00e9a Guintrand
Courtesy Ulla von Brandenburg<\/figcaption><\/figure>\n\n\n\n
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Vue de l’exposition \/ exhibition view, La Soci\u00e9t\u00e9 des spectacles \u00e0 la Fondation Pernod Ricard, Paris, 2024. Photo L\u00e9a Guintrand
Courtesy Ulla von Brandenburg et Farah Atassi \u00a9 ADAGP<\/figcaption><\/figure>\n\n\n\n
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Ulla von Brandenburg
La fen\u00eatre s’ouvre comme une orange (danse abstraction), 2022
Film super 16 mm transf\u00e9r\u00e9 en vid\u00e9o HD, couleur, muet
05’18”
Edition of 5 plus II AP<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ exhibition view, Le parti pris des choses, 2024, CRP\/ Centre r\u00e9gional de la photographie Hauts-de-France, Douchy-les-Mines\/FR. Courtesy Ulla von Brandenburg<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view Ulla von Brandenburg, National Gallery of Victoria, Triennal Melbourne 2023\/2024. Photo LillieThompson<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view Ulla von Brandenburg, National Gallery of Victoria, Triennal Melbourne 2023\/2024. Photo LillieThompson<\/figcaption><\/figure>\n\n\n\n
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Vue d\u2019exposition \/ Installation view : Ulla von Brandenburg, One-Sequence Spaces, 2023 \/ 2024, Retiro Park, Palacio de Vel\u00e1zquez. \u00a9 Ulla von Brandenburg. Photo : Rom\u00e1n Lores \/ Joaqu\u00edn Cort\u00e9s. Courtesy Museo Reina Sof\u00eda, 2023.<\/figcaption><\/figure>\n\n\n\n
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Vue d\u2019exposition \/ Installation view : Ulla von Brandenburg, One-Sequence Spaces, 2023 \/ 2024, Retiro Park, Palacio de Vel\u00e1zquez. \u00a9 Ulla von Brandenburg. Photo : Rom\u00e1n Lores \/ Joaqu\u00edn Cort\u00e9s. Courtesy Museo Reina Sof\u00eda, 2023.<\/figcaption><\/figure>\n\n\n\n
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Ulla von Brandenburg, M\u00e4dchen mit Hund, 2023. Aquarelle sur gesso sur bois \/ Watercolour on gesso on wood, 140 \u00d7 110 cm (55 \u215b \u00d7 43 \u00bc inches)Courtesy the Artists and Art : Concept, Paris. Photo Romain Darnaud<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view The Taguchi Art Collection at Kadokawa Culture Museum, Saitama, Japan, 2023<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition Ulla von Brandenburg – Masqu\u00e9 et surtout secret, Le Safran – Sc\u00e8ne conventionn\u00e9e, Amiens, 2022. Photos \u00a9 Le Safran<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation views, Sul vestito lei ha un corpo, Meris Angioletti e Ulla von Brandenburg, 2020-2022, Courtesy le artiste e XNL Piacenza.<\/figcaption><\/figure>\n\n\n\n
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Regie, set and costumes Ulla von Brandenburg \/ Benoit R\u00e9sillot \/ Julia Moss\u00e9 in Staatsoper Stuttgart, April-May 2022 Esther Dierkes (Gerhilde); Clare Tunney(Helmwige); Leia Lensing (Waltraute); Stine Marie Fischer (Schwertleite); Catriona Smith (Ortlinde); Linsey Coppens (Siegrune); Anna Werle (Ro\u00dfwei\u00dfe); Maria Theresa Ullrich (Grimgerde); Okka von der Damerau (Br\u00fcnnhilde); Simone Schneider (Sieglinde); Brian Mulligan (Wotan) photo : Martin Sigmund <\/figcaption><\/figure>\n\n\n\n
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Ulla von Brandenburg, Arnold Sch\u00f6nberg, Erwin Ortner, Arnold Schoenberg Chor
FRIEDE AUF ERDEN, Vienna 2022
courtesy the artists
photo: Nurith Wagner-Strauss \/ Wiener Festwochen<\/figcaption><\/figure>\n\n\n\n
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Ulla von Brandenburg, Masked and above all \u2013 discreet, 2022, detail, Stuttgart, DE \u00a9 Courtesy of the artist and Meyer Riegger, Berlin\/Karlsruhe; Produzentengalerie Hamburg, Hamburg; Galerie Art: Concept, Paris; Pilar Corrias, London. Photo: Staatsgalerie Stuttgart, Sander Pitl<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition Eine Landschaft ohne Blau, wie ungef\u00e4hr, Kunstmuseum Weserburg, 2021, Courtesy Ulla von Brandenburg & Weserburg Museum f\u00fcr moderne Kunst, Photo: Tobias H\u00fcbel<\/figcaption><\/figure>\n\n\n\n
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Ulla von Brandenburg, Sweet Feast,<\/em> 2018, Super-16 mm film, couleur, son, 9.18 min & Das ist Was<\/em>, 2018, tissus peints, dimensions variable. Vue d’exposition, “Diversity United.”, Flughafen Tempelhof Berlin, 2021. Photo: Silke Briel \/ \u00a9 Stiftung f\u00fcr Kunst und Kultur, Bonn<\/figcaption><\/figure>\n\n\n\n
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Ulla von Brandenburg, Blaue und Gelbe Schatten, Performance au Georg Kolbe Museum, 2021, Photo: Enric Duch \u00a9 Bildarchiv Georg Kolbe Museum<\/figcaption><\/figure>\n\n\n\n
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Vue d\u2019exposition, Deux sc\u00e9narios pour Une collection, FRAC Normandie Rouen, Photo Marc Domage \/ Frac Normandie Rouen<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view, Le Milieu est bleu, Palais de Tokyo, 2020. Photo: Aur\u00e9lien Mole<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view, Le Milieu est bleu, Palais de Tokyo, 2020. Photo: Aur\u00e9lien Mole<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view, Le Milieu est bleu, Palais de Tokyo, 2020. Photo: Aur\u00e9lien Mole<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view, Le Milieu est bleu, Palais de Tokyo, 2020. Photo: Aur\u00e9lien Mole<\/figcaption><\/figure>\n\n\n\n
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Le milieu est bleu, 2020, film Super 16mm transf\u00e9r\u00e9 sur vid\u00e9o HD (couleur, son), 23’43”<\/figcaption><\/figure>\n\n\n\n
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Hedwig Dohm, 2018, Aquarelle sur papier assembl\u00e9, 39 3\/8 x 31 1\/2 in.<\/figcaption><\/figure>\n\n\n\n
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Margaret Lindsay Huggins, 2018,
aquarelle sur papier assembl\u00e9, 39 3\/8 x 31 1\/2 in.<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view, Sweet Feast, Whitechapel Gallery, London, 2018. Photo: Stephen White.<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view, Sweet Feast, Whitechapel Gallery, London, 2018. Photo: Stephen White.<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view, Le soleil te regarde, Experience Traps, Middelheim, 2018. Photo: Sigrid Spinnox<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view, Une Notation de Couleur, Mus\u00e9e Jenisch, Vevey, 2018. Photo: Julien Gremaud.<\/figcaption><\/figure>\n\n\n\n
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Elisabeth Dmitrieff, 2018. aquarelle sur papier assembl\u00e9, 39 3\/8 x 31 1\/2 in.<\/figcaption><\/figure>\n\n\n\n
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Zwei Frauen, 2017. Aquarelle sur gesso et bois,, 33 1\/2 x 26 3\/8 in.<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view, Prix Michel Duchamp, Centre Pompidou, Paris, 2016. Photo: Georges Meguerditchian<\/figcaption><\/figure>\n\n\n\n
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Ulla von Brandeburg – “It Has a Golden Sun and an Elderly Grey Moon” Film super-16-mm, colour, sound, 22 min 25 sec.<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view, 2014, Institut d\u2019art contemporain, Villeurbanne<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view, Innen ist Nicht Aussen, Succession, Vienne, 2013. Photo: Wolfgang Thaler<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view, Innen ist Nicht Aussen, Succession, Vienne, 2013. Photo: Wolfgang Thaler<\/figcaption><\/figure>\n\n\n\n
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Vue d’exposition \/ Installation view, Interventions sur le b\u00e2timent, Mort d’un Roi, Palais de Tokyo, Paris, 2012-2013. Photo: Andr\u00e9 Morin<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Biography<\/h4>\n\n\n\n

Ulla Von Brandenburg is a German artist born in 1974 in Karlsruhe and based in Paris since 2005. <\/p>\n\n\n\n

After training as a scenographer in Karlsruhe and a brief period spent in the world of theatre, she studied at the Hochschule f\u00fcr Bildende K\u00fcnste in Hamburg. Her work is characterised by a diversity of means and media (installations, films, watercolours, murals, collages, performances\u2026) that interact with one another and which she stages according to different exhibition spaces. Perfectly mastering the codes of scenography, nourished by literature, the history of the arts and architecture but also psychoanalysis, spiritism and magic, she takes as much from esoteric rituals and popular ceremonies, as from the mechanisms and codes of the theatre, to explore the construction of our social structures. Masks, costumes, sets and props coming from different popular traditions thus allow her to transgress symbolically norms and hierarchies by subtly mingling reality and appearances in theatrical presentations.*<\/p>\n\n\n\n

Her work has appeared in numerous solo shows recently for example at The Bass Museum of Art, Miami\/US and Barakat Contemporary, Seoul\/KR (2025), Espace Louis Vuitton Osaka, Shinsaibashi, Osaka\/JP (2024), Palacio de Vel\u00e1zquez, Madrid (2023\/2024), National Gallery of Victoria, Triennal Melbourne (2023\/2024), Stuttgartstaats Galerie (2022), Weserburg Museum f\u00fcr moderne Kunst, Bremen (2021), Palais de Tokyo in Paris (2020), MRAC in S\u00e9rignan (2019), Whitechapel Gallery in London (2018), Mus\u00e9e Jenisch Vevey in Switzerland (2018), Kunstmuseum in Bonn (2018), Perez Art Museum in Miami (2016) and Contemporary Art Museum of Saint Louis (2016). In 2023, an exhibtion is going to take place at the National gallery of Victoria, Melbourne.<\/p>\n\n\n\n

Her works are included in collections such as the Tate Modern in London, the MAMCO in Geneva, the Centre Pompidou in Paris, the GAM in Turin or the Mudam in Luxembourg. Her work is represented by Art : Concept in Paris, Pilar Corrias Gallery in London, Produzentengalerie in Hamburg and the Meyer Riegger gallery in Karlsruhe, Basel and Berlin.<\/p>\n\n\n\n

*Text: Palais de Tokyo, Paris, 2020<\/p>\n\n\n\n

At the gallery<\/h4>\n\n\n\n