Poussière du temps, 2022
Huile sur toile.
33 × 24 × 2 cm. Courtesy the Artist and Art : Concept, Paris. Photo Romain Darnaud
L’étreinte du vent, 2022. Huile sur toile / Oil on canvas.
200 × 300 × 2,5 cm. Courtesy the Artist and Art : Concept, Paris. Photo Romain Darnaud
nstallation view / Vue de l’exposition Entre tes yeux et les images que j’y vois à la Fondation Pernod Ricard, Paris. 2021
Photo by:
Aurélien Mole
Vue d’exposition / Installation view We paint, Fondation Brebin Prat. Photo © Romain Darnaud. Courtesy Fonds de dotation BREDIN PRAT 
Miryam Haddad, Soleil avide, 2022. Huile sur toile / Oil on canvas. 22 × 16 cm (8 ⅝ × 6 ¼ inches). Courtesy the artist ; Art : Concept, Paris. Photo Romain Darnaud. 
Miryam Haddad, Derrière le vent qui fuit, 2022. Aquarelle, papier / Watercolor, paper. 30 × 21 cm (11 ¾ × 8 ¼ inches). 36,5 × 27,5 × 3,5 cm (14 ⅜ × 10 ⅞ × 1 ⅜ inches) (framed). Courtesy the artist ; Art : Concept, Paris. Photo Nicolas Brasseur 
Miryam Haddad, Au bord des regards, 2022. Huile sur toile / Oil on canvas. Diptyque /Diptych : 250 x 200 cm + 250 x 100 cm ; 250 × 300 cm (98 ⅜ × 118 ⅛ inches). Courtesy the artist, Art : Concept, Paris. Photo Romain Darnaud 
L’épaule des souffles, 2021, oil on canvas, 78 ¾ × 98 ⅜ in. 
Le brin de l’aube, 2021
oil on canvas, diptych
98 ⅜ × 157 ½ inches
La loi des regards, 2021,
oil on canvas,
8 ⅝ × 6 ¼ inches. Private collection
Quand le ciel ouvre ses paupières, 2021, oil on canvas, 9 ½ × 5 ½ inches. Private collection 
L’aube entre les mains, 2021
watercolor on paper,
11 ¾ × 8 ¼ inches. Private collection
L’aube entre les mains, 2021
watercolor on paper,
11 ¾ × 8 ¼ inches. Private collection
Face aux regards en deuil, 2020
oil on canvas,
98 ⅜ × 78 ¾ inches. Collection privée
Vue de l’exposition / Installation view Miryam Haddad Là-bas, sur le ciel d’orage – FRAC Auvergne, Clermont – Ferrand, 2021. Photo Ludovic Combe 
Vue de l’exposition / Installation view Miryam Haddad Là-bas, sur le ciel d’orage – FRAC Auvergne, Clermont – Ferrand, 2021. Photo Ludovic Combe 
Vue de l’exposition / Installation view Miryam Haddad Là-bas, sur le ciel d’orage – FRAC Auvergne, Clermont – Ferrand, 2021. Photo Ludovic Combe 
Édifier la nuit, 2020, oil on canvas, 13 ¼ × 9 ½ in. Private collection FR 
Les songes agitant mers et lumières, 2020, oil on canvas, 118 1/8 x 118 1/8 in. Private collection 
Le soupir des lueurs, 2020, oil on canvas, 98 3/8 x 78 3/4 in. 
Les ondes silencieuses, 2020 oil on canvas, 250 x 210 cm (98 3/8 x 82 5/8 in.). 
L’écume des protecteurs, 2020, oil on canvas 22 x 16 cm (8 5/8 x 6 1/4 in.). Private collection IT 
Le ciel souffle d’un souffle aride, 2020. Oil on canvas, 8 5/8 x 6 1/4 in. Private collection FR 
Vent des lumières, 2020. Oil on canvas, 9 1/2 x 7 1/2 in. Private collection FR 
Feu du ciel, 2020, oil on canvas, 7 7/8 x 7 7/8 in. Private collection 
La fonte des cieux, 2020. Watercolour, paper, 14 1/8 x 10 5/8 in. Private collection CY 
La fonte des cieux, 2020. Watercolour, paper, 14 1/8 x 10 5/8 in. Private collection FR 
Crépuscule, 2020. Oil on canvas, 13 3/4 x 10 5/8 in. Private collection FR 
Un ciel volé, 2020. Oil on canvas, triptych, each 76 3/4 x 153 1/2 in. Collection Frac Auvergne 
Vue d’exposition / Installation view j’aime, j’aime pas, Eigen-Art Leipzig/DE, 2020 
Vue d’exposition / Installation view Miryam Haddad, La complainte de Yam, Art : Concept, Paris/FR, 2020 
Agonia, 2019. Oil on canvas, 98 3/8 x 78 3/4 in. Private collection FR 
La Vengeance, 2018. Oil on canvas, 98 3/8 x 78 3/4 in. Private collection JP 
La Chute, 2018. Oil on canvas, 98 3/8 x 78 3/4 in. Private collection BE 
Silence, 2018. Oil on canvas, triptych, 76 3/4 x 51 1/8 in. each, 76 3/4 x 153 1/2 in.). Private collection FR 
Vue d’exposition / Installation view Jeunes artistes en Europe. Les métamorphoses, Fondation Cartier pour l’art contemporain, Paris/FR, 2019. Photo © Luc Boegly 
Vue de l’exposition / Installation view Miryam Haddad. Désordes, Art : Concept, 2018. Photo © Claire Dorn
Biography
Born in 1991 in Damascus, Syria, Miryam Haddad has been living and working in Paris since 2012.
Miryam Haddad’s artwork discloses, for anyone willing to look closely, a thrilling adventure: that of a very young artist who harbours two equally intense words: the abstract world of writing that conveys a message, and the incarnated world of painting that invites us to share an emotion without recourse to speech. Miryam Haddad’s works are like aurora borealis caused by the collision of solar particles from her native East Orient with the terrestrial atmosphere and magnetic fields of painting as practiced in Europe and America, and their radiance does not happen by chance.*
Her work is present in the following collections: Aïshti Foundation, Beyrouth/ LB; Institut du Monde Arabe, Paris/FR; FRAC Auvergne, Clermont Ferrand/FR.
In 2021, her solo exhibition at the Frac Auvergne, Clermont Ferrand/FR led to the publication of her first monograph. **
In 2019, the artist was the laureate of the Jean Francois Prat prize, had a solo show at the Collection Lambert in Avignon and was selected to create the poster for the 73rd Festival d’Avignon.
Her work has recently featured in the following group exhibitions: Immortelle, Mo.Co Panacée, Montpellier (2023); Entre tes yeux et les images que j’y vois, Fondation Pernod Ricard, Paris/FR (2022), Le Printemps de septembre, Toulouse/FR (curator Christian Bernard) (2021); J’aime, Je n’aime pas, Eigen + Art, Leipzig/DE (2020); Tomio Koyama gallery, Tokyo/JP (2020); Prix Jean-François Prat, Fondation Bredin Prat, Paris/FR (2019); Globe as a Palette, Hokkaido Obihiro Museum of Art/JP (touring Kushiro Art Museum, Hokkaido, Hakodate Museum of Art, Sapporo Art Museum, Hokkaido) (2019); Jeunes artistes en Europe – Les métamorphoses, Fondation Cartier, Paris/FR (2019).
* Extract from Didier Semin’s text «Têmpete Solide» in :
** Miryam Haddad, Texts by Didier Semin and Jean-Charles Vergne, published by FRAC Auvergne
At the gallery
Vidéos
- Phonomaton, 2022
- Entretien, FRAC Auvergne, 2021
- L’Entretien Infini – Conversation avec Hans Ulrich Obrist, 2019
- “Le sommeil n’est pas un lieu sûr”, Festival d’Avignon, 2019