With: Anne-Camille Allueva, Mariia Andreeva, Pierre-Olivier Arnaud, François Bellabas, Douglas Coupland, Fig Docher, Dora Garcia, Paul Graham, Information Fiction Publicité, Joyce Joumaa, Florence Jung, Gianni Motti, Prune Phi, Adrian Sauer, Simon Starling, Wolfgang Tillmans, Lawrence Weiner
Artistic and curatorial conception: Nicolas Giraud, with Ulysse Barry, Ludivine Chastang, Eléa Godefroy, Demian Letinois, Adrien Limousin, Célia Marion, Piero Markarian, Luka Perkins Petit, Marco Reghelin, Wenjie Tong
The photograph you are looking at is a decoy.
As you observe it, other people are probably looking at it too, on other screens, in other countries, in other forms. It knows that you are looking at it. It is analyzed by machines, encoded into an algorithm that uses it for other purposes. Other information is encrypted within its pixel structure. It is not alone: it is connected to other images, used to generate new ones, and the totality of these images shapes our perception of reality. Photography has freed itself from its role as a means of representation, which now serves merely to conceal the control it exerts over our gaze.
What it represents is now secondary.
What are we to do with these new images? The exhibition Ctrl. brings together artists and works that are not concerned with what images show, but with how they show it. Like a camera that has fallen to the ground, this exhibition does not present images, but the inside of the camera: its inner workings, its mechanisms, its data. It invites us to contemplate the other side of the stage, where images continuously unfold.
This exhibition is the outcome of a curatorial research project conducted throughout 2026 by a group of students from the École nationale supérieure de la photographie, under the direction of artist, teacher, and researcher Nicolas Giraud.
As part of the Bicentenary of Photography programme, it constitutes the first stage of a research project that explores the future of the École in 2026, before turning, in a second stage in 2027, to its history.
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