Installation view. Photo : Maja Janevska Ilieva

International exhibition “The Event of a Thread: Global Narratives in Textiles”, organized by ifa (Institut für Auslandsbeziehungen) and MoCA – Skopje.

Curated by Susanne Weiß, Inka Gressel, and Jovanka Popova.

The exhibition will be opened on Tuesday, May 28 starting at 8:00 p.m.

Textiles are at the heart of the ifa touring exhibition, which focuses on questions including: What inherent meanings and messages can be found in fabrics? What is their cultural significance? How can textiles be ‘read’? What can fabrics tell us about their origins, meanings and social roles? Which traditional textile techniques have artists appropriated, abstracted, relocated and brought back to life? Textiles constitute a locus in which art encounters handicraft, traditions meet the present day, and local knowledge intersects with global relationships.

The exhibition highlights the multiple complex ways in which the participating artists work with textiles. They link personal and aesthetic narratives with the social and economic configuration of a globalized world. In 1965, Bauhaus artist Anni Albers described “the event of a thread” as something multilinear, without beginning or end: more broadly, it signifies constant scope to rethink relations and to restructure connections and contexts.

The artist Judith Raum developed “The Bauhaus Space” for the exhibition, an installation dedicated to the Bauhaus weaving workshop. We encounter rewoven fabrics and historic materials in a specially designed display that unfolds its extraordinary success story in six chapters.

Every part of the world can attest the complex inscription of textiles into cultural and industrial history. In a political climate marked by detachment and cruelty, textiles hold the power to evoke reminiscences of earlier heartfelt humane times, to remind us how precious handcrafts are, to call to compassion and solidarity. Hence, in cooperation with local contemporary artists, the main body of the exhibition is complemented by artworks that create new narratives relevant to the textile in the local context and their engaged response to the various oppression forms, systematic but also interpersonal.

In this context, the artworks featured in the Museum collection in Skopje are exhibited not only as testimonies to the lived experiences and memories emerged from the earthquake, rather as a vivid reminder of how necessary these interrupted threads of global support and empathy networks are, transforming the tragic event of personal and collective loss into a transnational solidarity model.

Artists: Ulla von Brandenburg, Kristina Bozurska, Yane Calovski and Hristina Ivanoska, Noa Eshkol, Andreas Exner, Uli Fischer, Zille Homma Hamid, Heide Hinrichs, Olaf Holzapfel, Christa Jeitner, Elisa van Joolen & Vincent Vulsma, Jovan Josifovski, Eva Meyer & Eran Schaerf, Karen Michelsen Castañón, Judith Raum, Franz Erhard Walther, Zorica Zafirovska and Klelija Zivkovic; along with the “Bauhaus Space”, a visual archive on the history of the weaving workshop of Bauhaus Dessau and Weimar (artistic research: Judith Raum; design: Jakob Kirch; architecture: S.T.I.F.F.) and the artworks from the artists in the MoCA Skopje Collection:  Sonja Dimitrova, Dimche Koco, Jolanta Owidska, Ismet Ramicevic, Lisa Rehsteiner, Mira Spirovska, Dushko Stojanovski, Patricia Velasco Wallin. 

The exhibition project has been supported by the German Embassy – North Macedonia and Goethe Institut – North Macedonia and Tikveš.

En Italie et à l’étranger, Cremona Contemporanea | Art Week propose un un dialogue entre les lieux de Crémone et les artistes contemporains. Le patrimoine culturel de la ville, qui compte de nombreux bâtiments historiques, des places petites et grandes, des galeries privées et des espaces désaffectés à redécouvrir, doit être réactivé, valorisé et promu.

Crémone a été un carrefour de changements, le théâtre de ferments culturels et politiques intéressants, de tensions et de conflits, et a vu passer d’importantes familles qui ont laissé des traces encore visibles aujourd’hui. Le projet vise à donner une voix et une vie à cet important chapitre (et capitale) artistique et culturel de la ville et à témoigner de la vitalité et de la richesse du statut culturel et social de Crémone.

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Cremona Contemporanea | Art Week stems from the need to reaffirm in Italy and abroad the value of Cremona through a dialogue between its places and contemporary artists. The cultural heritage in the city area, which counts numerous historic buildings, small and large squares, private galleries and disused spaces to be rediscovered, needs to be reactivated, enhanced and promoted.

Cremona has been a crossroads of changes, theater of interesting cultural and political ferments, tensions and conflicts, and has seen the passage of important families who have left traces which are still visible today. The project aims to give voice and life to this important artistic and cultural chapter (and capital) of the city and to witness the vitality and richness of the cultural and social status of Cremona.

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Vue d’exposition / Installation view La main (et) le gant, 2024, Musée Jenisch Vevey, Vevey/CH Courtesy Musée Jenisch Vevey. Photo Julien Gremaud.

Symbole de pouvoir, de dévotion comme de séduction, outil d’exploration tactile indispensable au travailleur comme à l’artiste, le motif de la main et du gant est ici décliné depuis le XVIe siècle jusqu’à la création contemporaine. À travers un choix d’œuvres issues des collections du musée enrichi de prêts extérieurs, cette exposition thématique propose un éclairage inédit sur les fonctions narratives de la main, tantôt à nu, tantôt gantée. Les dessins, estampes, sculptures, peintures et vidéos rassemblés témoignent de la puissance créatrice et métaphorique des jeux de mains et de leurs accessoires de choix, les gants.

Une exposition sous le commissariat de Philippe Piguet, historien, critique d’art et commissaire indépendant, assisté de Margaux Farron, assistante de conservation

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Vue d’exposition / Installation view La main (et) le gant, 2024, Musée Jenisch Vevey, Vevey/CH Courtesy Musée Jenisch Vevey. Photo Julien Gremaud.

A symbol of power, devotion, and seduction, as well as an indispensable tool for tactile exploration for workers and artists alike, the motif of the hand and glove is explored from the 16th century to contemporary art in this exhibition. Featuring a selection of works from the museum’s collections and enhanced by external loans, this thematic display sheds new light on the narrative functions of the hand, both bare and gloved. The drawings, prints, sculptures, paintings, and videos assembled here testify to the hands’ creative and symbolic power and their chosen accessories, gloves.

Curated by Philippe Piguet, historian, art critic, and independent curator, with the assistance of Margaux Farron, curatorial assistant.

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Exposition collective au Musée de la poste, Paris.

Curateurs Jean-Marc Huitorel et Dominique Marchès,

Jean-Marc Huitorel et Dominique Marchès, co-commissaires, ont conçu une exposition particulièrement riche sur le thème de la course et du message. La course comme moyen de déplacement, et bien plus encore comme expérience à part entière. Avec en particulier une  approche de la course comme porteuse de message, où la course et son message apparaissent indissociables.

Avec Pierre Ardouvin, Christian Boltanski, Julia Borderie, Lilian Bourgeat, Nina Childress, François Curlet, Nicolas Debon, Anne Deguelle, Marcel Dinahet, Simon Faithfull, Richard Fauguet, Nina Ferrer-Gleize, Hamish Fulton, Zuzanna Janin, Adrienne Jouclard, Benoît Laffiché, Hervé Le Nost, Ndary Lô, Dominique Marchès, Yvan Messac, Joachim Monvoisin, Philippe Ramette, Germaine Richier, Jean-Jacques Rullier, Pierre Tal Coat, Pierre-Philippe Toufektchan, Muriel Toulemonde, Thomas Wattebled, Koffi Max Williams.

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Group show at Musée de la poste, Paris. 

Co-curators Jean-Marc Huitorel and Dominique Marchès have designed a particularly rich exhibition on the theme of the race and the message. Running as a means of transport, and even more so as an experience in its own right. In particular, the exhibition takes a message-bearing approach to running, in which the race and its message appear inseparable.

With Pierre Ardouvin, Christian Boltanski, Julia Borderie, Lilian Bourgeat, Nina Childress, François Curlet, Nicolas Debon, Anne Deguelle, Marcel Dinahet, Simon Faithfull, Richard Fauguet, Nina Ferrer-Gleize, Hamish Fulton, Zuzanna Janin, Adrienne Jouclard, Benoît Laffiché, Hervé Le Nost, Ndary Lô, Dominique Marchès, Yvan Messac, Joachim Monvoisin, Philippe Ramette, Germaine Richier, Jean-Jacques Rullier, Pierre Tal Coat, Pierre-Philippe Toufektchan, Muriel Toulemonde, Thomas Wattebled, Koffi Max Williams.

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Jeremy Deller, Ask the Animals, and They Will Teach You, 2021. Polyester, 300 x 800 x 150 cm.
Courtesy de l’artiste ; Art Concept (Paris) ; The Moderne Institute/Toby Webster Ltd. (Glasgow)
Collection privée Frédéric Jousset. Photo: Hangar Y, 2024

Art : Concept is pleased to announce the inauguration of the artwork by Jeremy Deller, Ask the Animals, and They Will Teach You, Wednesday, May 15, 2024, from 5 to 9 pm on the occasion of the opening of the “Rayon Jouets” exhibition at Hangar Y, Meudon/FR.

Both a sculpture and a children’s slide, Ask the Animals and They Will Teach You offers an alternative to the tradition of public monuments celebrating historical events or people elevated to the status of “heroes”. Here, Jeremy Deller pays tribute to one of the world’s oldest creatures, the chameleon, which, according to the inscription at the base of the sculpture, has lived on Earth for sixty million years. Now threatened with extinction, the chameleon is used here to challenge the idea that art in public spaces has no other vocation than to fulfil a decorative or commemorative function. By inviting children to slide along the reptile’s tongue, the monument becomes playful, inviting them to appropriate the space through play.

Further information

Jeremy Deller, Ask the Animals, and They Will Teach You, 2021. Polyester, 300 x 800 x 150 cm.
Courtesy de l’artiste ; Art Concept (Paris) ; The Moderne Institute/Toby Webster Ltd. (Glasgow)
Collection privée Frédéric Jousset. Photo: Hangar Y, 2024

Art : Concept a le plaisir d’annoncer l’inauguration de l’œuvre de Jeremy Deller, Ask the Animals, and They Will Teach You, mercredi 15 mai 2024, de 17h à 21h, à l’occasion du vernissage de l’exposition « Rayon Jouets » au Hangar Y, Meudon/FR.

À la fois sculpture et toboggan pour enfants, Ask the Animals, and They Will Teach You, propose une alternative à la tradition des monuments publics qui célèbrent des événements historiques ou des personnes élevées au rang de « héros ». Ici, Jeremy Deller rend hommage à l’une des plus anciennes créatures du monde, le caméléon, qui vivrait sur Terre depuis soixante millions d’années, si l’on en croit l’inscription située à la base de la sculpture. Aujourd’hui menacé d’extinction, le caméléon est utilisé ici pour contester l’idée selon laquelle l’art dans les espaces publics n’a d’autre vocation que de remplir une fonction décorative ou commémorative. En invitant les enfants à glisser sur la langue du reptile, le monument devient ludique et les invite à s’approprier l’espace par le jeu.

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Une conversation entre Jacob Kassay et Ajay Kurian.

Mardi 14 mai 2024 à 20h.

RSVP
https://jacobkassay.splashthat.com/

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