Adam McEwen

Adam McEwen, Phantom Limb, 2017, ink jet print on cellulose sponge, graphite, 56 3/4 x 72 x 4 in.
Phantom Limb, 2017, ink jet print on cellulose sponge, graphite, 56 3/4 x 72 x 4 in.
Adam Mcewen, Hole in the Head, 2017, ink jet print on cellulose sponge, graphite, 56 3/4 x 77 x 3 in.
Hole in the Head, 2017, ink jet print on cellulose sponge, graphite, 56 3/4 x 77 x 3 in.
adam mcewen, frisbee 2, 2013, graphite, 9 1/4 x 9 1/4 in.
frisbee #2, 2013, graphite, 9 1/4 x 9 1/4 in.
adam mcewen, Mistress and Slave, 2017 ink jet print on cellulose sponge, graphite, 56 3/4 x 88 1/4 x 2 3/4 in.
Mistress and Slave, 2017 ink jet print on cellulose sponge, graphite, 56 3/4 x 88 1/4 x 2 3/4 in.
adam mcewen, Marella Agnelli, 2017, concrete, 4 3/4 x 10 3/4 x 9 1/2 in.
Marella Agnelli, 2017, concrete, 4 3/4 x 10 3/4 x 9 1/2 in.
adam mcewen, Buried Up to the Neck, 2017, concrete, 4 3/4 x 10 3/4 x 9 1/2 in.
Buried Up to the Neck, 2017, concrete, 4 3/4 x 10 3/4 x 9 1/2 in.
mcewen-holland-tunnel-2-pipe-2017-tableau
Holland Tunnel 2 Pipe, 2017, inkjet print on cellulose sponge, aluminium pipes, 62 x 108 x 3 ½ in
Franklin II, 2015, inkjet print on cellulose sponge, 31,75 x 217 in.
Franklin II, 2015, inkjet print on cellulose sponge, 31 x 217 in.
Untitled, 2014, inkjet print on cellulose sponge, 36 x 27 x 2 in
Untitled, 2014, inkjet print on cellulose sponge, 36 x 27 x 2 in
239 Kingsland Ave., 2014 (detail)
239 Kingsland Ave., 2014, graphite, 18 x 35 x 2 in.
Untitled, 2011, graphite on aluminum panel, 101,6 x 101,60 x 2,86 cm, 40 x 40 x 1 1/8 in, private collection
Untitled, 2011, graphite on aluminum panel, 40 x 40 x 1 in.

News:
– Birds, cigarettes, guitars, eyes and trees, Galerie Rodolphe Janssen, Brussels/BE (group show, Nov 09 – Dec 22 2017)
Adam McEwen: Ice Ice Baby, Art : Concept, Paris (solo show, Oct 12 – Nov 18)
– Art & Industrie, Galerie Patrick Seguin, London/UK (group show, Sept 18 – Dec 09 2017)
– The Art Show – Art of the New Millennium in Taguchi Art Collection, The Museum of Modern Art, Gunma/JP (group show, Sept 16 – Nov 12 2017)

Biography:
Born in London in 1965, Adam McEwen lives and works in New York City. He studied English Literature at Christ Church, Oxford before attending the California Institute of the Arts, Valencia, graduating in 1992. His work moves freely between the disciplines of painting, sculpture and installation. After writing obituaries for the Daily Telegraph in London, Adam McEwen turned the genre into artworks with a series of obituaries of still living figures, including Kate Moss, Bill Clinton and Jeff Koons. He is well known for his life-sized graphite sculptures of such familiar consumer objects as an ATM, a water fountain or a credit card, his Bomber Harris series – monochromatic paintings covered with chewed gums – and his prints on sponges.

McEwen’s numerous recent solo exhibitions include: I Think I’m in Love, Aspen Art Museum, Aspen (2017); Tinnitus, The Modern Institute, Glasgow (2016); Harvest, Petzel Gallery, New York (2016); Non-Alignment Pact, Art : Concept, Paris (2014).He took part in major group shows such as Love Story, Sammlung Anne und Wolfgang Titze, 21er Haus, Belvedere, Vienna (2014), Wanted, Selected Works from the Mugrabi Collection, Tel Aviv Museum of Art (2013), Haunted, Solomon R. Guggenheim Museum, New York (2010), the Whitney Biennial (2006) and Into Me/Out of Me, PS1 / MOMA, New York (2006). As curator, he has conceived various projects including Fresh Hell – Carte blanche à Adam McEwen at the Palais de Tokyo in Paris (2010).

adammcewen-artconcept-aspenartmuseum-contemporary-art-book-tableau

Adam McEwen, I Think I’m in Love

I Think I’m in Love, Aspen Art Museum, NY, 2017, 236 pages

This publication accompanies Adam McEwen’s exhibition I Think I’m in Love, on view at the Aspen Art Museum, from January 13 to May 28,2017

Texts by: Adam McEwen, Lane Relyea, Hugo von Hofmannsthal, Wayne Koestenbaum, Thomas Bernhard, Heidi Zuckerman

Adam McEwen, Non-Alignement Pact

Adam McEwen, Non-Alignement Pact, exhibition catalogue, Art : Concept gallery, 2014, Paris, 64 p.
Texts: Julien Fronsacq
Translation: Matthew Cunnigham, Marie-Bénédicte Majoral, Frieda Schumann
Photographs: Didier Barroso, Claire Dorn, Fabrice Gousset
Design: Charlotte Collin & Jonathan Martin
Layout: Julia Mossé, Alix Rozès
Printed by: Imprimerie Snel, Liège
© Art : Concept, the artist, the authors